Werner van den Valckert, 1617 - Portrait of a Goldsmith Probably Bartholomew Jansz van - fine art print

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We offer a range of different materials and sizes for every product. The following options are available for individualization:

• Poster (canvas material): Our poster is a UV printed sheet of flat canvas with a slight surface finish, which reminds the actual masterpiece. It is best suited for placing your art print in a personal frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2 - 6cm round about the artwork, which facilitates the framing.
• The canvas print: A canvas print, not to be mistaken with an artwork painted on a canvas, is an image printed on a UV direct printer. A canvas generates the extra impression of three dimensionality. A canvas print has the advantage of being relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the support of any wall-mounts. A canvas print is suited for any type of wall.
• Aluminium dibond print: Aluminium Dibond prints are prints on metal with a true depth, creating a modern look throuch a surface structure, which is not reflective. The Aluminium Dibond Print is the perfect introduction to fine art reproductions on aluminum. For our Print On Aluminum Dibond, we print the chosen artwork right onto the surface of the aluminum. The white & bright components of the original work of art shimmer with a silk gloss but without the glow. The colors are bright and luminous in the highest definition, the details of the print are clear and crisp, and you can truly feel the matte appearance of the fine art print.
• The glossy acrylic glass print (with real glass coating): The print on acrylic glass, which is sometimes denoted as a fine art print on plexiglass, will turn the original artwork into magnificient décor and makes a distinct alternative option to canvas and aluminidum dibond fine art prints.

Legal disclaimer: We try our utmost to describe our products in as much detail as possible and to exhibit them visually. Nonetheless, the pigments of the printed materials and the imprint might differ marginally from the representation on your screen. Depending on your screen settings and the nature of the surface, not all colors are printed as realistically as the digital version depicted here. Bearing in mind that our are printed and processed by hand, there might as well be minor variations in the motif's size and exact position.

Additional specifications from Rijksmuseum website (© - by Rijksmuseum - Rijksmuseum)

The man leans out of a window. In his right hand he holds up a gold ring set with a stone. His left hand rests on a touchstone, an instrument for assessing the purity of gold and silver objects. The sitter might be the goldsmith Bartholomeus Jansz van Assendelft. In 1617, the year the portrait was painted, he was appointed assay-master of the Leiden goldsmiths’ guild, which would explain the inclusion of the touchstone.

Description of the more than 400 years old artwork

In the year 1617 the artist Werner van den Valckert created the 17th century artpiece. This artpiece belongs to the Rijksmuseum's digital collection. With courtesy of - Rijksmuseum (licensed: public domain).Also, the work of art has the creditline: . What is more, the alignment is portrait and has a side ratio of 3 : 4, meaning that the length is 25% shorter than the width.

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