Quiringh van Brekelenkam, 1660 - An Old Woman Bleeding a Young Woman, known asThe Bloodletting - fine art print

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Original information about the artwork by Mauritshuis (© Copyright - by Mauritshuis - Mauritshuis)

Possibly collection Pieter François Clignet, Leiden, 1776; sale Hendrik Twent (anonymous part), Leiden, 11 August 1789 (Lugt 4469), no. 142 (for 175 guilders to Delfos); Menno, Baron Van Coehoorn; his sale, Amsterdam, 19 October 1801 (Lugt 6320), no. 8 (for 355 guilders to Theodorus Spaan); Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1-2 August 1810 (Lugt 7842), no. 16 (for 275 guilders to Van I(Y)peren for Bredius sr.); Abraham Bredius, Naarden, 1810-1863; his grandson, Abraham Bredius, Amsterdam and The Hague, before 1889-1946 (on loan to the Mauritshuis, since 1892); bequest of Abraham Bredius, 1946

In 1660 Quiringh van Brekelenkam created the classic art artpiece "An Old Woman Bleeding a Young Woman, known asThe Bloodletting". The version of the piece of art measures the size: height: 47,9 cm width: 36,7 cm | height: 18,9 in width: 14,4 in. Oil on panel was applied by the Dutch artist as the medium of the masterpiece. The original artwork's inscription is the following: signed: QVB. The artpiece can be viewed in in the Mauritshuis's digital collection located in The Hague, South Holland, Netherlands. We are happy to state that this public domain work of art is included with courtesy of Mauritshuis, The Hague. Creditline of the artwork: Possibly collection Pieter François Clignet, Leiden, 1776; sale Hendrik Twent (anonymous part), Leiden, 11 August 1789 (Lugt 4469), no. 142 (for 175 guilders to Delfos); Menno, Baron Van Coehoorn; his sale, Amsterdam, 19 October 1801 (Lugt 6320), no. 8 (for 355 guilders to Theodorus Spaan); Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1-2 August 1810 (Lugt 7842), no. 16 (for 275 guilders to Van I(Y)peren for Bredius sr.); Abraham Bredius, Naarden, 1810-1863; his grandson, Abraham Bredius, Amsterdam and The Hague, before 1889-1946 (on loan to the Mauritshuis, since 1892); bequest of Abraham Bredius, 1946. What is more, the alignment is portrait and has a side ratio of 3 : 4, which implies that the length is 25% shorter than the width. The painter Quiringh van Brekelenkam was a European artist from the Netherlands, whose art style can be classified as Baroque. The Baroque artist was born in 1622 in South Holland, Netherlands and deceased at the age of 47 in 1669 in Leyden, South Holland, Netherlands.

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In the product dropdown selection you can pick the size and material of your choice. Therefore, we allow you to choose among the following options:

  • Aluminium dibond print: Aluminium Dibond prints are prints on metal with an outstanding depth effect. For your Direct Aluminium Dibond print, we print the artpiece right onto the aluminium white-primed surface. The colors are luminous and vivid in the highest definition, fine details of the print appear crisp. This direct UV print on aluminium is the most popular entry-level product and is an extremely modern way to showcase fine art prints, because it draws focus on the replica of the artwork.
  • Printed poster (canvas material): Our poster print is a UV printed sheet of canvas with a granular surface finish. The poster print is best appropriate for framing the art replica with the help of a custom-made frame. Please note, that depending on the size of the poster we add a white margin of something between 2-6 cm round about the print motif to facilitate the framing with your custom frame.
  • Canvas print: A printed canvas stretched on a wood frame. The canvas print creates a cosy and comfortable atmosphere. How do I hang a canvas on the wall? A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang your Canvas print without the help of extra wall-mounts. Because of thata canvas print is suitable for any kind of wall.
  • Print on glossy acrylic glass (with real glass coating): A glossy print on acrylic glass, which is often named as a UV print on plexiglass, makes the original work of art into magnificient décor. The artwork will be manufactured with modern UV print machines. It makes rich, impressive color shades. The great advantage of a plexiglass print is that contrasts plus color details become more visible because of the granular gradation.

About the artist

Name: Quiringh van Brekelenkam
Also known as: Breckel Kamp, Brekelemcamp, Brekelenkam Quiringh Gerritsz. van, Breckelemkam, Q. Breekelenkamp, Brekelcomp, Quirin G. Brekelenkam, Braclencamp Quiringh van, Q. G. van Brekelenkam, Brencklencamp Quiringh van, Breckenkamp, Braklencamp Quiringh van, Brekelenkam Quirin Gerritsz, Breclencamp, q. van brekelenkam, Breckelencamp, Qurin G. Brekelenkam, Brecklinkam, Q. Brekelencam, Bröcklinkamp, Brecklencamp Quiringh van, Brekelencam Quiryn Gerritsz. van, Breckelemcamp, Brekelinckam, Brekelekamp, Bricklencamp, Brekelenkamp Quirin, Brenklenkamp, Quirin van Braecklinkam, Brekelencam Quiringh Gerritsz van, Brid-Lencamp, Breklem Kamp, Brocklencamp, Breekelenkamp, Q. van Brekelencamp, Brekelenkam Quirijn van, Q. van Brecklenkam, G. Van Brekelekamp, Q. Brekelenkamp, Quirin G. Van Brekelenkam, Breklinkamp, Brekelenkam Quieringh Gerritsz, Quiringh Gerritsz. Brekelenkam, Brakelenkam, Breklenkam, Bracklincamp Quiringh van, Bröcklincamp, Brecklinkamp, Brecklingkamp, Breckelenkamb, Brecklecamp Quiringh van, Quirin Gerritsz van Brekelenkam, Quir. Brecklenkamp, Quirin Brekelenkam, Brekelemkamp, Breklincamp, Bieclecam, Brekelenkamp Quirijn, brekelenkam quiringh gerritsy, Quirin van Brecklinkam, Bracken Kemp, Q. Brencklencamp, Brekelmkamp, Brekelkam, Brocklingkamp, Guiryn Van Brekelen Kamp, Brekelenkam Quiringh Gerritsz., Breekelingkamp, Breckelemckamp, Brekelen Camp, Bracklencamp Quirin Van, Brecklenkamp Quiringh van, Brekelcamp, Brecklemcamp, Brekelmkemp, Brekelcamp Quiringh van, Q. Breckelenkamp, Quiryn van Brekelenkamp, Brekelenkam Quiringh Gerritsz van, Bricklencamp Quiringh van, Breckfeldt Quiringh van, Bregelkamp, Boekelenkamp, Quirin van Breeckelenkamp, Breclemcamp, Quiringh Gerritsz. van Brekelencam, Braeklinkam, Brekelingkamp, Bröckelkamp, Brekelenkam Quirijn, Quirin van Braeklinkam, Blecklingcap, Brekelencam, Breckelemkamp, Breclencamp Quiringh van, Quirin Gerritsz Brekelenkam, N. Brekelen Kamp, Brekclemcamp, Quirin Van Brekelenkamp, Brekelekam, quirin van brekelenkam, Bracklencamp Quiringh van, Breckelkamp, Breklencamp Quiringh van, Q. Brekelncamp, Brekelekamp marqué C.B., Brekelecamp, Brecklenkam Quiringh van, Braecklinkam, Bracklecamp, Breckelenkamp, q. v. brekelenkam, von Brekelenkam Gerritsz, Breckelnkamp, Breekelcamp, Breckelnkampf, Blecklingcap Quiringh van, Brekelencamp, Quirijn Brekelenkam, Quirin van Brekelencam, q. g. v. brekelenkam, Breklenkamp, Breeklenkemp Quiringh van, Brekelkamp Quiringh van, Breckelmkamp, Bracklincamp, Brecklecamp, Braclecamp, Brekelenkam, Breeklinkamp, Brekelincham, Quiringh Gerritsz van Brekelencam, Breckelcamp, Q Brékenlenkamp, Brachlincamp, Breklemkamp, Brekelenkam Quiryn, Breeklenkemp, Braklincamp, Brecklenkamp, Q. Breekelekamp, Breclemkamp, Quirin Brekelenkamp, Quiringh van Brekelenkam, G. van Breekelenkamp, Brekelkamp, Braclecamp Quiringh van, Brackelcamp Quiringh van, Brecklenkemp Quiringh van, Brecklenkemp, Breckelenkamp Quiringh van, Brekelenkam Quieringh, Brecklenlamp, Quiryn Brekelenkamp, Brocklencamp Quiringh van, Q. Brekehecamp, Bracken Kemp Quiringh van, Brekemcamp, Quiringh Gerritsz Brekelenkam, Breeklencamp, Breklingkamp, Brecklemkamp, Brocklingskamp, Quiryn Brekelenham, Brecklencamp, Bracklencemp, Q. Van Brekelinkamp, Braklencamp, Bröckincamp, Quiringh Brekelenkam, Quirijn Brekelenkamp, Breckelencamp Quiringh van, G. Breekelenkamp, Brecklincamp, Brekelenkamp, a. g. bekelenkam, Breckelcamp Quiringh van, Quiryn Brekelekam, Quir. Brekelinkamp, Brekelencamp the pupil of G. Douw, Brekelencam Quiringh Gerritsz., Bracklencamp, Breckelkamp Quiringh van, Quiringh G. van Brekelencam, Brekelen-Kamp, Brekelenkam Quiringh Gerritsz. von, Q Brekchaen, Brekinclamp, Brackelcamp, Van Brekelenkamp, G. Brekelenkamp, Brecklenkam, Breckalencamp, Braclencamp, quirijn g. v. brekelenkam, Q. Brekchaen, Brekelenkam Quiringh van, Quiryn Brekelenkam, Breckinkam, Q. Brekelencamp, Breclecam, Quirinus Van Breekelenkamp, Breklencamp, Brekelencam Quiringh Gerritsz. van, Quieringh Gerritsz. Brekelenkam, Quiringh Gerrits van Brekelenkam, Brekelenkam Gerritsz. Quiringh van, Quiringh van Breckelenkam, Brekelenkam Q., Brekelenkam Quiren Gerritszoon van, Brenkelem Camp, Q. Brekelekamp, Breelemkemp, Brèkelcam, Quyrin Van Brekelinkamp, Brequelem Campe, Brekelncamp, Brekelenkam Quirin, Braklinkamm, Brekelenkam Q. V., Quirin van Breckelenkam, Brekelenkam Q.G. von
Gender: male
Nationality: Dutch
Jobs of the artist: painter
Home country: the Netherlands
Classification of the artist: old master
Art styles: Baroque
Died aged: 47 years
Year of birth: 1622
Hometown: South Holland, Netherlands
Year of death: 1669
Deceased in (place): Leyden, South Holland, Netherlands

Structured artwork data

Painting title: "An Old Woman Bleeding a Young Woman, known asThe Bloodletting"
Categorization: painting
Art categorization: classic art
Period: 17th century
Created in the year: 1660
Age of artwork: 360 years old
Original medium of artwork: oil on panel
Original artwork size: height: 47,9 cm width: 36,7 cm
Signature: signed: QVB
Museum / location: Mauritshuis
Place of museum: The Hague, South Holland, Netherlands
Website: www.mauritshuis.nl
Artwork license type: public domain
Courtesy of: Mauritshuis, The Hague
Artwork creditline: Possibly collection Pieter François Clignet, Leiden, 1776; sale Hendrik Twent (anonymous part), Leiden, 11 August 1789 (Lugt 4469), no. 142 (for 175 guilders to Delfos); Menno, Baron Van Coehoorn; his sale, Amsterdam, 19 October 1801 (Lugt 6320), no. 8 (for 355 guilders to Theodorus Spaan); Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1-2 August 1810 (Lugt 7842), no. 16 (for 275 guilders to Van I(Y)peren for Bredius sr.); Abraham Bredius, Naarden, 1810-1863; his grandson, Abraham Bredius, Amsterdam and The Hague, before 1889-1946 (on loan to the Mauritshuis, since 1892); bequest of Abraham Bredius, 1946

About the article

Article categorization: art print
Reproduction: digital reproduction
Production method: digital printing
Product Origin: produced in Germany
Stock type: on demand
Product usage: wall art, home design
Orientation of the image: portrait format
Image aspect ratio: 3 : 4 length to width
Image aspect ratio implication: the length is 25% shorter than the width
Material choices: acrylic glass print (with real glass coating), poster print (canvas paper), canvas print, metal print (aluminium dibond)
Canvas print (canvas on stretcher frame): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (with real glass coating) options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Poster print (canvas paper) variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Aluminium print (aluminium dibond material) options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Picture frame: without frame

Legal disclaimer: We try all that we can in order to depict the art products with as many details as possible and to display them visually on the respective product detail pages. Nevertheless, the tone of the printing material and the imprint can vary to a certain extent from the representation on the device's screen. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that all the art prints are printed and processed by hand, there may also be slight variations in the exact position and the size of the motif.

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