Nicolas Jean-Baptiste Raguenet, 1756 - The Palace of the Archbishop, to the left bank - fine art print

This artpiece was created by Nicolas Jean-Baptiste Raguenet in 1756. The painting was painted with the size: Height: 47 cm, Width: 83 cm. "Date and signature - On the front of the canvas, bottom right on the fence, signed and dated "Raguenet / 1756."" was the painting's inscription. This piece of art can be viewed in in the Musée Carnavalet Paris's digital art collection, which is a museum dedicated to the history of the city Paris. The classic art work of art, which is part of the public domain is being supplied with courtesy of Musée Carnavalet Paris.: . Furthermore, alignment of the digital reproduction is in landscape format with a side ratio of 16 : 9, which means that the length is 78% longer than the width.

Available materials

The product dropdown menu provides you with the chance to pick the size and materialaccording to your preferences. Pick your favorite size and material among the following options:

• Aluminium dibond print: An Aluminium Dibond print is a print material with an outstanding depth effect - for a modern look and non-reflective surface structure. For our Direct Aluminium Dibond print, we print the chosen artwork onto the surface of the white-primed aluminum. The bright & white parts of the original work of art shine with a silk gloss but without any glare. This direct print on aluminium is one of the most popular entry-level products and is an extremely contemporary way to display artworks, because it puts all of the viewer’s focus on the whole artwork.
• Printed poster (canvas material): A poster is a printed canvas paper with a slightly rough surface texture, which reminds the original artwork. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2-6 cm round about the work of art, which facilitates the framing with a custom frame.
• Acrylic glass print (with real glass coating on top): An acrylic glass print, often denoted as a print on plexiglass, transforms your favorite artwork into amazing décor and forms a great alternative to aluminium or canvas prints. Your favorite work of art is made with the help of state-of-the-art UV direct printing machines. This creates the image effect of deep and rich colors. The great advantage of an acrylic glass fine art copy is that contrasts and also granular image details become identifiable thanks to the precise tonal gradation in the picture.
• Canvas: A printed canvas, not to be confused with a real canvas painting, is an image applied onto canvas fabric. What is more, printed canvas creates a nice and positive look. A canvas print of this masterpiece will allow you to transform your customized fine art print into a large work of art. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up your Canvas print without additional wall-mounts. Canvas prints are suited for all types of walls.

Important legal note: We make every effort to depict our art products with as many details as possible and to exhibit them visually. Nonetheless, the colors of the print materials, as well as the print result may vary slightly from the presentation on the device's monitor. Depending on your settings of your screen and the quality of the surface, not all colors are printed 100% realistically. In view of the fact that the are processed and printed manually, there may as well be minor discrepancies in the size and exact position of the motif.

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(© - Musée Carnavalet Paris - www.carnavalet.paris.fr)

The Palace of the Archbishop, current square Jean XXIII current 4th district, seen from the left bank, current quai de Montebello, the current 5th District. Urban landscape. In the foreground, the Seine traveled many barges, and the Port Saint Bernard animated many characters. To the left, the palace of the Archbishop, behind which you can see the south transept and the spire of Notre Dame. In the background, Saint Louis island, the bridge of the Tournelle and the Porte Saint Bernard.

The John XXIII Square which borders the Seine from the tip of the Ile de la Cité to the Pont au Double is on the site of the palace of the Archbishop. The first home of the Bishop of Paris was located at this place, at the head of the Saint-Etienne church which preceded the Notre Dame cathedral, built from 1161 by Maurice de Sully. The episcopal palace had two chapels and halls, some for Officialité. In 1622, Paris became archbishop. The palace was amended several times before the Revolution, and served during the Revolution for various uses. In 1802, Cardinal de Belloy took possession of the palace and had it restored. It was sacked and burned and demolished in 1831 and replaced in 1837 by a garden. The sacristy and the current rectory were built by Viollet-le-Duc and Lassus, from 1845 to 1850.