Hendrik Willem Schweickhardt, 1790 - Vegetable Seller - fine art print

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What does the Mauritshuis state about this 18th century artwork painted by Hendrik Willem Schweickhardt? (© Copyright - by Mauritshuis - Mauritshuis)

Carter Collection, London, 24 December 1790 (purchased from the artist for 600 guilders, together with three other paintings); W.A. van Heun, The Hague; his sale, The Hague, 20 October 1884 (Lugt 44244), no. 20 (for 20 guilders to des Tombe); Arnoldus Andries des Tombe, The Hague, 1884-1903 (on long-term loan to the Mauritshuis, since 1884); bequest of Arnoldus Andries des Tombe, The Hague, 1903; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1648), 1996-2001; on long-term loan to Rijksmuseum Twenthe, Enschede (inv. no. 1372), since 2001

Details on the original work of art

Name of the work of art: "Vegetable Seller"
Artwork classification: painting
Generic term: classic art
Artwork century: 18th century
Artwork year: 1790
Artwork age: 230 years old
Original medium of artwork: oil on panel
Original size: height: 31,3 cm width: 42,3 cm
Artwork original signature: signed: W. Schweick[hardt]
Museum / location: Mauritshuis
Place of the museum: The Hague, South Holland, Netherlands
Website: Mauritshuis
License: public domain
Courtesy of: Mauritshuis, The Hague
Creditline: Carter Collection, London, 24 December 1790 (purchased from the artist for 600 guilders, together with three other paintings); W.A. van Heun, The Hague; his sale, The Hague, 20 October 1884 (Lugt 44244), no. 20 (for 20 guilders to des Tombe); Arnoldus Andries des Tombe, The Hague, 1884-1903 (on long-term loan to the Mauritshuis, since 1884); bequest of Arnoldus Andries des Tombe, The Hague, 1903; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1648), 1996-2001; on long-term loan to Rijksmuseum Twenthe, Enschede (inv. no. 1372), since 2001

Short overview of the artist

Artist: Hendrik Willem Schweickhardt
Artist gender: male
Jobs: painter
Classification: old master
Died at the age of: 51 years
Birth year: 1746
Year died: 1797

Structured article details

Product categorization: fine art print
Reproduction method: reproduction in digital format
Production process: digital printing
Provenance: Germany
Stock type: production on demand
Intended usage: art print gallery, home design
Alignment: landscape alignment
Aspect ratio: (length : width) 4 : 3
Image aspect ratio implication: the length is 33% longer than the width
Material choices: metal print (aluminium dibond), canvas print, poster print (canvas paper), acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame) size variants: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Acrylic glass print (with real glass coating) size variants: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Poster print (canvas paper) variants: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Aluminium print (aluminium dibond material) size variants: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Art print framing: without frame

Select your product material

The product dropdown menu ofers you the possibility to pick the size and material of your choice. In order match your personal requirements perfectly, you can choose among the following product customization options:

  • The canvas print: The canvas print is a printed cotton canvas mounted on a wood frame. Your printed canvas of your favorite artwork will allow you to transform your customized art print into a large work of art as you would see in a gallery. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without the help of extra wall-mounts. Canvas prints are suited for all types of walls.
  • Poster print (canvas material): Our poster is a UV printed cotton canvas with a slight surface structure, that resembles the actual masterpiece. A poster print is optimally designed for framing your art print with a custom frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm round about the print, which facilitates the framing.
  • Print on acrylic glass (with real glass coating): The acrylic glass print, which is sometimes labelled as a an art print on plexiglass, will change your favorite original into brilliant décor. Our plexiglass with real glass coating protects your custom fine art print against light and heat for between 4 and six decades.
  • Aluminium dibond print: Aluminium Dibond prints are prints on metal with an outstanding effect of depth. This direct UV print on aluminium is the most popular entry-level product and is a truly sophisticated way to showcase art prints, as it draws attention on the whole artwork.

The print product offering

In 1790 Hendrik Willem Schweickhardt painted the painting. The 230 year old original version of the artwork measures the size of height: 31,3 cm width: 42,3 cm | height: 12,3 in width: 16,7 in. Oil on panel was used by the artist as the medium of the piece of art. Signed: W. Schweick[hardt] is the artpiece's original inscription. Nowadays, the work of art can be viewed in in the collection of Mauritshuis. This classic art public domain piece of art is being provided with courtesy of Mauritshuis, The Hague. The creditline of the artwork is: Carter Collection, London, 24 December 1790 (purchased from the artist for 600 guilders, together with three other paintings); W.A. van Heun, The Hague; his sale, The Hague, 20 October 1884 (Lugt 44244), no. 20 (for 20 guilders to des Tombe); Arnoldus Andries des Tombe, The Hague, 1884-1903 (on long-term loan to the Mauritshuis, since 1884); bequest of Arnoldus Andries des Tombe, The Hague, 1903; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1648), 1996-2001; on long-term loan to Rijksmuseum Twenthe, Enschede (inv. no. 1372), since 2001. On top of that, alignment is in landscape format with a ratio of 4 : 3, meaning that the length is 33% longer than the width.

Important information: We try everythig possible to describe our products in as much detail as it is possible and to demonstrate them visually. Still, the tone of the printed materials, as well as the print result might differ to a certain extent from the image on the screen. Depending on the screen settings and the condition of the surface, colors might not be printed one hundret percent realistically. Bearing in mind that our are printed and processed manually, there might as well be minor differences in the motif's exact position and the size.

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