Giovanni Battista Cima da Conegliano and Workshop, 1515 - Virgin and Child with Saints and Donors - fine art print

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In 1515 the Italian painter Giovanni Battista Cima da Conegliano and Workshop created this classic art painting. The original was made with the size Framed: 103 x 125 x 16 cm (40 9/16 x 49 3/16 x 6 5/16 in); Unframed: 56 x 78,8 cm (22 1/16 x 31 in) and was painted with the technique oil on wood. What is more, the piece of art can be viewed in in the The Cleveland Museum of Art's digital art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. This classic art public domain masterpiece is provided with courtesy of The Cleveland Museum of Art. Creditline of the artwork: Bequest of John L. Severance. The alignment is landscape and has an image ratio of 1.4 : 1, meaning that the length is 40% longer than the width.

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The product dropdown menu ofers you the opportunity to pick your individual material and size. We allow you to pick your favorite size and material among the following product individualization options:

• Printed poster on canvas material: The poster is a UV printed cotton canvas with a granular finish on the surface, which resembles the original version of the masterpiece. It is particularly qualified for framing the art print using a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Acrylic glass print (with real glass coating): An print on acrylic glass, often described as a print on plexiglass, makes your selected original into brilliant home décor and makes a viable alternative option to aluminium and canvas prints.
• Aluminium print (aluminium dibond): Aluminium Dibond prints are prints on metal with a true depth. A direct Direct Print on Aluminum Dibond is your ideal start to fine art reproductions with aluminum. The white and bright parts of the original work of art shimmer with a silky gloss, however without the glare. The colors of the print are luminous in the highest definition, details of the print appear crisp.
• The canvas print: The UV printed canvas material mounted on a wood frame. A canvas print generates a cosy and enjoyable appearance. A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang up your Canvas print without additional wall-mounts. Canvas prints are suited for any kind of wall.

Important information: We try our utmost in order to depict our art products as closely as possible and to illustrate them visually in our shop. Please bear in mind that the tone of the printed materials and the printing may vary to a certain extent from the presentation on the device's monitor. Depending on your screen settings and the nature of the surface, colors might not be printed as realisitcally as the digital version depicted here. Bearing in mind that all our are processed and printed manually, there may also be minor deviations in the motif's exact position and the size.

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What does the website of the The Cleveland Museum of Art say about the 16th century artwork made by Giovanni Battista Cima da Conegliano and Workshop? (© Copyright - The Cleveland Museum of Art - The Cleveland Museum of Art)

This work reinterprets the most common subject in Renaissance art—the Madonna and Child. The tender relationship of mother and son spoke to Mary’s role as intercessor for humanity, sparked an empathetic relationship with Christ, and helped invest Christian practice with tenderness and compassion. Works at this scale were usually for private devotion, but distinct styles and refined craftsmanship were also appreciated for their artistry and creativity. Here the donors occupy the same landscape as the holy figures, emphasizing how Mary’s compassion extends into our world. This painting was never finished, visible in Saint Anthony Abbot’s beard and the female saint’s empty hand, which makes her identity impossible to pin down.