Friedrich Heinrich Füger, 1788 - The Countess Elisabeth, Christiane and Marie Karoline von Thun - fine art print

What specifically does the Belvedere say about this 18th century work of art made by Friedrich Heinrich Füger? (© Copyright - Belvedere - Belvedere)

The scene is intended as a reminder image as a document of friendship or sister love. The picture was taken in 1788, in that year, as the two older girls left the house. Elisabeth (1764-1806), shown on the left outside, soon married Andreas Graf RASUMOFFSKY, who later became the Russian ambassador in Vienna. Christiane (1765-1841), in the center, the wife of Prince Karl von Lichnowsky was. From her is said that she was an excellent pianist, so she received from Ludwig van Beethoven dedicated several works. The music seems to have ever been the connecting link within the family, because both RASUMOFFSKY and Lichnowsky received as a patron of Beethoven in the history of music, and the father of three girls, Franz Joseph Graf Thun-Hohenstein was a patron of Wolfgang Amadeus Mozart. The mother Maria Wilhelmine born Countess Uhlefeldt turn knew how to impress with their musicality and excellent education and so could her house in Vienna for a meeting to make important personalities. Among other perverse the British Embassy attache in Vienna Richard Clan William, later Lord Guilford de Gillhall that was to marry the youngest of the three sisters, Marie Karoline shown far right (1769-1800) 1793rd Around the same time Füger has the three girls held in a miniature, in the same arrangement, but not standing, but sitting (Gemäldegalerie - Berlin State Museums, inv M 106). Again, the body are closely crowded together here close is illustrated by interlocking arms by up mutual holding hands and clasping the shoulders. In addition, a clue can be found in both plants on Hymen: This is shown in the thumbnail as a circular altar on which a white lily rests, in this image as a circular temple whose frieze is decorated with figural scenes. In the illustration is the draft of an oil painting whose residence is unknown today. The detailed design of the painting executed refer to mezzotint by Franz Wrenk (1766-1830), which is printed in Laban as figure 2. Literature: Laban, Ferdinand Heinrich Füger, the portrait miniaturist, Berlin 1905. [Sabine Grabner, in: enlightened bourgeois. Portraits of Gainsborough to Waldmüller 1750-1840, ed. v. Sabine Grabner u. Michael Krapf, exh. Cat. Osterreichische Galerie Belvedere, Vienna 25.10.2006-18.2.2007, Munich 2006, pp 212-213]

Interesting facts about the art replica of the painting "The Countess Elisabeth, Christiane and Marie Karoline von Thun"

This classic art piece of art was made by the artist Friedrich Heinrich Füger in 1788. The 230 years old version of the masterpiece was made with the size: 53 x 39,5 cm - frame dimensions: 70 x 54 x 6 cm. Oil on canvas was applied by the artist as the medium of the artwork. Today, the artwork forms part of the Belvedere's collection in Vienna, Austria. We are happy to state that this work of art, which belongs to the public domain is provided with courtesy of © Belvedere, Vienna, inventory number: 2144. In addition, the artpiece has the following creditline: purchase from art trade Otto Schatzker, Vienna in 1921. In addition to this, the alignment of the digital reproduction is portrait and has an image ratio of 3 : 4, which means that the length is 25% shorter than the width. Friedrich Heinrich Füger was a painter, whose style can mainly be assigned to Classicism. The artist was born in 1751 in Heilbronn and deceased at the age of 67 in the year 1818.

Select a item material option

The product dropdown menu provides you with the opportunity to select a material and a sizeaccording to your personal preferences. Choose among the following product options now to match your preferences in size and material:

• Aluminium dibond print: This is a metal print manufactured on aluminium dibond material with an outstanding effect of depth, which creates a contemporary look with a surface structure, that is non-reflective. The Aluminium Dibond Print is your best introduction to art replicas made on aluminum. For your Direct Print On Aluminum Dibond, we print your chosen artpiece right on the aluminium white-primed surface. The white & bright parts of the original artpiece shine with a silk gloss but without the glow. The colors are luminous in the highest definition, fine details of the print are crisp, and you can literally notice the matte appearance of the product.
• Poster print (canvas material): Our poster print is a printed sheet of canvas paper with a slightly rough surface finish. It is particularly suited for framing your fine art print in a custom-made frame. Please note, that depending on the size of the canvas poster print we add a white margin 2 - 6cm round about the print to facilitate the framing.
• Printed acrylic glass: An print on acrylic glass, often denoted as a print on plexiglass, will convert your favorite original into great wall decoration and offers a distinct alternative option to dibond and canvas fine art prints. The work of art is manufactured with state-of-the-art UV printing machines. Our real glass coating protects your custom art replica against sunlight and heat for several decades.
• Canvas: A canvas print is a printed cotton canvas mounted on a wood stretcher. It makes a special impression of three dimensionality. Your canvas print of your favorite work of art will allow you to transform your individual fine art print into a large collection piece as you know from galleries. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Hence, a canvas print is suitable for all types of walls.

General information on the artist

Work of art specs

The product specifications

Legal note: We try what we can to depict the products in as much detail as possible and to display them visually on the product detail pages. Although, the pigments of the print materials, as well as the imprint may diverge somehwat from the presentation on the device's screen. Depending on your screen settings and the condition of the surface, not all colors can be printed as exactly as the digital version depicted here. Considering that our fine art prints are processed and printed manually, there might also be minor deviations in the exact position and the size of the motif.

© Copyright - intellectual property of | Artprinta.com (Artprinta)