Anton Romako, 1884 - The Rosenpflückerin - fine art print

Interesting facts about the artwork named "The Rosenpflückerin"

The modern art artpiece was created by Anton Romako. The more than 130 year-old original creation had the following size: 89 x 66 cm - frame dimensions: 114 x 91 x 10 cm - Glazed and was produced with the medium oil on canvas. The original artpiece has the following text as inscrption: designation bottom left: A. Romako / Geneve. It is included in the Belvedere's digital collection in Vienna, Austria. The modern art public domain work of art is supplied with courtesy of © Belvedere, Vienna, inventory number: 1832. The creditline of the artwork is the following: purchase from art trade Fritz Gurlitt, Berlin in 1916. What is more, the alignment is in portrait format and has a ratio of 1 : 1.4, which implies that the length is 29% shorter than the width. The painter Anton Romako was a European artist, whose art style can be attributed mainly to Historicism. The European painter was born in the year 1832 in Vienna, Vienna state, Austria and passed away at the age of 57 in 1889 in Vienna, Vienna state, Austria.

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• Aluminium print (aluminium dibond): An Aluminium Dibond print is a print with a true effect of depth, which creates a contemporary look with a non-reflective surface. The bright and white parts of the original work of art shimmer with a silk gloss but without any glare.
• The canvas print: A canvas print is a printed canvas mounted on a wood frame. A canvas of this work of art will provide you with the chance to transform your into a large size work of art. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without the use of any wall-mounts. A canvas print is suited for any kind of wall in your home.
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Description by the museum's website (© Copyright - by Belvedere - Belvedere)

Art critics slating Romako images so sharp that one wonders how he may have endured the ridicule and insult, either, especially when he suffered under the pressure of having to secure for himself and his children's existence. Romako left Vienna after the failure of his "Tegetthoff" and had to finance an auction organize his works. This was, however, due to the bad mood against him also a complete failure: He could not sell a single image. Nevertheless, he left Vienna and settled after a few detours, in Geneva down, where "The Rosenpflückerin" was born. This image is one of a set of portraits which are color akkordiert the seemingly accompanying plants, but these plants having the space give the figure and are set in close relationship with the person of the sitter. The color design is reduced, restrained and precisely by expressive: By means of color manifests a sense, an association for the person depicted. In this series of portraits and the "Portrait of Mathilde Stern" is one that is also located in a gazebo. In the genre of the portrait "Rosenpflückerin" Romako also breaks with the traditional chiaroscuro principle of portraiture, he is a bright figure against a bright background. he had already developed in Rome this painting, she makes these portraits Geneva but the rule and reversed the principle into its opposite (M. Stern: dark against light). Romako presented in his portraits of the human person at the center. Range, composition, environment, and accessories is matched perfectly to the model and the presentation of the "essence" subordinate. The characterization of the person is completed but also by a naturalism that was repugnant to the contemporary taste. Not only the psychological capture, but also the retention of the actually visible Romako was important. [Dietrun Otten, 2001]