Hans Holbein the Younger, 1545 - Edward VI (1537–1553), When Duke of Cornwall - fine art print
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Information about the product
In the year 1545 Hans Holbein the Younger made this artwork. The version of the masterpiece was painted with the size: Diameter 12 3/4 in (32,4 cm). Oil and gold on oak was used by the European artist as the medium of the artwork. It is included in the digital collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, The Jules Bache Collection, 1949 (licensed - public domain). Besides, the work of art has the following creditline: The Jules Bache Collection, 1949. Furthermore, alignment is in square format and has a side ratio of 1 : 1, which means that the length is equal to the width. The engraver, painter Hans Holbein the Younger was an artist from Germany, whose art style was mainly Northern Renaissance. The German painter was born in the year 1497 in Augsburg, Bavaria, Germany and died at the age of 46 in the year 1543.
What art print materials can I order?
We offer a range of different sizes and materials for every product. The following sizes and materials are the options we offer you for individualization:
- Acrylic glass print: A glossy print on acrylic glass, which is sometimes described as a plexiglass print, will convert your artwork into great home decoration. The artwork will be custom-made with the help of state-of-the-art UV direct printing technology. This creates the effect of impressive, vivid colors.
- Printed poster (canvas material): A poster print is a printed cotton canvas paper with a fine surface finish. Please keep in mind, that depending on the absolute size of the poster we add a white margin 2 - 6cm around the print motif, which facilitates the framing.
- Aluminium dibond (metal print): These are metal prints on aluminium dibond material with a true depth - for a modern impression and a non-reflective surface structure.
- Canvas print: The printed canvas, which should not be mistaken with an artwork painted on a canvas, is a digital replica applied on a cotton canvas. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the support of any wall-mounts. That is why, canvas prints are suited for any kind of wall.
Important note: We try everythig possible in order to depict the art products with as many details as possible and to demonstrate them visually in our shop. Still, the colors of the printing material, as well as the imprint might vary somehwat from the presentation on your screen. Depending on the settings of your screen and the quality of the surface, colors may not be printed as realistically as the digital version on this website. In view of the fact that all the art reproductions are printed and processed manually, there might also be slight discrepancies in the motif's size and exact position.
Structured product information
Print prodct: | art print |
Reproduction: | digital reproduction |
Production technique: | UV direct print |
Product Origin: | manufactured in Germany |
Stock type: | production on demand |
Intended product use: | wall art, art collection (reproductions) |
Alignment: | square format |
Aspect ratio: | 1 : 1 (length : width) |
Implication of the image aspect ratio: | the length is equal to the width |
Item material variants: | acrylic glass print (with real glass coating), poster print (canvas paper), canvas print, metal print (aluminium dibond) |
Canvas print (canvas on stretcher frame) options: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71" |
Acrylic glass print (with real glass coating) options: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71" |
Poster print (canvas paper): | 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Aluminium dibond print (aluminium material) variants: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Picture frame: | not available |
Piece of art table
Piece of art title: | "Edward VI (1537–1553), When Duke of Cornwall" |
Categorization of the work of art: | painting |
Category: | classic art |
Century: | 16th century |
Artpiece year: | 1545 |
Artwork age: | over 470 years old |
Original medium of artwork: | oil and gold on oak |
Original size (artwork): | Diameter 12 3/4 in (32,4 cm) |
Museum: | The Metropolitan Museum of Art |
Museum location: | New York City, New York, United States of America |
Website of Museum: | The Metropolitan Museum of Art |
License type: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, The Jules Bache Collection, 1949 |
Artwork creditline: | The Jules Bache Collection, 1949 |
Short overview of the artist
Artist name: | Hans Holbein the Younger |
Additional names: | Olbens Hans, Hans Hollbein, Hanshulben, Holbein Hans the Younger, Holben, Holbeni Hans, Ubeno Hans, Oelbren Hans, הולביין האנס, Hohlbein, Olben, Holbyns, Holbein Hans, Giovanni Holbeno, Golʹbeĭn Gans, Hans Holbein de Bale en Suisse, holbein der jungere hans, François Holbein, Olbeins, Holbeins, Hans Holbein, hans holbein des jungeren, J. Holbein, Der jüngere Holbein, Olbeni, Orbens, Ans. Olbeen, Hulbeen, Hans Hohlbein, Holbein, Olbeius Hans, Holbiens, Olbey, Olpeius Olpenus, H. Holbein, Hans Holbens, Albens Hans, Han's Holbein, Holhein, Hollebeen Hans, Holbin, Holbe Hans, H. Holbien, Hulbyen, Holbens Hans, Holber Hans, Ansolben, Holbein d. J., Holbeen Hans, Holbein Hans (The Younger), holbein h., Olbens, Hans Holbien, Albens, A. Olbeen, Helbin, Holbein Hans d. J., Hosbeen, Hanns Holbein, Holbein Hans II, Holbein Hans the younger, John Holbein, Hans (The Younger) Holbein, Ulbens, Hulbens, Olbeim, H. Hohlbein, Olbens Olandese, Ulbens fiammengo, Hollbein, H. Holbeyn, Holbens, Olpenus Hans II, Holby Hans II, Giovanni Ansebor, Holbain, Holby Hans, Albens fiammingo, Holbein dem Jüngeren, Holber, Hannss Holbein, Hanns Holbein der Jüngere, Holbee, HANS HOLBEIN D.J., Olvens, Ulbens Hans, Holbeine, Holbeins Hans, Frans Holbeen, holbein school of hans, Jean Holbein, Holben Hans II, Olpeius Hans II, Hans Holbean, Ubens Fiammingo, Olbeen, John or Hans Holbein, Olbeni Hans, H. Hollbein, Johann Holbein, Hans Holbein the younger, Hans Holben, Hulbeine, Holbien, Jean Holbeen, Holbein dem Jüngern, Olbein, hans holbein d. jung., Orbens Svizzero, hans holbein der jungere, Holbe, Holbins, Holbeijn, hans holbein d. j., Holbein Junior, Olbeius, Hol-bein, Ho bein, Hans Holbein the Younger, Giovanni Holbense, Holbien Hans, H. Holbeen, Holbein the Younger Hans, Holbein Jun., Holbeni, Hbens, Holbeyn, Hollebin, h. holbein the younger, Ubeno, holbein hans der jungere, Oelbren, J. Holbeen, Hans II Holbein, Hollebeen, Giovanni Holben, Holbeen, Hans Holbeen, J. Holben |
Gender: | male |
Artist nationality: | German |
Jobs of the artist: | painter, engraver |
Country of origin: | Germany |
Classification: | old master |
Art styles: | Northern Renaissance |
Age at death: | 46 years |
Year of birth: | 1497 |
Hometown: | Augsburg, Bavaria, Germany |
Year of death: | 1543 |
Deceased in (place): | London, Greater London, England, United Kingdom |
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What does the The Metropolitan Museum of Art say about this artwork created by Hans Holbein the Younger? (© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
Edward, the sole legitimate son of Henry VIII, was born on October 12, 1537 and crowned Edward VI in 1547. This portrait shows the future king at age six, when he was still the Duke of Cornwall. It was subsequently adapted in costume to reflect Edward’s stature at the time of his coronation. The roundel format and the sitter’s profile pose evoke the coinage of classical antiquity, admired at the Tudor court. The panel was once considered an autograph work by Holbein. Technical evidence, however, suggests it was painted after his death by a workshop assistant, based on an earlier design by the master.