Elisabeth Louise Vigée Le Brun, 1787 - Alexander Charles Emmanuel de Crussol-Florensac (1743-1815) - fine art print
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(© Copyright - The Metropolitan Museum of Art - www.metmuseum.org)
The portrait—one of Vigée Le Brun's finest—shows Emmanuel de Crussol at the height of his career, wearing the blue sash and collar of the order of the Saint-Esprit and the Maltese cross of the order of the Knights of Malta. His red hair is powdered. Crussol entered the service of the comte d'Artois (the future Charles X) in 1773. Having been a professional soldier, at court he became a gifted professional actor.
Structured artwork details
Piece of art name: | "Alexander Charles Emmanuel de Crussol-Florensac (1743-1815)" |
Categorization: | painting |
Umbrella term: | classic art |
Century: | 18th century |
Artpiece year: | 1787 |
Artwork age: | around 230 years |
Original medium: | oil on wood |
Dimensions of the original artwork: | 35 3/8 x 25 1/2 in (89,9 x 64,8 cm) |
Museum: | The Metropolitan Museum of Art |
Location of museum: | New York City, New York, United States of America |
Museum website: | The Metropolitan Museum of Art |
Artwork license type: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, The Jules Bache Collection, 1949 |
Creditline: | The Jules Bache Collection, 1949 |
Short overview of the artist
Name of the artist: | Elisabeth Louise Vigée Le Brun |
Gender: | female |
Nationality: | French |
Jobs: | painter |
Home country: | France |
Classification: | old master |
Lifetime: | 87 years |
Year of birth: | 1755 |
Died: | 1842 |
The product details
Article type: | wall art |
Method of reproduction: | reproduction in digital format |
Production method: | digital printing |
Manufacturing: | German-made |
Type of stock: | production on demand |
Product use: | wall decoration, art collection (reproductions) |
Image alignment: | portrait alignment |
Image ratio: | 1 : 1.4 - length : width |
Side ratio meaning: | the length is 29% shorter than the width |
Available reproduction materials: | canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper) |
Canvas on stretcher frame (canvas print) size options: | 50x70cm - 20x28", 100x140cm - 39x55" |
Acrylic glass print (with real glass coating) options: | 50x70cm - 20x28", 100x140cm - 39x55" |
Poster print (canvas paper) size variants: | 50x70cm - 20x28" |
Aluminium print: | 50x70cm - 20x28", 100x140cm - 39x55" |
Frame: | no frame |
Pick your material
In the product dropdown lists you can choose a material and a size of your choice. You can choose among the following product customization options:
- Canvas print: The UV printed canvas material stretched on a wood frame. A canvas creates a distinctive effect of three-dimensionality. Further, a printed canvas creates a cosy and pleasing feeling. A canvas print has the advantage of being low in weight. This means, it is quite simple to hang up your Canvas print without the use of any wall-mounts. A canvas print is suited for all types of walls.
- The acrylic glass print: The print on acrylic glass, which is often referenced as a fine art print on plexiglass, will transform the original artwork into amazing home decoration. The artwork will be manufactured with the help of state-of-the-art UV direct printing technology. It makes vivid and sharp print colors. The major benefit of a plexiglass fine art print is that contrasts as well as small painting details will be more exposed thanks to the granular tonal gradation. Our real glass coating protects your chosen art replica against light and external influences for several decades.
- Poster print (canvas material): A poster is a UV printed canvas paper with a slightly roughened surface structure, which reminds the actual version of the work of art. It is excellently suited for framing the art replica with the help of a personal frame. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the print motif in order to facilitate the framing.
- Aluminium dibond print: This is a metal print made on aluminium dibond material with an outstanding depth. For your Aluminium Dibond option, we print the chosen artwork onto the aluminium composite surface. The colors are luminous and bright, fine details of the print are crisp and clear, and there’s a matte look you can literally feel. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase fine art prints, since it puts the viewer’s focus on the image.
Background information on the more than 230 year-old painting
Alexander Charles Emmanuel de Crussol-Florensac (1743-1815) is a work of art made by the French painter Elisabeth Louise Vigée Le Brun. The 230 years old masterpiece was made with the size: 35 3/8 x 25 1/2 in (89,9 x 64,8 cm) and was painted with oil on wood. The piece of art is in the the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, The Jules Bache Collection, 1949 (licensed: public domain). In addition to that, the work of art has the creditline: The Jules Bache Collection, 1949. Further, the alignment of the digital reproduction is portrait with a ratio of 1 : 1.4, which means that the length is 29% shorter than the width.
Legal disclaimer: We try the best we can to describe the art products as accurate as possible and to exhibit them visually. Nonetheless, the colors of the printing material and the printing might vary somehwat from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed one hundret percent realistically. Considering that the art prints are processed and printed by hand, there might also be minor variations in the size and exact position of the motif.
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