Camille Corot, 1870 - Ville dAvray - fine art print

Summary of the replica

This work of art was made by the realist artist Camille Corot. The 150 years old version of the piece of art was painted with the absolute size: 21 5/8 x 31 1/2 in (54,9 x 80 cm). Oil on canvas was applied by the artist as the technique for the painting. Nowadays, the artpiece can be viewed in in the art collection of The Metropolitan Museum of Art. With courtesy of: The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 (licensed: public domain). : Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887. On top of that, alignment is in landscape format with a ratio of 3 : 2, which implies that the length is 50% longer than the width. Camille Corot was a male painter, whose artistic style was mainly Realism. The French artist lived for a total of 79 years, born in the year 1796 and died in 1875.

Select your preferred item material

In the dropdown selection right next to the product you can choose your favorite size and material. You can choose among the following product customization options:

• Aluminium dibond print: An Aluminium Dibond print is a material with an outstanding effect of depth - for a modern look and non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your best start to the sophisticated world of fine art replicas manufactured on aluminum. For our Aluminium Dibond option, we print your artpiece onto the aluminium surface. The bright sections of the artpiece shimmer with a silky gloss but without the glare. Colors are luminous, the fine details of the print are crisp, and you can notice a matte appearance of the fine art print. The print on aluminium is one of the most popular entry-level products and is a contemporary way to showcase fine art reproductions, because it draws focus on the artwork.
• The acrylic glass print (with real glass coating): The acrylic glass print, often labelled as a UV print on plexiglass, will change the original artwork into lovely wall decoration. Besides, the acrylic glass fine art print is a great alternative to canvas or aluminium dibond fine art replicas. The work of art is being custom-made with the help of modern UV direct printing technology. This has the image effect of intense and impressive colors.
• The poster print (canvas material): Our poster is a printed canvas with a fine structure on the surface, that reminds the actual artwork. Please keep in mind, that depending on the size of the poster we add a white margin 2-6cm round about the painting, which facilitates the framing with your custom frame.
• Canvas print: A UV printed canvas applied on a wood stretcher frame. It makes a special look of three dimensionality. In addition to that, a canvas makes a homelike and warm feeling. Your printed canvas of your favorite artwork will allow you to transform your into a large size work of art as you know from galleries. How can I hang a canvas on the wall? A canvas print has the advantage of being low in weight, which implies that it is quite simple to hang up the Canvas print without any wall-mounts. Because of thata canvas print is suitable for all kinds of walls.

Important information: We try whatever we can to describe our products in as much detail as possible and to demonstrate them visually in our shop. Still, the pigments of the printing material, as well as the printing might vary slightly from the image on the device's screen. Depending on the screen settings and the quality of the surface, not all color pigments will be printed one hundret percent realistically. In view of the fact that all are processed and printed by hand, there might as well be slight deviations in the exact position and the size of the motif.

Structured article details

Structured artwork details

The painter

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Additional description by the museum (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Corot often painted views of the large pond on the property he had inherited from his parents at Ville-d'Avray. In repeating the scene, he took certain liberties, especially with the tree just left of center. The silhouette of branches and foliage against the pewter sky led Corot's biographer Alfred Robaut to liken this work to a spider's web. Corot initially included a child with outstretched arms beside the crouching peasant woman, but he seems to have found this detail too anecdotal. Critics admired the calm poetry of this composition when it was first exhibited at the 1870 Salon.