Marco d'Oggiono, 1480 - Portrait of a Youth as Saint Sebastian - fine art print

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This classic art painting Portrait of a Youth as Saint Sebastian was painted by the painter Marco d'Oggiono. The painting has the following dimensions Framed: 47,5 x 41 x 4 cm (18 11/16 x 16 1/8 x 1 9/16 in); Unframed: 30,5 x 24 cm (12 x 9 7/16 in). Oil on wood, transferred to pressed wood was applied by the Italian painter as the medium of the work of art. Nowadays, this piece of art belongs to the The Cleveland Museum of Art's digital art collection, which is located in Cleveland, Ohio, United States of America. With courtesy of - The Cleveland Museum of Art (license: public domain). In addition, the artpiece has the following creditline: John L. Severance Fund. The alignment is in portrait format and has a ratio of 1 : 1.2, which means that the length is 20% shorter than the width.

What material do you preferr?

We offer a range of different materials and sizes for every product. Choose among the following product options now to match your preferences in size and material:

  • Printed poster on canvas material: The Artprinta poster print is a UV printed flat canvas with a slightly rough surface finish, which resembles the actual artwork. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm round about the print in order to facilitate the framing with your custom frame.
  • Aluminium dibond: An Aluminium Dibond print is a material with a true depth effect. The non-reflective surface make a contemporary look. A direct Direct Print on Aluminum Dibond is your perfect introduction to art replicas with alu. The bright parts of the original artwork shine with a silk gloss, however without glow. The colors are luminous, details appear very clear, and there’s a matte appearance you can literally feel.
  • The acrylic glass print (with real glass coating): A glossy acrylic glass print, often denoted as a an art print on plexiglass, makes the original work of art into brilliant décor. The work of art is being custom-made with state-of-the-art UV printing technology. The great upside of an acrylic glass art print is that contrasts and also image details become more exposed thanks to the very subtle gradation in the picture.
  • Canvas: The UV printed canvas material applied on a wooden stretcher frame. Also, a canvas print generates a cosy and comfortable feeling. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without extra wall-mounts. Canvas prints are suited for any type of wall.

Important information: We try everything in order to describe our products as accurate as possible and to display them visually on the different product detail pages. Although, the colors of the printing material, as well as the imprint may diverge marginally from the image on your monitor. Depending on your settings of your screen and the quality of the surface, colors might not be printed one hundret percent realistically. Because all fine art prints are processed and printed by hand, there may also be minor variations in the motif's size and exact position.

Structured article information

Product type: art print
Reproduction method: reproduction in digital format
Manufaturing technique: UV direct printing (digital print)
Provenance: German-made
Stock type: production on demand
Intended product use: gallery wall, wall gallery
Artwork alignment: portrait format
Image aspect ratio: 1 : 1.2
Interpretation of the image aspect ratio: the length is 20% shorter than the width
Available options: metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper), canvas print
Canvas print (canvas on stretcher frame) variants: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) sizes: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Poster print (canvas paper): 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium print (aluminium dibond material) size options: 50x60cm - 20x24", 100x120cm - 39x47"
Frame: not included

Background data about the work of art

Name of the work of art: "Portrait of a Youth as Saint Sebastian"
Artwork categorization: painting
Broad category: classic art
Century: 15th century
Artwork year: 1480
Approximate age of artwork: 540 years
Medium of original artwork: oil on wood, transferred to pressed wood
Original artwork size: Framed: 47,5 x 41 x 4 cm (18 11/16 x 16 1/8 x 1 9/16 in); Unframed: 30,5 x 24 cm (12 x 9 7/16 in)
Museum: The Cleveland Museum of Art
Location of the museum: Cleveland, Ohio, United States of America
Museum's web page: www.clevelandart.org
Artwork license: public domain
Courtesy of: The Cleveland Museum of Art
Creditline of artwork: John L. Severance Fund

Contextual artist data

Artist: Marco d'Oggiono
Alternative names: Uggiono Marco d', D'Oggiono Marco, Oggionno Marco d', Uggione Marco d', Oggione, Uggioni Marco, Oglono Marco d', Oggiono Marco, Marco da Ogion, Oggionno Marco de, Ugginni Marco d', marco d'oggione, M. d'Oggione, Oggiono Marco d', Marco d'Oggioni, Uggini Marco d', Uglon Marco d', Marco, Marco d' Oggiono, Marco d'Oggiono, Marco d'Ogion coetaneo di Leonardo, Marco d'Ogion
Gender of the artist: male
Nationality: Italian
Jobs of the artist: painter
Home country: Italy
Classification: old master
Died aged: 62 years
Born in the year: 1462
Born in (place): Oggiono, Lecco province, Lombardy, Italy
Died: 1524
City of death: Milan, Milano province, Lombardy, Italy

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What does the The Cleveland Museum of Art say about the artwork painted by Marco d'Oggiono? (© - The Cleveland Museum of Art - The Cleveland Museum of Art)

Sebastian, a bodyguard for the Roman emperor Diocletian, was shot with arrows and was eventually drowned for his commitment to Christianity. While the arrow alludes to Saint Sebastian, the young man’s clothing dates to the late 1400s, indicating that this is a contemporary portrait, rather than an image of the historical saint. This haunting image was influenced by the paintings of Leonardo da Vinci (1452–1519), particularly in the artist’s use of smoky shadows (called sfumato) to model the flesh. It was probably painted by Marco d’Oggiono, a Milanese artist who worked in Leonardo’s studio.

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