David Klöcker Ehrenstrahl, 1675 - Black Cocks at Ground - fine art print
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Supplemental information from Nationalmuseum Stockholm (© - Nationalmuseum Stockholm - Nationalmuseum Stockholm)
English: This is the very first known landscape painting where a Swedish artist has depicted his view of Swedish nature. It is an early morning in the middle of April and in the light mist the unmistakable lakeside landscape of central Sweden emerges. Spruces and juniper bushes rise up from the ground, which is peppered with lichens and mosses, and in the middle distance the view is flanked by pines and birches. But in front of this tranquil view, something dramatic is taking place – the artist has captured a magnificent black grouse courtship display in the heart of the Swedish countryside – somewhere outside Kungsör – in the spring of 1675. Ehrenstrahl was the leading Swedish artist of the late 17th century and was regularly called upon by the Royal court. Among the paintings that he executed alongside his Royal allegories and portraits of the elite, his realistic depictions of all kinds of animals take pride of place. In these paintings of hunting, birds and squirrels, the Swedish countryside can sometimes be glimpsed in the background. But in this painting, the landscape has emerged from a suggestive backdrop to become an indelible part of the lead motif. Anyone who stands before the painting to admire the landscape and the black grouse is not alone – concealed in a hide in the foreground sits another spectator of the drama that is unfolding. Alongside our modern eyes, a pair from the 17th-century still gaze out onto the misty April landscape – the original viewer in this first Swedish landscape is forever embodied in the painting. Det här är denna allra första kända landskapsmålning där en svensk konstnär skildrat sin upplevelse av den svenska naturen. Det är en tidig morgon i mitten av april och i det lätta diset framträder ett omisskännligt mellansvenskt insjölandskap. Granar och enar skjuter upp i terrängen, marken skiftar av renlav och mossa, och i mellangrunden flankeras utsikten av tall och björk. Men framför den rofyllda utsikten händer också någonting mycket dramatiskt – konstnären har här fångat ett storslaget orrspel som tilldrog sig mitt i den svenska naturen – någonstans utanför Kungsör – våren 1675. Ehrenstrahl var den ledande svenske konstnären under slutet av 1600-talet, flitigt anlitad av kungahuset. Bland de målningar som han utförde vid sidan av kungliga allegorier och porträtt av den svenska stormaktens elit, intar realistiska skildringar av allehanda djur en framträdande plats. I dessa framställningar av jakter, fåglar och ekorrar skymtar ibland den svenska naturen fram i bakgrunderna. Men i den här målningen har landskapet vuxit ut från en antydd fond till att bli en oupplöslig del av själva huvudmotivet. Den som idag står inför målningen och ser på landskapet och orrarna är inte ensam – dold i en riskoja i förgrunden skymtar ytterligare en åskådare av dramat. Vid sidan av oss moderna betraktare spanar en blick från 1600-talet fortfarande ut i det disiga aprillandskapet – den ursprungliga blicken in i detta första svenska landskap är för evigt manifesterad i målningen.
Background information about the original piece of art
Name of the painting: | "Black Cocks at Ground" |
Classification: | painting |
Art classification: | classic art |
Time: | 17th century |
Created in the year: | 1675 |
Approximate age of artwork: | around 340 years old |
Original dimensions: | Height: 275 cm (108,2 ″); Width: 266 cm (104,7 ″) Framed: Height: 286 cm (112,5 ″); Width: 276 cm (108,6 ″); Depth: 8 cm (3,1 ″) |
Exhibited in: | Nationalmuseum Stockholm |
Place of museum: | Stockholm, Stockholm County, Sweden |
Available under: | www.nationalmuseum.se |
License type: | public domain |
Courtesy of: | Nationalmuseum Stockholm & Wikimedia Commons |
About the painter
Artist: | David Klöcker Ehrenstrahl |
Jobs: | painter |
Classification of the artist: | old master |
Life span: | 70 years |
Year of birth: | 1628 |
City of birth: | Hamburg |
Died: | 1698 |
Died in (place): | Storkyrkoförsamlingen |
About this product
Product classification: | art copy |
Reproduction method: | digital reproduction |
Manufaturing technique: | UV print / digital printing |
Origin of the product: | German production |
Stock type: | on demand |
Product usage: | wall picture, art print gallery |
Artwork orientation: | square format |
Image ratio: | length : width - 1 : 1 |
Meaning: | the length is equal to the width |
Materials you can choose from: | poster print (canvas paper), acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond) |
Canvas on stretcher frame (canvas print) size options: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71" |
Acrylic glass print (with real glass coating) variants: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Poster print (canvas paper) options: | 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Aluminium dibond print sizes: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Picture frame: | no frame |
Select your desired material
In the dropdown lists right next to the product offering you can select a material and a size of your choice. Pick your favorite size and material among the following options:
- Acrylic glass print: A glossy acrylic glass print, often labelled as a an art print on plexiglass, transforms your chosen original work of art into lovely wall decoration. In addition, it is a viable alternative to aluminium or canvas fine art replicas. The great upside of an acrylic glass art print is that contrasts and also color details will be recognizeable with the help of the delicate tonal gradation. The plexiglass protects your custom fine art print against light and external influences for between 40-60 years.
- Metal print (aluminium dibond): This is a metal print manufactured on aluminium dibond with an impressive depth. A direct Aluminium Dibond Print is the perfect introduction to art prints produced with aluminum. For your Print On Aluminum Dibond, we print your work of art on the aluminium composite surface. The colors are bright and luminous in the highest definition, fine details of the print appear crisp and clear, and the print has a a matte look you can literally feel. The print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely sophisticated way to showcase fine art reproductions, as it puts the viewer’s attention on the whole artwork.
- Canvas print: The canvas print is a printed cotton canvas mounted on a wooden frame. Hanging your canvas print: A canvas print has the advantage of being low in weight, which means that it is easy to hang up your Canvas print without the help of additional wall-mounts. Because of thatcanvas prints are suitable for all kinds of walls.
- Poster (canvas material): The Artprinta poster is a printed canvas paper with a slightly roughened finish on the surface. It is suited for putting the fine art print with a personal frame. Please note, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm round about the print motif, which facilitates the framing.
Detailed art product description
"Black Cocks at Ground" was painted by the painter David Klöcker Ehrenstrahl. The 340 years old piece of art measures the size: Height: 275 cm (108,2 ″); Width: 266 cm (104,7 ″) Framed: Height: 286 cm (112,5 ″); Width: 276 cm (108,6 ″); Depth: 8 cm (3,1 ″). Nowadays, the work of art is part of the digital collection of Nationalmuseum Stockholm, which is located in Stockholm, Stockholm County, Sweden. With courtesy of Nationalmuseum Stockholm & Wikimedia Commons (public domain license).In addition, the artwork has the following creditline: . In addition to this, the alignment is square with a ratio of 1 : 1, which implies that the length is equal to the width.
Disclaimer: We try our best in order to depict our products as closely as possible and to demonstrate them visually. Still, the pigments of the printing material and the print result can diverge marginally from the presentation on the device's monitor. Depending on the screen settings and the quality of the surface, not all colors will be printed one hundret percent realistically. Considering that all our art reproductions are processed and printed manually, there might as well be minor variations in the motif's exact position and the size.
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