Vinzenz Fischer, 1781 - Allegory of the transfer of the imperial gallery in the Belvedere - fine art print
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Background information on the artpiece by Vinzenz Fischer
In 1781 the male German artist Vinzenz Fischer created this masterpiece. The beyond 230 year old original has the size: 57 x 47 cm - frame dimensions: 70,5 x 61 x 6 cm and was crafted on the medium oil on canvas. Signed and dated lower right: 13 OK 1781 V. Fischer is the artwork's original inscription. Nowadays, the work of art forms part of the digital art collection of Belvedere. With courtesy of © Belvedere, Vienna, inventory number: 4229 (license: public domain). : transfer from the Kunsthistorisches Museum, Vienna. - 1948 inventory in 1922. The alignment is portrait with a side ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Vinzenz Fischer was a male architect, painter from Germany, whose artistic style was primarily Baroque. The Baroque painter was born in the year 1729 in Schmidham at Griesbach and died at the age of 81 in 1810 in Vienna, Vienna state, Austria.
What art print materials can I order?
For every fine art print we offer a range of different materials and sizes. Hence, we allow you to choose among the following options:
- Aluminium dibond print: An Aluminium Dibond print is a material with an outstanding effect of depth. The colors are luminous, the fine details are clear and crisp. The print on aluminium is one of the most popular entry-level products and is an extremely stylish way to showcase art prints, since it puts the viewer’s attention on the whole artwork.
- Poster (canvas material): A poster is a printed flat cotton canvas with a granular finish on the surface. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6 cm round about the artwork, which facilitates the framing.
- Canvas print: The canvas print is a printed canvas stretched on a wooden frame. Hanging a canvas print: Canvas Prints have the advantage of being relatively low in weight. That means, it is easy to hang your Canvas print without the help of additional wall-mounts. A canvas print is suitable for all types of walls.
- Acrylic glass print: The acrylic glass print, often denoted as a print on plexiglass, changes the original work of art into amazing décor and forms a distinct alternative option to canvas and dibond fine art prints. The work of art will be manufactured with modern UV print machines. The result of this are vivid, stunning colors. The great advantage of an acrylic glass fine art print is that contrasts as well as small artwork details will be recognizeable thanks to the granular tonal gradation.
Legal note: We try everything in order to describe our art products with as many details as possible and to display them visually on the various product detail pages. However, the pigments of the printing material, as well as the printing may diverge somehwat from the presentation on your device's monitor. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed 100% realistically. Bearing in mind that the are printed and processed by hand, there might also be minor variations in the exact position and the size of the motif.
About this product
Print product type: | art copy |
Reproduction: | reproduction in digital format |
Production technique: | UV print / digital printing |
Manufacturing: | German-made |
Stock type: | on demand production |
Product use: | art print gallery, wall gallery |
Orientation: | portrait format |
Image aspect ratio: | 1 : 1.2 length : width |
Image ratio interpretation: | the length is 20% shorter than the width |
Available product materials: | poster print (canvas paper), metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating) |
Canvas on stretcher frame (canvas print) sizes: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Acrylic glass print (with real glass coating) size variants: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Poster print (canvas paper) sizes: | 50x60cm - 20x24", 100x120cm - 39x47" |
Aluminium print options: | 50x60cm - 20x24", 100x120cm - 39x47" |
Frame: | not available |
Background information about the unique artwork
Title of the artwork: | "Allegory of the transfer of the imperial gallery in the Belvedere" |
Artwork classification: | painting |
General term: | classic art |
Time: | 18th century |
Year of creation: | 1781 |
Artwork age: | 230 years old |
Original medium of artwork: | oil on canvas |
Size of the original artwork: | 57 x 47 cm - frame dimensions: 70,5 x 61 x 6 cm |
Original artwork inscription: | signed and dated lower right: 13 OK 1781 V. Fischer |
Exhibited in: | Belvedere |
Museum location: | Vienna, Austria |
Museum's website: | Belvedere |
License: | public domain |
Courtesy of: | © Belvedere, Vienna, inventory number: 4229 |
Creditline: | transfer from the Kunsthistorisches Museum, Vienna. - 1948 inventory in 1922 |
General background information about the artist
Artist: | Vinzenz Fischer |
Also known as: | vincenz fischer, Fischer Josef Vincenz, Fischer Vinzenz, Fischer, Vinzenz Fischer, V. Fischer |
Artist gender: | male |
Nationality of artist: | German |
Jobs: | painter, architect |
Country of origin: | Germany |
Classification: | old master |
Styles: | Baroque |
Age at death: | 81 years |
Year of birth: | 1729 |
Born in (place): | Schmidham at Griesbach |
Year died: | 1810 |
Deceased in (place): | Vienna, Vienna state, Austria |
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Artwork description from Belvedere (© Copyright - by Belvedere - Belvedere)
The reason for this allegory was the transfer of the imperial collection from the barn castle in the Belvedere, where she was open to the public for the first time. The dressed in the style of a Roman Emperor Joseph II. Is informed by Minerva, goddess of wisdom, art and clever warfare, on the Upper Belvedere. Simultaneously, the allegorical figure of art and genii bring cause of art. The circular temple - here meaning a temple Muse - bears the Greek inscription "Parthenon" and a stone plaque with the artist's signature and the date 13 October 1781, perhaps the day on which the newly established collection was opened. [Georg Lechner, 2010]