Pieter van Anraadt, 1658 - Still Life with Earthenware Jug and Clay Pipes - fine art print
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What does the original description of the Mauritshuis state about this 17th century artwork created by Pieter van Anraadt? (© - by Mauritshuis - www.mauritshuis.nl)
C. Raven, London, 1938 (sale London, Christie’s, 21 July 1939, lot 35, to Bloch); Vitale Bloch, The Hague, 1939-1940; sold to Christopher Norris, Polesden Lacey; on loan to the Fogg Art Museum, Cambridge, Massachusetts, July 1940-December 1945; sold by Norris to Duits Gallery, London; sold to J. Kingston, 1953; Duits Gallery, London, 1955; sold to Sidney van den Bergh, Wassenaar, 1955; purchased with the support of the Friends of the Mauritshuis Foundation, the Prince Bernhard Culture Fund and the Rembrandt Association, 1972
Summary of this over 360 year-old work of art
The over 360 year old artwork was created by the painter Pieter van Anraadt in 1658. The version of the artpiece measures the size of height: 67 cm width: 58,8 cm | height: 26,4 in width: 23,1 in and was painted on the medium oil on canvas. The original artwork's inscription is: "signed and dated: Pieter van / Anraadt / Anº 1658". Besides, the piece of art is in the the Mauritshuis's collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. This public domain artpiece is being provided with courtesy of Mauritshuis, The Hague. Creditline of the artwork: C. Raven, London, 1938 (sale London, Christie’s, 21 July 1939, lot 35, to Bloch); Vitale Bloch, The Hague, 1939-1940; sold to Christopher Norris, Polesden Lacey; on loan to the Fogg Art Museum, Cambridge, Massachusetts, July 1940-December 1945; sold by Norris to Duits Gallery, London; sold to J. Kingston, 1953; Duits Gallery, London, 1955; sold to Sidney van den Bergh, Wassenaar, 1955; purchased with the support of the Friends of the Mauritshuis Foundation, the Prince Bernhard Culture Fund and the Rembrandt Association, 1972. Furthermore, alignment of the digital reproduction is portrait and has a ratio of 1 : 1.2, which means that the length is 20% shorter than the width.
Your product product material options
We offer a range of different materials and sizes for every product. The following options are available for individualization:
- Acrylic glass print (with real glass coating): An print on acrylic glass, which is sometimes described as a UV print on plexiglass, transforms the artwork into home décor. Your artwork is being manufactured with the help of modern UV print machines. With an acrylic glass fine art print contrasts and also details will be more recognizeable due to the subtle gradation of the print.
- Metal print (aluminium dibond): Aluminium Dibond prints are prints on metal with a true depth. The white and bright components of the artpiece shimmer with a silky gloss, however without glare.
- The poster print on canvas material: The Artprinta poster is a UV printed canvas with a nice surface structure. Please note, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the painting, which facilitates the framing with your custom frame.
- The canvas print: A canvas direct print is a printed cotton canvas stretched on a wood stretcher. A canvas print of this artpiece will allow you to transform your very own fine art print into a large size work of art. Canvas Prints have the great advantage of being low in weight, meaning that it is easy to hang the Canvas print without any wall-mounts. Canvas prints are suited for any type of wall.
Short overview of the artist
| Name: | Pieter van Anraadt |
| Jobs of the artist: | painter |
| Artist classification: | old master |
| Died aged: | 43 years |
| Birth year: | 1635 |
| Died in the year: | 1678 |
Background data about the artwork
| Name of the piece of art: | "Still Life with Earthenware Jug and Clay Pipes" |
| Artwork categorization: | painting |
| Broad category: | classic art |
| Artwork century: | 17th century |
| Artpiece year: | 1658 |
| Approximate age of artwork: | over 360 years |
| Medium of original artwork: | oil on canvas |
| Size of the original artwork: | height: 67 cm width: 58,8 cm |
| Signature: | signed and dated: Pieter van / Anraadt / Anº 1658 |
| Museum / location: | Mauritshuis |
| Place of the museum: | The Hague, South Holland, Netherlands |
| Website: | www.mauritshuis.nl |
| License: | public domain |
| Courtesy of: | Mauritshuis, The Hague |
| Artwork creditline: | C. Raven, London, 1938 (sale London, Christie’s, 21 July 1939, lot 35, to Bloch); Vitale Bloch, The Hague, 1939-1940; sold to Christopher Norris, Polesden Lacey; on loan to the Fogg Art Museum, Cambridge, Massachusetts, July 1940-December 1945; sold by Norris to Duits Gallery, London; sold to J. Kingston, 1953; Duits Gallery, London, 1955; sold to Sidney van den Bergh, Wassenaar, 1955; purchased with the support of the Friends of the Mauritshuis Foundation, the Prince Bernhard Culture Fund and the Rembrandt Association, 1972 |
About this article
| Print product type: | wall art |
| Reproduction: | reproduction in digital format |
| Manufacturing process: | digital printing (UV direct print) |
| Provenance: | manufactured in Germany |
| Stock type: | on demand |
| Intended product usage: | art print gallery, home décor |
| Orientation of the artwork: | portrait format |
| Aspect ratio: | 1 : 1.2 length to width |
| Meaning of image ratio: | the length is 20% shorter than the width |
| Available choices: | poster print (canvas paper), metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print |
| Canvas on stretcher frame (canvas print) variants: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Acrylic glass print (with real glass coating) sizes: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Poster print (canvas paper) size options: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Aluminium print (aluminium dibond material) variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Art print framing: | no frame |
Disclaimer: We try the best we can to describe the products in as much detail as it is possible and to display them visually on the various product detail pages. Still, the pigments of the printed materials and the printing might vary to a certain extent from the image on your device's monitor. Depending on your screen settings and the quality of the surface, colors can unfortunately not be printed 100% realistically. Because all our are printed and processed manually, there might also be minor variations in the motif's size and exact position.
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