French School, 1485 - Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper - fine art print

Additional specifications from the museum's website (© Copyright - by Art Institute Chicago - Art Institute Chicago)

This panel was once part of the altarpiece decorating the high altar of the Carthusian monastery at Thuison, outside of Abbeville in northern France. Four saints standing in niches were painted on the exterior of the altarpiece’s wings. When the wings were open, the interior of the altarpiece told the story of Christ’s Passion and Resurrection through painted narratives on the inside of the wings and painted and gilded carvings in the central shrine whose central subject was undoubtedly the Crucifixion. The carvings have not survived. The fronts and backs of the wings were sawn apart in the mid 19th century; all the wing panels except one narrative (The Entry into Jerusalem, Hermitage, Saint Petersburg) are in the Art Institute.

Summarization of the classic art replica

The over 530 years old artpiece was made by the painter French School in 1485. The 530 years old version of the painting has the following dimensions: Panel: 117,2 × 50,9 cm (46 1/8 × 20 in); Painted Surface: 115,6 × 49,7 cm (45 1/2 × 19 9/16 in). Oil on panel was applied by the painter as the medium of the artwork. The original artwork is inscribed with the following information: inscribed: XOQEAESOFPV. / OI. (on hem of robe of disciple in front center), OT:ETAES (on hem of robe of disciple at far right). This artwork can be viewed in in the art collection of Art Institute Chicago in Chicago, Illinois, United States of America. We are pleased to mention that this public domain artwork is being provided with courtesy of Art Institute Chicago. Creditline of the artwork: The Art Institute of Chicago, Mr. and Mrs. Martin A. Ryerson Collection. The alignment of the digital reproduction is portrait with an image ratio of 2 : 5, which means that the length is 60% shorter than the width.

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• Aluminium dibond print: Aluminium Dibond prints are prints on metal with an impressive depth. A direct Direct Print on Aluminum Dibond is the best introduction to fine art replicas produced with aluminum. This direct print on aluminium is the most popular entry-level product and is a truly sophisticated way to showcase art prints, since it draws attention on the replica of the artwork.
• Print on acrylic glass: An print on acrylic glass, which is often named as a plexiglass print, will transform your favorite artwork into wonderful home decoration. The work of art is being printed with modern UV direct printing technology. The image effect of this are deep and vivid colors. Our plexiglass with real glass coating protects your chosen fine art print against light and external influences for many decades.
• Canvas: The canvas print, which shall not be mistaken with a canvas painting, is a digital replica applied directly on cotton canvas fabric. A canvas creates the distinctive impression of three-dimensionality. Further, a canvas print makes a charming and pleasant ambience. A printed canvas of this artpiece will provide you with the chance to turn your individual fine art print into a large artwork as you know from galleries. Canvas Prints have the advantage of being relatively low in weight. That means, it is quite simple to hang your Canvas print without additional wall-mounts. Therefore, canvas prints are suitable for any type of wall in your house.
• Poster print (canvas material): The Artprinta poster print is a UV printed flat canvas paper with a slightly rough structure on the surface. It is qualified for framing your fine art print in a personal frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm around the work of art, which facilitates the framing with your custom frame.

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Legal note: We try the best we can to describe our art products in as much detail as we can and to illustrate them visually. Please keep in mind that the pigments of the print products, as well as the imprint may diverge marginally from the representation on the device's screen. Depending on the screen settings and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version. Because the fine art prints are processed and printed by hand, there may also be slight deviations in the exact position and the size of the motif.

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