Franz Anton Maulbertsch, 1755 - Susanna before the judges - fine art print

In 1755 the Austrian artist Franz Anton Maulbertsch painted this painting Susanna before the judges. The version of the artpiece has the following size: 57 x 68 cm - frame dimensions: 75 x 88 x 8,5 cm. Oil on canvas was used by the European artist as the medium of the painting. The work of art is in the the Belvedere's digital art collection in Vienna, Austria. The artwork, which is in the public domain is being supplied with courtesy of © Belvedere, Vienna, inventory number: 3224. The creditline of the artpiece is: purchase from A. Lapp Rottmann, Frankfurt in 1932. Further, the alignment is landscape with a side ratio of 1.2 : 1, which means that the length is 20% longer than the width. Franz Anton Maulbertsch was a male painter, whose artistic style was primarily Baroque. The European painter was born in 1724 in Langenargen, Baden-Wurttemberg, Germany and deceased at the age of 72 in the year 1796.

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What specifically does the original artwork description of the Belvedere write about the artwork made by Franz Anton Maulbertsch? (© Copyright - Belvedere - Belvedere)

In the Old Testament story of Susanna is told (Daniel 13.1 to 64), lie in wait for the two lecherous old man in the bath. However, the honorable wife remains steadfast and is then accused by the two rejected falsely of adultery. Shown is but that dramatic climax of the story, where the slandered is brought to justice here. The focus of the presentation is the wrapped in a white dress and a blue scarf protagonist who is accentuated by a pair of columns located after her. In contrast to this glowing form the others present appear in color in the background. The viewer therefore not immediately takes notice how violently the two soldiers induced drag the culprit. On the right is a soldier with a lance, which pushes back the onlookers (or the young Daniel?). the presentation is enriched by still life in the form of the vase and other objects in the foreground and the flower arrangement on the right edge. In addition to these also located next to the pair of columns figure of Justice and superimposed in the foreground bildeinwärts facing man thwart in their rest the violence of the movement of the middle group. [Georg Lechner, 10/2009]