Carl Larsson - Old Anna. From A Home (26 watercolours) - fine art print

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We offer a range of different materials and sizes for every product. The following options are available for individualization:

• Aluminium dibond print: An Aluminium Dibond print is a material with a true effect of depth, creating a modern look with a surface , which is not reflective. For our Print On Aluminum Dibond, we print the selected artwork right onto the aluminium composite white-primed surface.
• Poster print (canvas material): The poster is a UV printed canvas with a slightly rough texture on the surface. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the print motif in order to facilitate the framing with a custom frame.
• Print on acrylic glass: A glossy acrylic glass print, which is sometimes referred to as a an art print on plexiglass, will transform the original artwork into décor. Moreover, it forms a viable alternative option to canvas and dibond fine art replicas. The real glass coating protects your selected art print against light and heat for between 40-60 years.
• The canvas print: A canvas direct print is a printed cotton canvas stretched on a wood stretcher. It generates a sculptural effect of three-dimensionality. A canvas print of this masterpiece will allow you to transform your into a large size work of art like you would see in a real gallery. Canvas Prints have the advantage of being relatively low in weight, which means that it is easy to hang the Canvas print without the support of any wall-mounts. Canvas prints are suitable for all kinds of walls.

Important note: We try our best to depict our products as exact as possible and to illustrate them visually on the product detail pages. However, the tone of the printing material and the imprint may diverge marginally from the representation on your monitor. Depending on your settings of your screen and the condition of the surface, color pigments may not be printed one hundret percent realistically. In view of the fact that our art reproductions are processed and printed manually, there may as well be slight variations in the size and exact position of the motif.

General specifications as provided from Nationalmuseum Stockholm (© - by Nationalmuseum Stockholm - Nationalmuseum Stockholm)

English: Carl and Karin Larsson combined new design with old traditions. Practicality dictated their interior design, but it was equally important that furniture and objects form an attractive harmony. This ideal was also propagated by others, including Ellen Key, who advocated homes that were in a new and light style, in her essay “Skönhet för alla” (Beauty for All) in 1899. The Larssons moved to Lilla Hyttnäs, a house in Sundborn, in the summer of 1889. Here, Carl and Karin together created the interiors that made their home famous. Karin designed the furniture and textiles, which she embroidered and wove. A studio was fitted up in one of the hallways. It features many eye-catching details, including the funny man crowning a column. When a larger studio extension was added, this room became a workshop for the whole family. The interiors of the Larsson home were characterised by rural simplicity. Nevertheless, every detail was carefully designed, with influences from England, Scotland and Japan. The kitchen, which was first and foremost a place for household chores, did not display the same modern interior style and comfort as the rest of the house. Hos Carl och Karin Larsson möttes ett nytt formspråk och gammal tradition. De praktiska ändamålen styrde inredningen, men lika viktigt var att möblerna och föremålen samspelade i en harmoni. Dessa idéer förespråkades också till exempel av Ellen Key. Hon pläderade för nya och ljusa hem i sin uppsats ”Skönhet för alla” från 1899. Larssons flyttade till huset Lilla Hyttnäs i Sundborn sommaren 1889. Carl och Karin skulle där tillsammans skapa den inredning som gjorde hemmet berömt. Karin formgav både möbler och textilier som hon broderade och vävde. En av tamburerna inreddes tidigt till ateljé. Där finns rikligt av iögonfallande detaljer, till exempel den lustige figuren på krönet till stolpen. När en större ateljé byggdes blev detta rum en verkstad för hela familjen. Inredningarna i det Larssonska hemmet gav sken av en lantlig enkelhet. Samtidigt var allt noga genomtänkt och influenserna hämtades bland annat från England, Skottland och Japan. Köket som främst var en plats för hushållsarbete och matlagning hade dock inte samma moderna inredningsstil och bekvämlighet som de övriga rummen.

Summarization of the replica

This artpiece was made by the Swedish artist Carl Larsson. The original was painted with the absolute size: Height: 32 cm (12,5 ″); Width: 43 cm (16,9 ″) Framed: Height: 38 cm (14,9 ″); Width: 52 cm (20,4 ″); Depth: 2 cm (0,7 ″). Nowadays, this work of art belongs to the art collection of Nationalmuseum Stockholm. We are pleased to state that this artwork, which is in the public domain is being supplied with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.Creditline of the artwork: . Further, the alignment is in landscape format with a ratio of 3 : 2, which implies that the length is 50% longer than the width.

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