Camille Corot, 1860 - The Environs of Paris - fine art print
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General specifications as provided from the museum's website (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)
Corot painted at least four versions of this composition. The other three seem to predate this work of the mid-1860s by about a decade. The subject is a view of the rue Brancas near the artist’s home at Ville-d’Avray, southwest of Paris, which is visible in the distance.
Work of art information
Artpiece title: | "The Environs of Paris" |
Classification: | painting |
Umbrella term: | modern art |
Century: | 19th century |
Artwork year: | 1860 |
Approximate age of artwork: | 160 years old |
Artwork original medium: | oil on wood |
Size of the original artwork: | 13 1/2 x 20 1/4 in (34,3 x 51,4 cm) |
Exhibited in: | The Metropolitan Museum of Art |
Location of the museum: | New York City, New York, United States of America |
Museum website: | The Metropolitan Museum of Art |
License: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 |
Artwork creditline: | Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 |
Background information on the artist
Name: | Camille Corot |
Gender: | male |
Nationality: | French |
Jobs: | painter |
Country: | France |
Artist category: | modern artist |
Styles of the artist: | Realism |
Lifetime: | 79 years |
Born: | 1796 |
Year of death: | 1875 |
Structured article details
Product type: | fine art reproduction |
Reproduction method: | digital reproduction |
Manufaturing technique: | digital printing (UV direct print) |
Production: | Germany |
Type of stock: | on demand production |
Intended product usage: | home design, art collection (reproductions) |
Alignment of the image: | landscape alignment |
Image ratio: | 3 : 2 |
Side ratio meaning: | the length is 50% longer than the width |
Available options: | poster print (canvas paper), acrylic glass print (with real glass coating), metal print (aluminium dibond), canvas print |
Canvas print (canvas on stretcher frame) size options: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Acrylic glass print (with real glass coating): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Poster print (canvas paper) size variants: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Dibond print (alumnium material) options: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Frame: | not included |
Product materials that we offer:
For every fine art print we offer different materials & sizes. You can choose among the following product customization options:
- The canvas print: The printed canvas stretched on a wood stretcher frame. Also, a canvas produces a soft and appealing ambience. Your canvas of your favorite artpiece will let you turn your art print into a large work of art like you know from galleries. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suited for all types of walls.
- Glossy acrylic glass print: A glossy acrylic glass print, often labelled as a UV print on plexiglass, makes your favorite original into beautiful home decoration. Your favorite work of art is made with modern UV direct print machines. The major advantage of a plexiglass art print is that contrasts plus color details become visible because of the delicate tonal gradation.
- Poster (canvas material): The poster is a printed sheet of canvas with a slightly rough surface structure, which reminds the original work of art. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm around the work of art in order to facilitate the framing with your custom frame.
- Aluminium dibond print: These are metal prints on aluminium dibond material with a true depth, which creates a contemporary impression by having a non-reflective surface structure. The Aluminium Dibond Print is the excellent start to art replicas with aluminum. For the Aluminium Dibond print, we print your selected work of art onto the surface of the aluminum. The colors of the print are bright and vivid, the fine details appear clear and crisp. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely contemporary way to showcase art, because it puts 100% of the viewer’s focus on the whole artwork.
The art product details
In 1860 Camille Corot created this 19th century artwork with the title The Environs of Paris. The artwork measures the size: 13 1/2 x 20 1/4 in (34,3 x 51,4 cm). Oil on wood was applied by the European painter as the technique for the piece of art. This artwork is included in the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This modern art artpiece, which is part of the public domain is supplied with courtesy of The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915. The creditline of the artwork is the following: Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915. On top of that, alignment of the digital reproduction is in landscape format with a ratio of 3 : 2, which implies that the length is 50% longer than the width. Camille Corot was a painter of French nationality, whose artistic style was primarily Realism. The painter was born in 1796 and passed away at the age of 79 in the year 1875.
Important legal note: We try to describe the products with as many details as we can and to illustrate them visually in our shop. Nonetheless, the pigments of the print products and the printing might differ somehwat from the image on your screen. Depending on your screen settings and the condition of the surface, not all colors can be printed one hundret percent realistically. In view of the fact that our fine art prints are processed and printed manually, there may as well be minor discrepancies in the size and exact position of the motif.
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