Bernardo Strozzi, 1625 - The Healing of Tobit - fine art print
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The artwork The Healing of Tobit from the Italian painter Bernardo Strozzi as your unique artprint
The Healing of Tobit is a painting created by Bernardo Strozzi. The painting has the following size of Framed: 57,2 x 80 x 10,2 cm (22 1/2 x 31 1/2 x 4 in); Unframed: 42,7 x 65,5 cm (16 13/16 x 25 13/16 in) and was painted with the medium oil on wood. Besides, this artpiece can be viewed in in the The Cleveland Museum of Art's collection - the museum is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. The classic art public domain piece of art is being provided with courtesy of The Cleveland Museum of Art. : John L. Severance Fund and Mr. and Mrs. William H. Marlatt Fund. What is more, the alignment is in landscape format with a ratio of 3 : 2, which implies that the length is 50% longer than the width. Bernardo Strozzi was a painter from Italy, whose artistic style can be attributed primarily to Baroque. The European painter lived for 83 years - born in the year 1581 in Genoa, Genova province, Liguria, Italy and passed away in the year 1664.
Product materials our customers can pick from
We offer a range of different materials and sizes for every product. You can pick your preferred material and size among the choices:
- Canvas: A canvas print is a printed canvas mounted on a wood frame. Your printed canvas of this work of art will let you turn your into a large artpiece like you know from galleries. Canvas prints are relatively low in weight, which implies that it is easy to hang your Canvas print without the support of additional wall-mounts. A canvas print is suited for any kind of wall.
- Poster (canvas material): A poster print is a printed sheet of canvas with a granular surface structure. A poster print is appropriate for placing the art copy using a customized frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the artwork, which facilitates the framing.
- Aluminium dibond print: An Aluminium Dibond print is a material with an outstanding depth, creating a modern look thanks to a surface , which is not reflective. The colors of the print are luminous and vivid in the highest definition, fine details appear clear and crisp, and the print has a a matte look you can literally feel.
- Print on acrylic glass: The acrylic glass print, often denoted as a print on plexiglass, will turn the original artwork into magnificient décor. Further, the acrylic glass print makes a great alternative to aluminium or canvas art prints.
Legal disclaimer: We try everything in order to describe our art products in as much detail as possible and to showcase them visually on the different product detail pages. Although, some tone of the print products and the printing can diverge marginally from the presentation on the monitor. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version shown here. Because all our art reproductions are processed and printed manually, there might as well be minor variations in the size and exact position of the motif.
Structured article details
| Print product type: | art print |
| Reproduction: | reproduction in digital format |
| Manufacturing process: | UV direct print (digital printing) |
| Production: | made in Germany |
| Type of stock: | on demand production |
| Product use: | gallery wall, home design |
| Orientation: | landscape format |
| Aspect ratio: | length : width - 3 : 2 |
| Aspect ratio meaning: | the length is 50% longer than the width |
| Available reproduction materials: | canvas print, metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating) |
| Canvas print (canvas on stretcher frame) size options: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
| Acrylic glass print (with real glass coating): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
| Poster print (canvas paper) size options: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
| Aluminium dibond print (aluminium material) size variants: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
| Art print framing: | unframed product |
Details about the unique piece of art
| Artwork title: | "The Healing of Tobit" |
| Categorization of the work of art: | painting |
| Category: | classic art |
| Time: | 17th century |
| Created in the year: | 1625 |
| Approximate age of artwork: | over 390 years old |
| Painted on: | oil on wood |
| Artwork original dimensions: | Framed: 57,2 x 80 x 10,2 cm (22 1/2 x 31 1/2 x 4 in); Unframed: 42,7 x 65,5 cm (16 13/16 x 25 13/16 in) |
| Exhibited in: | The Cleveland Museum of Art |
| Museum location: | Cleveland, Ohio, United States of America |
| Website of Museum: | The Cleveland Museum of Art |
| Artwork license type: | public domain |
| Courtesy of: | The Cleveland Museum of Art |
| Creditline: | John L. Severance Fund and Mr. and Mrs. William H. Marlatt Fund |
Artist table
| Artist name: | Bernardo Strozzi |
| Other artist names: | Cappuccini, Prete Strocio, Prete genuese, Cavalier de Strozzi, Preta Genoese, le Prêtre Génois dit le Capucin, Strozza Bernardo, Strozi prete genovese, Cappuccino di Genova, Bernard Strozzi, Capucino Genovese, Bernhard Strozza genannt Prete-Genoese, strozzi b., Bernardo Strozzi detto il Prete Genovese, Le Prêtre Genois, Prette Genoese, Præto Genuese, P. Genoesse, Barnardino, pedro Estroça, Bernard Strozzi dit le Prêtre Genoiese, Trozzi Bernardo, Capuccino genovese, b. strozzi, Prite Genovese, bern. strozzi, Gienovese, Prete Strozzi Genovese, Trozzi, P. Genoese, Strozzi il Prete Genovese, Bernardo Strozzi, Strozzi Prete Genovese, Stroza, Le capucin Génois, Capucino Il, Cappuccino Il, Il Cappuccino, Prete de Genoese, Prete Strozi Genovese, Bernhardino Strozzi, Cavallero Strozzy, strozzi b., Capucino, Prete, Capuccino genoviso, Genois, Genovese, Il Prete Genovese, Prete Genovese Il, P. genovese, P. Genovesse, Capuzin, Prota de Genes, Præte Genoese, Capuccino, Cappuccin Genovese, Prete Capucino, Chev. Strozzi, Strozzi Il Cappuccino, Bernard Strozzi dit le prêtre Génois, Il Pietre Genoese, Strozzi Bernardo, Pietro Genovese, Cappuccino, Bernhard Strozzi, le Sr. Bernard, de Cavallier Stroszi, Strozza, capuchin Genoese, Genovese Prete, Pietro Genoese, סטרוצי ברנרדו, Il Capucino, Prete Strozi, Prit. Genovese, Bernard Strozzi dit Prete Genovese, Strozzi, Prete Genoese, Strozi, Prette, Bernardo Strozza d.o il Prete Genovese, Strozi prete, Bernard Strozzi dit le Capucin, Pretta Genovesa, Prette Genovese, le Capucin, padre Genovese, Bernard Strozzi dit le Prête génois, Genoese, P. Strozzi, Prete Genovese Strozi, Cappuccini Genovese, Cappuccino Genovese, Prete Genovese, Cavalier Strozzi, Prête Genues, Pretta Genovesi |
| Gender of the artist: | male |
| Nationality: | Italian |
| Professions: | painter |
| Country of origin: | Italy |
| Classification: | old master |
| Art styles: | Baroque |
| Age at death: | 83 years |
| Year of birth: | 1581 |
| Born in (place): | Genoa, Genova province, Liguria, Italy |
| Died: | 1664 |
| Town of death: | Venice, Venezia province, Veneto, Italy |
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Original description from the museum's website (© - by The Cleveland Museum of Art - The Cleveland Museum of Art)
This scene is the moving conclusion of the story of Tobias, the young man at the right. It addresses the themes of family devotion and trust. Tobias’s father sent him on a long journey to retrieve family money. The angel Raphael appeared as a relative, offering the traveler protection against such things as an attack by a huge fish, whose organs Tobias took on Raphael’s advice. Upon his return home, Tobias discovers his father has gone blind, and Raphael advises him to place the fish’s gallbladder on his father’s eyes to cure him. Strozzi depicts the miraculous cure and the moment in which Raphael reveals that he is an angel.