Adriaen van Ostade, 1659 - The Merry Drinkers - fine art print

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In the year 1659 the male Dutch painter Adriaen van Ostade made this baroque painting "The Merry Drinkers". The original was painted with the following dimensions: height: 30,4 cm width: 25,2 cm | height: 12 in width: 9,9 in and was produced with oil on panel. Signed and dated: Av. Ostade. / 1659 was the artpiece's inscription. Nowadays, the piece of art is in the the Mauritshuis's art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of - Mauritshuis, The Hague (licensed - public domain). Creditline of the artwork: Probably Cornelis Pieter, Baron van Leyden, Warmond, before 1790; his widow, Hermina Jacoba, Baroness van Leyden, born Countess de Thoms, Warmond, before 1814; her sale, Warmond, 31 July 1816 (Lugt 8948), no. 29 (for 1,110 guilders to Steengracht); jonkheer Johan Steengracht van Oostcapelle, The Hague, 1816-1846; acquired at a family auction by his second son, jonkheer Hendrik Steengracht van Oostcapelle, The Hague, 1846-1875; by inheritance to his nephew, Hendricus Adolphus Steengracht van Duivenvoorde, The Hague and Voorschoten, 1875-1912; his sale Paris, 9 June 1913 (Lugt 72900), no. 55 (for 30,550 francs to ‘Stettiner’); sale Amsterdam (Frederik Muller), 12 April 1932, no. 242 (to Goudstikker); J. Goudstikker Gallery, Amsterdam; purchased, 1932. Besides this, the alignment of the digital reproduction is in portrait format with a side ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Adriaen van Ostade was a engraver, artist, painter from the Netherlands, whose art style can primarily be classified as Baroque. The Dutch painter was born in the year 1610 in Haarlem, North Holland, Netherlands and died at the age of 75 in 1685.

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• Poster print (canvas material): The Artprinta poster is a printed cotton canvas with a slightly rough structure on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm round about the print to facilitate the framing with your custom frame.
• Aluminium print (aluminium dibond): These are metal prints on aluminium dibond with an outstanding depth. The Aluminium Dibond Print is the ideal start to art replicas made with aluminum. The white and bright components of the original artpiece shine with a silky gloss, however without glare.
• Printed acrylic glass with a glossy effect: The print on acrylic glass, which is often described as a UV print on plexiglass, will convert your favorite original work of art into stunning home décor. The major advantage of a plexiglass art print is that sharp contrasts plus minor color details will be more visible with the help of the subtle tonal gradation. Our acrylic glass protects your selected art print against light and external influences for up to 60 years.
• Canvas: The printed canvas, not to be mistaken with a canvas painting, is an image printed on a cotton canvas. Your canvas print of your favorite artpiece will let you turn your into a large size artwork like you know from art galleries. The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang your Canvas print without additional wall-mounts. Canvas prints are suitable for all kinds of walls.

Legal disclaimer: We try everythig possible to describe our art products in as much detail as possible and to demonstrate them visually. However, the tone of the printing material and the imprint might diverge somehwat from the presentation on your device's screen. Depending on the settings of your screen and the condition of the surface, color pigments may not be printed one hundret percent realistically. Considering that all art reproductions are printed and processed manually, there might also be slight discrepancies in the exact position and the size of the motif.

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Original information about the work of art from Mauritshuis (© - Mauritshuis - Mauritshuis)

Probably Cornelis Pieter, Baron van Leyden, Warmond, before 1790; his widow, Hermina Jacoba, Baroness van Leyden, born Countess de Thoms, Warmond, before 1814; her sale, Warmond, 31 July 1816 (Lugt 8948), no. 29 (for 1,110 guilders to Steengracht); jonkheer Johan Steengracht van Oostcapelle, The Hague, 1816-1846; acquired at a family auction by his second son, jonkheer Hendrik Steengracht van Oostcapelle, The Hague, 1846-1875; by inheritance to his nephew, Hendricus Adolphus Steengracht van Duivenvoorde, The Hague and Voorschoten, 1875-1912; his sale Paris, 9 June 1913 (Lugt 72900), no. 55 (for 30,550 francs to ‘Stettiner’); sale Amsterdam (Frederik Muller), 12 April 1932, no. 242 (to Goudstikker); J. Goudstikker Gallery, Amsterdam; purchased, 1932