Jasper Francis Cropsey, 1850 - Blasted Tree - fine art print

"Blasted Tree" was painted by the artist Jasper Francis Cropsey. The original was painted with the absolute size of 43,2 × 35,6 cm (17 × 14 in). Oil on canvas was applied by the painter as the technique for the artpiece. What is more, the artwork is included in the Art Institute Chicago's digital collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of: Art Institute Chicago (licensed - public domain). : Gift of Jamee J. and Marshall Field. In addition to this, the alignment is in portrait format and has a ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. The painter Jasper Francis Cropsey was a North American artist, whose artistic style can be classified as Realism. The North American artist lived for 77 years, born in 1823 in Rossville, Staten Island, New York, New York, United States, neighborhood and deceased in 1900.

Your product material options

We offer a range of various materials and sizes for every product. You can choose your your favorite size and material among the following options:

• Acrylic glass print (with real glass coating): A glossy print on acrylic glass, which is sometimes named as a an art print on plexiglass, will transform your favorite original artwork into marvellous décor. What is more, it offers a distinct alternative to aluminium or canvas prints. The major advantage of an acrylic glass fine art copy is that contrasts and minor artwork details become recognizeable thanks to the delicate tonal gradation in the picture. Our acrylic glass protects your chosen art replica against light and external influences for many decades.
• Canvas print: A UV printed canvas applied on a wooden frame. A canvas print of this artwork will allow you to transform your fine art print into a large work of art as you would see in a gallery. How can I hang a canvas print on my wall? The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang the Canvas print without the support of extra wall-mounts. Therefore, a canvas print is suitable for any type of wall.
• Poster on canvas material: The poster is a UV printed canvas paper with a slight texture on the surface, which reminds the original masterpiece. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Aluminium dibond print: Aluminium Dibond prints are prints on metal with a true depth effect. A non-reflective surface structure creates a contemporary look. A direct Aluminium Dibond Print is your excellent start to the sophisticated world of fine art reproductions on aluminum. For the Aluminium Dibond print, we print your artpiece right on the surface of the aluminum.

Important information: We try whatever we can in order to depict our art products as clearly as possible and to demonstrate them visually. Nevertheless, the pigments of the print materials, as well as the imprint can vary somehwat from the representation on your monitor. Depending on the screen settings and the quality of the surface, not all color pigments can be printed as realisitcally as the digital version depicted here. Given that all are processed and printed manually, there might also be minor variations in the motif's exact position and the size.

The product

Details on the original work of art

Artist metadata table

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Additional information by the museum (© Copyright - by Art Institute Chicago - Art Institute Chicago)

Like his fellow Hudson River School landscapists, Jasper Cropsey sketched in nature and then combined motifs he had observed into his compositions in his New York studio. In the late 1840s and early 1850s he traveled frequently to the Catskills, where he produced this oil sketch. Here, the gnarled trunk and branches of the weather-beaten tree offered the artist interesting variations of color, tone, and line. Cropsey often included such old trees in his paintings in emulation of Thomas Cole, whom he greatly admired. In Cropsey’s work, as in that of Cole, the subject introduces a sense of time and history into the scene, as well as conveying the sublime power of nature.