Godefridus Schalcken, 1700 - Lady at a Mirror by Candlelight - fine art print

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The product dropdown list gives you the opportunity to choose a material and a size of your choice. The following sizes and materials are the options we offer you for individualization:

• Glossy acrylic glass print (with real glass coating): A glossy print on acrylic glass, often named a print on plexiglass, will convert your favorite original artwork into stunning home décor. Your artwork will be manufactured thanks to the help of state-of-the-art UV direct printing machines. This creates deep and vivid color tones.
• Canvas: The canvas print is a printed canvas mounted on a wooden stretcher. A canvas has a exclusive effect of three-dimensionality. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the help of additional wall-mounts. Hence, canvas prints are suited for all kinds of walls.
• Aluminium dibond (metal print): These are metal prints on aluminium dibond material with an outstanding depth, which creates a modern look by having a surface structure, which is not reflective. The Aluminium Dibond Print is the best introduction to art prints with aluminum. The white and bright parts of the original artwork shimmer with a silk gloss but without the glow.
• The poster print (canvas material): A poster is a printed sheet of canvas paper with a nice structure on the surface. It is used for putting your art print using a custom-made frame. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6 cm around the print, which facilitates the framing with a custom frame.

Important information: We do whatever we can in order to depict the products as accurate as possible and to illustrate them visually in our shop. Nevertheless, some pigments of the printing material and the printing might differ marginally from the image on your device's monitor. Depending on your screen settings and the quality of the surface, color pigments may not be printed one hundret percent realistically. Considering that all our fine art prints are printed and processed by hand, there might as well be minor discrepancies in the size and exact position of the motif.

Additional information as provided by Mauritshuis website (© - by Mauritshuis - Mauritshuis)

Probably anonymous sale, The Hague (Confrerie Pictura), 3 May 1729 (Lugt 385), no. 60 (265 guilders); the painter’s widow, Francoisia van Diemen, The Hague, 1733; Benjamin da Costa, The Hague, in or before 1752-1756; his widow, Sarah Lopes Suasso, The Hague, 1756-1764; Da Costa sale, The Hague, 13 August 1764 (Lugt 1400), no. 63 (for 810 guilders to Tethart Philipp Christian Haag for William V); Prince William V, The Hague, 1764-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; exhibited in the Prince William V Gallery, The Hague, since 2010

The 18th century artwork named Lady at a Mirror by Candlelight was painted by Godefridus Schalcken in the year 1700. The beyond 320 year old original had the following exact dimensions height: 76 cm width: 64 cm | height: 29,9 in width: 25,2 in. Oil on canvas was applied by the painter as the technique for the piece of art. The masterpiece has the following text as inscrption: signed: G S[.]h[.]lcken. Nowadays, the piece of art belongs to the collection of Mauritshuis, which is located in The Hague, South Holland, Netherlands. We are glad to mention that this public domain artpiece is being supplied with courtesy of Mauritshuis, The Hague. Creditline of the artwork: Probably anonymous sale, The Hague (Confrerie Pictura), 3 May 1729 (Lugt 385), no. 60 (265 guilders); the painter’s widow, Francoisia van Diemen, The Hague, 1733; Benjamin da Costa, The Hague, in or before 1752-1756; his widow, Sarah Lopes Suasso, The Hague, 1756-1764; Da Costa sale, The Hague, 13 August 1764 (Lugt 1400), no. 63 (for 810 guilders to Tethart Philipp Christian Haag for William V); Prince William V, The Hague, 1764-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; exhibited in the Prince William V Gallery, The Hague, since 2010. What is more, the alignment is in portrait format and has a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width.

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