Léon Bonnat, 1873 - Christ on the Cross, to sketch the courtroom of the Court of Assizes of Paris Courthouse - fine art print
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Supplemental information from Petit Palais - Musée des Beaux-arts de la Ville de Paris (© - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)
On a dark sky dimly lit by the twilight, stands the body of Christ crucified, to the skeletal body wearing only a loincloth. Looks up on which rests the crown of thorns skyward. Above him, on the cross, we can not see the top, is nailed the inscription "I.N.R.I" (Jesus the Nazarene, King of the Jews).
Sketch for the table for the courtroom of the Paris Assize Court of the Palace of Justice. This version of Small is very close to the final composition.
Jesus Christ
Biblical Scene, Passion of Christ, the New Testament scene, Crucifixion, cross, crown of thorns, Torment, Dusk
Summary of the print product
This artpiece was made by the French painter Léon Bonnat in 1873. The painting measures the size: Height: 32,5 cm, Width: 24 cm and was painted with the technique of Oil, Canvas (material). The original artwork was inscribed with the information - Label - In the back of the frame: "Maurice Robinot / packaging art / 9 rue Paris 7th Sédillot 9 / Petit Palais" Another label below the first: "[...] Gilder [...] and the City of Paris [...] manufactures store managers [...] relining and restoration of paintings and engravings and paintings gilding churches, apartments and furniture / workshop and stores, street Casimir Perier Paris No. 2 "The rest is illegible.. This artpiece can be viewed in in the Petit Palais - Musée des Beaux-arts de la Ville de Paris's digital art collection located in Paris, France. With courtesy of - Petit Palais Paris (public domain license).Creditline of the artwork: . Further, the alignment of the digital reproduction is portrait and has a ratio of 1 : 1.4, which implies that the length is 29% shorter than the width.
Selectable product materials
We offer a range of different sizes and materials for every product. The following sizes and materials are the options we offer you for individualization:
- The acrylic glass print (with real glass coating): A glossy acrylic glass print, which is often referred to as a plexiglass print, changes an original artwork into beautiful wall décor. Your favorite artwork will be printed with the help of state-of-the-art UV print machines. With an acrylic glass art print contrasts and also smaller artwork details will be more recognizeable thanks to the precise gradation.
- The canvas print: The canvas direct print is a printed cotton canvas mounted on a wooden stretcher. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without the help of any wall-mounts. Therefore, a canvas print is suitable for any kind of wall.
- Printed poster (canvas material): A poster is a printed canvas with a fine texture on the surface. It is excellently appropriate for framing your art replica with a special frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the print to facilitate the framing.
- Aluminium dibond print (metal): An Aluminium Dibond print is a print with a true depth. A non-reflective surface structure make a modern look. For our Direct Print On Aluminum Dibond, we print the selected artwork right on the surface of the aluminum. This print on aluminium is the most popular entry-level product and is an extremely stylish way to showcase art reproductions, because it puts the viewer’s focus on the image.
Artist summary table
Name of the artist: | Léon Bonnat |
Nationality of artist: | French |
Professions: | painter |
Home country: | France |
Artist classification: | modern artist |
Lifetime: | 89 years |
Year born: | 1833 |
Year of death: | 1922 |
Artwork information
Name of the work of art: | "Christ on the Cross, to sketch the courtroom of the Court of Assizes of Paris Courthouse" |
Artwork classification: | painting |
Art categorization: | modern art |
Temporal classification: | 19th century |
Created in: | 1873 |
Approximate age of artwork: | more than 140 years |
Original medium of artwork: | Oil, Canvas (material) |
Size of the original artwork: | Height: 32,5 cm, Width: 24 cm |
Signed (artwork): | Label - In the back of the frame: "Maurice Robinot / packaging art / 9 rue Paris 7th Sédillot 9 / Petit Palais" Another label below the first: "[...] Gilder [...] and the City of Paris [...] manufactures store managers [...] relining and restoration of paintings and engravings and paintings gilding churches, apartments and furniture / workshop and stores, street Casimir Perier Paris No. 2 "The rest is illegible. |
Museum / location: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Place of museum: | Paris, France |
Website: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Artwork license type: | public domain |
Courtesy of: | Petit Palais Paris |
About this article
Product classification: | art print |
Method of reproduction: | digital reproduction |
Production technique: | UV direct print |
Manufacturing: | German production |
Type of stock: | on demand |
Intended usage: | art reproduction gallery, home design |
Orientation: | portrait format |
Image aspect ratio: | length to width 1 : 1.4 |
Image ratio implication: | the length is 29% shorter than the width |
Item material variants: | acrylic glass print (with real glass coating), canvas print, poster print (canvas paper), metal print (aluminium dibond) |
Canvas on stretcher frame (canvas print): | 50x70cm - 20x28", 100x140cm - 39x55" |
Acrylic glass print (with real glass coating): | 50x70cm - 20x28", 100x140cm - 39x55" |
Poster print (canvas paper) size options: | 50x70cm - 20x28" |
Aluminium print options: | 50x70cm - 20x28", 100x140cm - 39x55" |
Art print framing: | without frame |
Important note: We try what we can in order to depict our art products as accurately as possible and to showcase them visually. Nevertheless, the tone of the print products and the imprint might vary to a certain extent from the image on your device's monitor. Depending on your settings of your screen and the quality of the surface, color pigments might not be printed one hundret percent realistically. In view of the fact that all fine art prints are processed and printed manually, there might as well be slight deviations in the motif's size and exact position.
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