Jan Collaert I, 1600 - New Inventions of Modern Times (Nova Reperta), The Invention of the Olive Oil Press, plate 12 - fine art print
Taxes incluses. Frais de port calculés au paiement.
The product
The masterpiece was painted by the male Dutch painter Jan Collaert I in 1600. The original was made with the size: sheet: 10 5/8 x 7 7/8 in (27 x 20 cm) and was painted with the medium engraving. Moveover, this artwork belongs to the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This classic art masterpiece, which is in the public domain is provided - courtesy of The Metropolitan Museum of Art, New York, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949. The creditline of the artwork is: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949. On top of that, alignment is in landscape format with a ratio of 4 : 3, which implies that the length is 33% longer than the width.
Select your product material
For every fine art print we offer a range of different materials & sizes. Choose your favorite size and material among the following alternatives:
- The acrylic glass print: The acrylic glass print, which is often described as a an art print on plexiglass, transforms your selected original into gorgeous home décor. Our acrylic glass protects your chosen art print against light and external influences for many more years.
- The canvas print: A canvas print, which shall not be confused with a real painting on a canvas, is a digital copy printed on a canvas. It generates a plastic look of three-dimensionality. Further, a canvas generates a cosy and comfortable appearance. A canvas of your favorite masterpiece will let you turn your individual art print into a large artwork as you know from art galleries. Canvas Prints have the great advantage of being relatively low in weight, meaning that it is quite simple to hang your Canvas print without additional wall-mounts. A canvas print is suited for all types of walls.
- The poster print (canvas material): A poster print is a UV printed flat canvas with a nice texture on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2 - 6cm round about the artwork, which facilitates the framing with your custom frame.
- Aluminium dibond print: These are metal prints on aluminium dibond with an impressive depth. The non-reflective surface structure creates a contemporary look. For your Direct Aluminium Dibond option, we print the favorite artpiece on the aluminium white-primed surface.
Important legal note: We try all that we can to depict our products as accurately as possible and to illustrate them visually. Please bear in mind that the pigments of the printing material, as well as the imprint may differ to a certain extent from the image on your device's monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments can be printed one hundret percent realistically. Since all our art reproductions are processed and printed manually, there may as well be minor differences in the motif's size and exact position.
Structured article information
Article categorization: | art reproduction |
Reproduction: | digital reproduction |
Production method: | UV direct printing |
Origin of the product: | made in Germany |
Stock type: | on demand production |
Intended product usage: | wall art, art collection (reproductions) |
Orientation of the image: | landscape alignment |
Image ratio: | 4 : 3 length : width |
Image aspect ratio implication: | the length is 33% longer than the width |
Fabric options: | metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper), canvas print |
Canvas on stretcher frame (canvas print) sizes: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (with real glass coating): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Poster print (canvas paper) variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium print: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Art print framing: | no frame |
Artpiece background information
Title of the piece of art: | "New Inventions of Modern Times (Nova Reperta), The Invention of the Olive Oil Press, plate 12" |
Artwork categorization: | painting |
General category: | classic art |
Time: | 17th century |
Created in the year: | 1600 |
Artwork age: | more than 420 years |
Original medium: | engraving |
Original artwork dimensions: | sheet: 10 5/8 x 7 7/8 in (27 x 20 cm) |
Museum: | The Metropolitan Museum of Art |
Location of museum: | New York City, New York, United States of America |
Museum's web page: | www.metmuseum.org |
License type of artwork: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 |
Artwork creditline: | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 |
Structured artist metadata
Artist: | Jan Collaert I |
Alternative names: | Jan Collaert I, Collaert Jan I |
Artist gender: | male |
Nationality of artist: | Dutch |
Jobs: | painter |
Country of origin: | the Netherlands |
Artist category: | old master |
Lifespan: | 51 years |
Born in the year: | 1530 |
Year died: | 1581 |
© Copyright of, www.artprinta.com (Artprinta)
Additional description from The Metropolitan Museum of Art (© Copyright - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)
Twelfth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of workers at the olive oil press. In the background men gather olives from the trees outside. In the middle ground men put the olives in the press to make the oil. In the foreground on the right men collect the oil from the press, which is then heated and poured into barrels that the donkey in the center carries away.