Isack van Ostade, 1642 - Ice Scene - fine art print

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For every fine art print we offer a range of different materials & sizes. Choose among the following product options now to match your preferences in size and material:

• Acrylic glass print: An print on acrylic glass, often referred to as a print on plexiglass, transforms the original artwork into beautiful home decoration. Your own version of the artwork is being made with modern UV direct print technology. The major benefit of an acrylic glass fine art print is that sharp contrasts and smaller details will be exposed due to the granular tonal gradation of the print.
• Canvas: A printed canvas material stretched on a wooden stretcher frame. A canvas print produces a lively, pleasing look. A canvas print has the advantage of being relatively low in weight, meaning that it is easy to hang up the Canvas print without the support of extra wall-mounts. Therefore, canvas prints are suitable for all types of walls.
• Poster print (canvas material): The poster is a UV printed cotton canvas with a slight surface structure. Please note, that depending on the size of the poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
• Aluminium dibond (metal print): An Aluminium Dibond print is a material with a true depth, creating a modern impression throuch a surface structure, which is not reflective. The Aluminium Dibond Print is the excellent start to art replicas manufactured with aluminum. The colors are luminous in the highest definition, the details are clear and crisp, and the print has a a matte appearance you can literally feel. The UV print on aluminium is the most popular entry-level product and is a truly stylish way to display art prints, as it draws attention on the image.

Legal disclaimer: We try what we can in order to describe the art products as exact as possible and to display them visually on the respective product detail pages. Nevertheless, the pigments of the printed materials, as well as the imprint might diverge marginally from the image on the device's screen. Depending on the settings of your screen and the condition of the surface, color pigments can unfortunately not be printed as exactly as the digital version. In view of the fact that our are printed and processed by hand, there might also be slight differences in the motif's size and exact position.

What does the Mauritshuis state about this 17th century artwork painted by Isack van Ostade? (© Copyright - Mauritshuis - www.mauritshuis.nl)

Marquis de Marigny, Paris; Marquis de Menars; sale Paris, 18 March 1772, no. 69 (to Tolozan); Claude Tolozan, Paris, 1772-1801; his sale, Paris (Paillet), 23 February 1801, no. 83; Pieter van Winter and heirs, Amsterdam, 1801-1920; Six-sale, Amsterdam (Frederik Muller & Co), 29 June 1920, no. IV (to Frederik Muller Gallery); Fritz Mannheimer (1890-1939), Amsterdam; sold as part of the Mannheimer Collection to the Dienststelle Mühlmann for Adolf Hitler, Führermuseum, Linz, 1940; Stichting Nederlands Kunstbezit (inv. no. NK 3115), 1946; on loan to the Mauritshuis, 1948-1960; transferred, 1960; exhibited in the Prince William V Gallery, The Hague, since 2010

The print product offering

Ice Scene was created by the male artist Isack van Ostade in 1642. The original measures the size - height: 34 cm width: 49 cm | height: 13,4 in width: 19,3 in and was manufactured with the technique oil on panel. The artpiece has the following inscription: "signed: Isaak Ostade". Nowadays, the artwork belongs to the Mauritshuis's digital art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of - Mauritshuis, The Hague (public domain license). : Marquis de Marigny, Paris; Marquis de Menars; sale Paris, 18 March 1772, no. 69 (to Tolozan); Claude Tolozan, Paris, 1772-1801; his sale, Paris (Paillet), 23 February 1801, no. 83; Pieter van Winter and heirs, Amsterdam, 1801-1920; Six-sale, Amsterdam (Frederik Muller & Co), 29 June 1920, no. IV (to Frederik Muller Gallery); Fritz Mannheimer (1890-1939), Amsterdam; sold as part of the Mannheimer Collection to the Dienststelle Mühlmann for Adolf Hitler, Führermuseum, Linz, 1940; Stichting Nederlands Kunstbezit (inv. no. NK 3115), 1946; on loan to the Mauritshuis, 1948-1960; transferred, 1960; exhibited in the Prince William V Gallery, The Hague, since 2010. Furthermore, alignment of the digital reproduction is in landscape format and has an image ratio of 1.4 : 1, which means that the length is 40% longer than the width.

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