Henri de Toulouse-Lautrec, 1890 - Emilia - fine art print

This modern art artwork was painted by the impressionist painter Henri de Toulouse-Lautrec. The beyond 130 years old original version was made with the size: 16 1/4 x 12 3/4 in (41,3 x 32,4 cm). Oil on wood was applied by the painter as the medium of the work of art. This piece of art is included in the The Metropolitan Museum of Art's digital collection in New York City, New York, United States of America. We are glad to state that the artwork, which belongs to the public domain is provided with courtesy of The Metropolitan Museum of Art, New York, The Lesley and Emma Sheafer Collection, Bequest of Emma A. Sheafer, 1973. Creditline of the artwork: The Lesley and Emma Sheafer Collection, Bequest of Emma A. Sheafer, 1973. Besides, the alignment of the digital reproduction is portrait with an image ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Henri de Toulouse-Lautrec was a male artist, poster artist, painter, graphic artist, lithographer, whose artistic style was primarily Impressionism. The Impressionist painter was born in the year 1864 in Albi, Occitanie, France and died at the age of 37 in 1901.

Fine art print materials which you can select:

For every product we offer different materials & sizes. The following options are available for individualization:

• Poster print (canvas material): The poster print is a printed sheet of canvas with a granular surface finish, that resembles the original masterpiece. It is excellently designed for framing the art replica with a custom-made frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6 cm round about the artwork, which facilitates the framing.
• Aluminium dibond: These are metal prints on aluminium dibond material with an impressive depth effect, creating a contemporary look by having a surface , which is not reflective. A direct Aluminium Dibond Print is your perfect start to fine prints on aluminum. Colors are luminous and vivid in the highest definition, fine details are very clear.
• Print on acrylic glass: An acrylic glass print, often referenced as a plexiglass print, makes an original work of art into décor. The artwork is custom-made with state-of-the-art UV direct printing technology.
• Canvas: The printed canvas, not to be mistaken with a real canvas painting, is a digital replica printed from a UV direct printer. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang up your Canvas print without extra wall-mounts. A canvas print is suited for any kind of wall.

Important information: We try our best in order to describe the art products as exact as possible and to illustrate them visually on the various product detail pages. Nevertheless, the colors of the printing material and the imprint might differ marginally from the representation on the device's monitor. Depending on the screen settings and the condition of the surface, not all color pigments can be printed one hundret percent realistically. Bearing in mind that all the art prints are printed and processed manually, there might also be slight variations in the motif's exact position and the size.

The product specifications

Artpiece specs

Artist summary

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Original information about the artwork by the museum's website (© Copyright - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Although Lautrec is best known for his depictions of the bawdy entertainments on offer in Paris’s Montmartre neighborhood, he was also intrigued by the lively world of the racetrack. In the late 1890s he painted a group of scenes that capture spectators and riders in off-hand moments. Here, he created a witty visual parallel between the exaggerated, bustled silhouette of the woman in the foreground, and the horse and rider behind her. At lower left, Lautrec inscribed the painting “to Émilie”; her identity remains unknown.