François Marius Granet, 1820 - Light effect in the ruins - fine art print

Detailed print product description

The 19th century artwork Light effect in the ruins was painted by the French artist François Marius Granet. The original had the dimensions: Height: 41 cm, Width: 32,7 cm and was painted with the technique of Oil, Canvas (material). Signature - Signed lower left: "Granet" is the painting's inscription. This artwork is in the the digital collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris, which is an art museum in the 8th arrondissement. With courtesy of Petit Palais Paris (licensed: public domain).Creditline of the artwork: . Furthermore, alignment of the digital reproduction is portrait with a side ratio of 1 : 1.2, which implies that the length is 20% shorter than the width.

Original information about the artwork from the museum (© Copyright - Petit Palais - Musée des Beaux-arts de la Ville de Paris - www.petitpalais.paris.fr)

Light enters the gantry ruined by the windows to the left, thus creating a contrast of light and shade. The extremity of the gallery opens on a landscape sky with clouds.

Pupil of David and Ingres friend, François-Marius Granet stay in Italy between 1802 and 1824. Excepted Rome, the Italian cities attracted little. They preferred the solitude of convents and monasteries with beautiful effects of chiaroscuro harbinger of the Romantic spirit. The treatment of the sky with clouds recalled here that the art of Granet formed by the study of ancient Dutch and Flemish painters. Moving away from the famous buildings in picturesque agreed he made the original studies of the Roman countryside which he translated simple and real way the collected lonely atmosphere.

Architecture View, Ruins, Italy

Structured artwork information

About the painter

Selectable product materials

For every fine art print we offer different materials and sizes. You can choose among the following product customization options:

• Aluminium dibond print: An Aluminium Dibond print is a print material with an outstanding depth effect. A direct Aluminium Dibond Print is the excellent introduction to fine art replicas produced with alu. The bright parts of the work of art shine with a silk gloss, however without any glare. This direct UV print on Aluminum Dibond is one of the most popular entry-level products and is a truly contemporary way to showcase art prints, because it puts 100% of the viewer’s attention on the whole artwork.
• Printed poster on canvas material: The poster is a UV printed sheet of canvas paper with a granular surface structure. A printed poster is particularly suited for placing the art copy using a custom frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the print in order to facilitate the framing.
• Canvas: The canvas print is a printed canvas mounted on a wood stretcher. It produces a plastic effect of three dimensionality. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
• Printed acrylic glass (with real glass coating): A glossy acrylic glass print, often described as a UV print on plexiglass, will transform your favorite original into gorgeous décor. Your favorite work of art is custom-made with the help of modern UV direct print machines. The acrylic glass protects your custom art replica against sunlight and external influences for decades.

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Important legal note: We try our best in order to describe our art products as precisely as it is possible and to display them visually. Still, the pigments of the print materials and the imprint may differ somehwat from the presentation on the monitor. Depending on your screen settings and the quality of the surface, not all colors are printed as realisitcally as the digital version depicted here. Considering that our art prints are printed and processed by hand, there might also be slight discrepancies in the size and exact position of the motif.

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