Francesco Guardi, 1783 - Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of SS. Giovanni e Paolo, 1782 - fine art print

In 1783 the Italian painter Francesco Guardi painted this baroque piece of art titled Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of SS. Giovanni e Paolo, 1782. The beyond 230 years old original measures the exact size: Framed: 69,2 x 86,4 x 10,2 cm (27 1/4 x 34 x 4 in); Unframed: 51,4 x 68,8 cm (20 1/4 x 27 1/16 in) and was painted with the techinque of oil on canvas. Moveover, this artpiece forms part of the collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. This classic art public domain artpiece is being supplied with courtesy of The Cleveland Museum of Art. The creditline of the artpiece is: Gift of the Hanna Fund. Moreover, alignment of the digital reproduction is landscape and has a side ratio of 4 : 3, meaning that the length is 33% longer than the width. Francesco Guardi was a painter, whose art style was mainly Baroque. The Italian painter was born in the year 1712 in Venice, Venezia province, Veneto, Italy and passed away at the age of 81 in 1793 in Venice, Venezia province, Veneto, Italy.

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• Aluminium dibond print: This is a metal print made on aluminium dibond with an impressive effect of depth. The colors of the print are luminous, details of the print appear crisp and clear, and the print has a a matte appearance that you can literally feel.
• The glossy acrylic glass print (with real glass coating): A glossy acrylic glass print, often named a plexiglass print, changes the artwork into brilliant wall décor. In addition to that, the acrylic glass fine art print makes a viable alternative option to aluminium or canvas prints. The work of art will be custom-made with the help of modern UV printing technology. With an acrylic glass art print contrasts and also smaller details become more exposed with the help of the very fine gradation in the print.
• Printed poster (canvas material): The poster print is a UV printed flat cotton canvas with a nice texture on the surface, that reminds the actual version of the artwork. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2 - 6cm round about the print motif in order to facilitate the framing with your custom frame.
• The canvas print: The canvas direct print is a printed cotton canvas mounted on a wood frame. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the help of additional wall-mounts. Canvas prints are suited for all kinds of walls.

Important note: We try all that we can in order to depict our products as accurate as possible and to demonstrate them visually on the different product detail pages. However, the tone of the print materials, as well as the printing may diverge somehwat from the presentation on the monitor. Depending on your screen settings and the condition of the surface, not all colors are printed as exactly as the digital version. Because all the are printed and processed manually, there may as well be slight discrepancies in the size and exact position of the motif.

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Artwork depiction by the museum's website (© - by The Cleveland Museum of Art - The Cleveland Museum of Art)

The third scene in the series depicts one of the final events of the pope’s stay. At the back of the magnificent audience hall of Santi Giovanni e Paolo, the doge (in gold and white) approaches the throne to receive his papal blessing, with a line of red-robed senators in his wake.