Nicolaes Pietersz Berchem, 1670 - Allegory of Autumn - fine art print

Additional specifications from Mauritshuis (© Copyright - by Mauritshuis - Mauritshuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872; sale London (Christie’s), 17 May 1945, no. 129 (together with inv. no. 1222 for 32 guineas to Shapiro); Dr. E.I. Shapiro, London, 1945-1979 (together with inv. no. 1222); his sale, London (Christie’s), 30 November 1979, no. 3; Leger Gallery, London 1981 (together with inv. no. 1222); Noortman Gallery, Maastricht-London (together with inv. no. 1222); Eric Alberda Jelgersma, 1990-2018 (together with inv. no. 1222 and from 2013 together with inv. no. 1220); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1220 and 1222)

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• Canvas: A printed canvas, not to be confused with a canvas painting, is a digital replica printed from an industrial printing machine. Canvas prints are relatively low in weight. This means, it is easy to hang up the Canvas print without any wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
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• Metal print (aluminium dibond): These are metal prints on aluminium dibond with a true depth effect. For your Direct Print On Aluminum Dibond, we print the chosen artwork right onto the aluminium composite white-primed surface. The colors of the print are luminous in the highest definition, the fine details are clear and crisp. This direct print on Aluminum Dibond is the most popular entry-level product and is an extremely contemporary way to showcase fine art prints, as it draws attention on the artwork.
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General art product information

In 1670 the male Dutch artist Nicolaes Pietersz Berchem painted the painting. The version of the piece of art measures the size: height: 94,3 cm width: 88,5 cm | height: 37,1 in width: 34,8 in and was painted on the medium oil on canvas. Signed: Berchem f is the artwork's original inscription. This artpiece belongs to the Mauritshuis's digital art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. The classic art work of art, which belongs to the public domain is supplied - courtesy of Mauritshuis, The Hague. Creditline of the artwork: Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872; sale London (Christie’s), 17 May 1945, no. 129 (together with inv. no. 1222 for 32 guineas to Shapiro); Dr. E.I. Shapiro, London, 1945-1979 (together with inv. no. 1222); his sale, London (Christie’s), 30 November 1979, no. 3; Leger Gallery, London 1981 (together with inv. no. 1222); Noortman Gallery, Maastricht-London (together with inv. no. 1222); Eric Alberda Jelgersma, 1990-2018 (together with inv. no. 1222 and from 2013 together with inv. no. 1220); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1220 and 1222). In addition to this, the alignment of the digital reproduction is square and has an aspect ratio of 1 : 1, which implies that the length is equal to the width.

Important note: We try what we can in order to describe our art products as exact as possible and to showcase them visually. Please bear in mind that the tone of the print materials and the print result may diverge slightly from the image on your monitor. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed one hundret percent realistically. Since all the art prints are printed and processed by hand, there might as well be minor variations in the motif's size and exact position.

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