Ludolf Bakhuysen, 1692 - The Arrival of Stadholder-King Willem III (1650- 1702) in the Oranjepolder on 31 January 1691 - fine art print
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General description as provided by Mauritshuis (© Copyright - by Mauritshuis - Mauritshuis)
Ewout van Dishoeck, Middelburg, before 1744; Het Loo Palace, Apeldoorn, 1757; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822
Information on the product
In 1692 Ludolf Bakhuysen painted the masterpiece with the title "The Arrival of Stadholder-King Willem III (1650- 1702) in the Oranjepolder on 31 January 1691". The 320 years old version of the artpiece was painted with the size: height: 53,5 cm width: 67,5 cm | height: 21,1 in width: 26,6 in. Oil on canvas was used by the painter as the medium of the artpiece. The original artwork's inscription is the following: dated and signed: 1692 / L. Bak / huis.. This artwork is in the the Mauritshuis's art collection located in The Hague, South Holland, Netherlands. With courtesy of: Mauritshuis, The Hague (public domain). : Ewout van Dishoeck, Middelburg, before 1744; Het Loo Palace, Apeldoorn, 1757; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. In addition to this, the alignment of the digital reproduction is in landscape format with a ratio of 4 : 3, which means that the length is 33% longer than the width.
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We offer a range of various materials and sizes for every product. Choose among the following product options now to match your preferences in size and material:
- Acrylic glass print: The acrylic glass print, often labelled as a print on plexiglass, will transform your favorite original artwork into décor. Your own version of the work of art is custom-made with modern UV direct printing technology. Our real glass coating protects your chosen art replica against light and external influences for several decades.
- The canvas print: The canvas print, which shall not be mistaken with a real canvas painting, is a digital image printed from a UV direct printing machine. A canvas print has the advantage of being relatively low in weight, meaning that it is easy to hang up your Canvas print without extra wall-mounts. Because of thata canvas print is suitable for any type of wall.
- The poster print on canvas material: The Artprinta poster print is a printed sheet of cotton canvas paper with a granular finish on the surface. Please note, that depending on the size of the poster print we add a white margin 2-6cm around the painting to facilitate the framing.
- Metal (aluminium dibond print): An Aluminium Dibond print is a print with an impressive effect of depth. The colors of the print are vivid and luminous in the highest definition, details are crisp, and you can notice a matte appearance of the product.
Short overview of the artist
Artist name: | Ludolf Bakhuysen |
Gender of the artist: | male |
Nationality of artist: | German |
Professions of the artist: | painter |
Home country: | Germany |
Classification of the artist: | old master |
Age at death: | 78 years |
Birth year: | 1630 |
Died: | 1708 |
Artpiece table
Artwork title: | "The Arrival of Stadholder-King Willem III (1650- 1702) in the Oranjepolder on 31 January 1691" |
Categorization of the artwork: | painting |
Broad category: | classic art |
Century: | 17th century |
Created: | 1692 |
Artwork age: | more than 320 years |
Medium of original artwork: | oil on canvas |
Size of the original artwork: | height: 53,5 cm width: 67,5 cm |
Original artwork inscription: | dated and signed: 1692 / L. Bak / huis. |
Museum: | Mauritshuis |
Place of the museum: | The Hague, South Holland, Netherlands |
Website of the museum: | Mauritshuis |
License: | public domain |
Courtesy of: | Mauritshuis, The Hague |
Artwork creditline: | Ewout van Dishoeck, Middelburg, before 1744; Het Loo Palace, Apeldoorn, 1757; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822 |
Structured item details
Article classification: | art copy |
Method of reproduction: | digital reproduction |
Manufacturing method: | digital printing (UV direct print) |
Provenance: | made in Germany |
Stock type: | on demand |
Product use: | wall decoration, art reproduction gallery |
Orientation of the image: | landscape alignment |
Side ratio: | 4 : 3 - (length : width) |
Meaning of aspect ratio: | the length is 33% longer than the width |
Available reproduction materials: | metal print (aluminium dibond), canvas print, poster print (canvas paper), acrylic glass print (with real glass coating) |
Canvas on stretcher frame (canvas print) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (with real glass coating) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Poster print (canvas paper) variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium dibond print (aluminium material) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Frame: | unframed art copy |
Important information: We do everything in order to depict our art products as precisely as possible and to exhibit them visually in our shop. Still, the colors of the printed materials, as well as the imprint can vary marginally from the image on your device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments are printed as exactly as the digital version shown here. Bearing in mind that all art prints are processed and printed manually, there might also be minor discrepancies in the exact position and the size of the motif.
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