Jan Steen, 1654 - The Fortune Teller - fine art print
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Supplemental information by the museum (© - by Mauritshuis - Mauritshuis)
M.J. Roelofs Thijssen, Amsterdam, 1891; his sale, Amsterdam, 26 October 1891 (Lugt 50212), no. 58 (for 2,500 guilders to Preyer); Preyer Gallery, Amsterdam; Baron Königswärter, Vienna, 1906; his sale, Berlin (Schwartz &Schulte), 20 November 1906, no. 86 (13,500 marks); August Janssen, Amsterdam; Jacques Goudstikker Gallery, Amsterdam, 1919; P.W. Janssen, Amsterdam, 1926; M.J. IJzerloo, Rijswijk, 1941; P. de Boer Gallery, Amsterdam, 1941; M.F. de Vries, Amsterdam, 1941; G.B. Lanz, Laren, 1941; D. Katz Gallery, Dieren, 1941; H. Posse; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2727); on loan to the Centraal Museum, Utrecht, before 1952-after 1977; on loan from the Cultural Heritage Agency of The Netherlands for the Prince William V Gallery, 1992-2010; transferred, 2010; exhibited in the Prince William V Gallery, The Hague, since 2010
Structured artwork details
Piece of art name: | "The Fortune Teller" |
Artwork classification: | painting |
General term: | classic art |
Period: | 17th century |
Created in: | 1654 |
Age of artwork: | over 360 years old |
Painted on: | oil on canvas |
Original dimensions: | height: 73,5 cm width: 59,7 cm |
Original artpiece inscription: | signed: J. Steen |
Museum: | Mauritshuis |
Place of museum: | The Hague, South Holland, Netherlands |
Museum website: | www.mauritshuis.nl |
License: | public domain |
Courtesy of: | Mauritshuis, The Hague |
Creditline of artwork: | M.J. Roelofs Thijssen, Amsterdam, 1891; his sale, Amsterdam, 26 October 1891 (Lugt 50212), no. 58 (for 2,500 guilders to Preyer); Preyer Gallery, Amsterdam; Baron Königswärter, Vienna, 1906; his sale, Berlin (Schwartz &Schulte), 20 November 1906, no. 86 (13,500 marks); August Janssen, Amsterdam; Jacques Goudstikker Gallery, Amsterdam, 1919; P.W. Janssen, Amsterdam, 1926; M.J. IJzerloo, Rijswijk, 1941; P. de Boer Gallery, Amsterdam, 1941; M.F. de Vries, Amsterdam, 1941; G.B. Lanz, Laren, 1941; D. Katz Gallery, Dieren, 1941; H. Posse; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2727); on loan to the Centraal Museum, Utrecht, before 1952-after 1977; on loan from the Cultural Heritage Agency of The Netherlands for the Prince William V Gallery, 1992-2010; transferred, 2010; exhibited in the Prince William V Gallery, The Hague, since 2010 |
Contextual artist information
Artist: | Jan Steen |
Other names: | Jan Steen, Steen Jan, Steen Jan 'de Alkmaarsche, Jan Steen de Alkmaarsche, Jan Steen de Alkmaarsche |
Gender of the artist: | male |
Nationality of artist: | Dutch |
Professions of the artist: | painter |
Country of origin: | the Netherlands |
Artist classification: | old master |
Art styles: | Baroque |
Died at the age of: | 53 years |
Born in the year: | 1626 |
Birthplace: | Alkmaar, North Holland, Netherlands |
Year died: | 1679 |
Deceased in (place): | Alkmaar, North Holland, Netherlands |
Item background info
Print prodct: | art reproduction |
Reproduction: | digital reproduction |
Manufacturing method: | UV direct printing |
Production: | produced in Germany |
Stock type: | on demand |
Intended usage: | art collection (reproductions), home décor |
Alignment: | portrait alignment |
Image ratio: | length to width 1 : 1.2 |
Implication: | the length is 20% shorter than the width |
Available product materials: | acrylic glass print (with real glass coating), poster print (canvas paper), metal print (aluminium dibond), canvas print |
Canvas print (canvas on stretcher frame) sizes: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Acrylic glass print (with real glass coating): | 50x60cm - 20x24", 100x120cm - 39x47" |
Poster print (canvas paper) variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
Aluminium print (aluminium dibond material) size variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
Framing of the art copy: | not available |
Select your material
In the product dropdown lists you can choose a material and a sizeaccording to your preferences. In order match your personal requirements perfectly, you can choose among the following product customization options:
- The canvas print: The canvas print is a printed cotton canvas stretched on a wooden stretcher. It makes the particular effect of three dimensionality. Furthermore, a canvas print produces a attractive and comfortable impression. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without the support of any wall-mounts. A canvas print is suitable for any kind of wall in your house.
- Printed acrylic glass with a glossy effect: An print on acrylic glass, which is sometimes described as a UV print on plexiglass, makes your favorite original work of art into beautiful wall décor. Your favorite work of art is being manufactured with the help of modern UV direct print machines. The effect of this are impressive, vibrant color tones.
- Aluminium dibond print: An Aluminium Dibond print is a print with an impressive depth, which creates a contemporary impression with a surface structure, which is not reflective. A direct Aluminium Dibond Print is your excellent start to art replicas manufactured on aluminum. For your Aluminium Dibond option, we print your chosen work of art right on the surface of the aluminum material. Colors are luminous and bright, the fine details appear crisp and clear.
- Poster print (canvas material): The poster print is a UV printed canvas paper with a nice finish on the surface. It is ideally used for putting your fine art print in a personal frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6 cm around the painting, which facilitates the framing with your custom frame.
The Fortune Teller was by Jan Steen in 1654. The original version measures the size: height: 73,5 cm width: 59,7 cm | height: 28,9 in width: 23,5 in. Oil on canvas was used by the European painter as the medium of the artwork. The original artwork's inscription is - "signed: J. Steen". It is included in the Mauritshuis's digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. We are happy to mention that the public domain masterpiece is supplied with courtesy of Mauritshuis, The Hague. : M.J. Roelofs Thijssen, Amsterdam, 1891; his sale, Amsterdam, 26 October 1891 (Lugt 50212), no. 58 (for 2,500 guilders to Preyer); Preyer Gallery, Amsterdam; Baron Königswärter, Vienna, 1906; his sale, Berlin (Schwartz &Schulte), 20 November 1906, no. 86 (13,500 marks); August Janssen, Amsterdam; Jacques Goudstikker Gallery, Amsterdam, 1919; P.W. Janssen, Amsterdam, 1926; M.J. IJzerloo, Rijswijk, 1941; P. de Boer Gallery, Amsterdam, 1941; M.F. de Vries, Amsterdam, 1941; G.B. Lanz, Laren, 1941; D. Katz Gallery, Dieren, 1941; H. Posse; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2727); on loan to the Centraal Museum, Utrecht, before 1952-after 1977; on loan from the Cultural Heritage Agency of The Netherlands for the Prince William V Gallery, 1992-2010; transferred, 2010; exhibited in the Prince William V Gallery, The Hague, since 2010. Further, the alignment is in portrait format and has a ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Jan Steen was a male painter from the Netherlands, whose artistic style can be attributed mainly to Baroque. The European painter was born in the year 1626 in Alkmaar, North Holland, Netherlands and passed away at the age of 53 in the year 1679.
Legal note: We try our best in order to depict our art products as closely as we can and to demonstrate them visually in our shop. Although, the pigments of the printed materials and the imprint can differ slightly from the presentation on your screen. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed as realisitcally as the digital version shown here. Because the fine art prints are processed and printed by hand, there may as well be minor discrepancies in the size and exact position of the motif.
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