Ferdinand Georg Waldmüller, 1855 - Vienna Woods Landscape with Castle Wildegg - fine art print

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Vienna Woods Landscape with Castle Wildegg was created by Ferdinand Georg Waldmüller in 1855. The 160 year old painting was painted with the following size: 65,5 x 81 cm - frame dimensions: 80 x 96 x 8 cm. Oil on canvas was applied by the European painter as the medium of the piece of art. The original artwork's inscription is the following: signed and dated lower center: Waldmüller 185 [?]. The piece of art belongs to the Belvedere's art collection in Vienna, Austria. With courtesy of - © Belvedere, Vienna, inventory number: 3796 (license: public domain). : purchase from Irma Pollak, Vienna in 1950. Furthermore, alignment of the digital reproduction is in landscape format and has a side ratio of 1.2 : 1, meaning that the length is 20% longer than the width. The painter Ferdinand Georg Waldmüller was an artist, whose artistic style was mainly Realism. The painter lived for a total of 72 years and was born in 1793 in Vienna and passed away in 1865 in Hinterbrühl bei Wien.

Original information about the work of art from the museum's website (© Copyright - Belvedere - Belvedere)

Waldmüller, who held in his portraits, especially representatives of the Viennese bourgeoisie, the peasantry developed in his genre paintings as an excellent observer. In many paintings he described both parties (the Corpus Christi morning, Lower Austrian farmer wedding, the bride's farewell) and random events and the everyday - motifs that he found in the field of near Vienna nearby Vienna Woods or in the Salzkammergut. Content, he focused less on the hard agricultural work, but rather on the rural life in itself, old people, mothers and children in particular counted while his popular models; in the comparison of the generations it demonstrated the course of life. Waldmüller started relatively late to deal with the genre painting. In the early forties he found that may apply to him the form. Every now and then a certain tendency to "staging" and sometimes almost unnatural movements that likes used for their gain, contributing sometimes sharp contouring, flickering sunlight shows. From the mid-fifties, the artist began to give people more in its large-scale landscape paintings incorporate. With the group of brushwood collectors who have settled in the clearing on the hill laced their bundles, the painter held an everyday image of rural life area. The radiant in the foreground summer sun sets contrasts with the dark shadow areas, resulting in an increase in the plasticity and to an increased emphasis on reds, blues and whites of garments. The luminosity of the sun loses in the gently running back Bergland but increasing intensity of which is in the valley castle fall only a few rays. From the clearing of the views to extend high above the peaks to infinity, the mountain ranges lose with the removal of its tangible color. The haze on the horizon makes the green of the wooded slopes increasingly assume the color of the sky. The so popular in other Waldmüller summer blue sky is covered with clouds here - illuminated by the evening sun give the clouds, the field a warming, uniform tint. The view of the Alpine foothills with which finally uplifting Schneeberg is one of the last, and also the most beautiful "landscapes" Forest miller. Broad, she exudes an almost solemn rest, are in man and nature to unity. Literature: Grimschitz, B .: Ferdinand Georg Waldmüller, Salzburg 1957; Boxwood, M .: Ferdinand Georg Waldmüller, Vienna, 1976; Schröder, K. A .: Ferdinand Georg Waldmüller and the discovery of reality, in: exh. Cat. Kunstforum Vienna, Munich 1990; Feuchtmüller, R .: Ferdinand Georg Waldmüller. 1793-1865, Vienna, Munich 1996. [Sabine Grabner, in: Grabner, Sabine Romantic Classicism Biedermeier (in the Austrian Gallery Belvedere), 2nd revised edition, Vienna 1997, p 100 f.]

Background information on the unique work of art

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Available materials

We offer a range of various sizes and materials for every product. The following options are available for individualization:

• Canvas print: The printed canvas material mounted on a wooden frame. A canvas produces a exclusive impression of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without additional wall-mounts. Hence, canvas prints are suited for any kind of wall.
• Metal (aluminium dibond print): This is a metal print manufactured on aluminium dibond with an impressive depth, which creates a fashionable look by having a surface , which is not reflective. A direct Aluminium Dibond Print is your perfect introduction to prints made with aluminum. This direct UV print on aluminium is the most popular entry-level product and is a contemporary way to showcase art prints, since it puts the viewer’s focus on the image.
• Poster print (canvas material): A poster is a printed flat canvas with a nice texture on the surface, which resembles the actual artwork. Please keep in mind, that depending on the size of the poster print we add a white margin 2 - 6cm round about the work of art in order to facilitate the framing with a custom frame.
• Printed acrylic glass (with real glass coating): A glossy acrylic glass print, which is sometimes referred to as a print on plexiglass, makes your favorite original work of art into lovely home decoration. In addition to that, the acrylic fine art print is a viable alternative option to canvas or dibond art prints. The major benefit of an acrylic glass print is that contrasts and also granular details will be visible because of the very fine tonal gradation of the picture. Our plexiglass with real glass coating protects your selected fine art print against light and external influences for decades.

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Disclaimer: We try the best we can in order to describe our products in as much detail as possible and to exhibit them visually on the respective product detail pages. Although, the tone of the printed materials, as well as the print result can diverge somehwat from the image on your screen. Depending on the settings of your screen and the quality of the surface, color pigments can unfortunately not be printed as exactly as the digital version depicted here. Considering that all fine art prints are printed and processed manually, there may also be minor deviations in the motif's size and exact position.

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