Conrad Faber, 1532 - Portrait of Fridrich Rorbach - fine art print
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Original information about the work of art from the museum (© Copyright - by Art Institute Chicago - Art Institute Chicago)
This portrait would have served as a document of a marriage. Friedrich Rorbach’s name, age, and coat of arms, along with the date, are painted on the back of the panel, which was originally paired with a portrait of his wife, Katherina Knoblauchin, now in the National Gallery of Ireland. The two portraits share the same background— a fanciful mountain landscape. Conrad Faber, who worked in Frankfurt-am-Main, specialized in portraits depicting the patrician elite of that prosperous city. In the early 16th century, the energy and self-confidence of the many courts and free cities loosely united in the Holy Roman Empire brought about an artistic flowering in Germany.
Detailed product information
This more than 480 year-old artpiece was made by Conrad Faber. The more than 480 year-old original measures the size of 50,4 × 35,7 cm (19 7/8 × 14 1/16 in). Oil on panel was used by the German painter as the medium of the artpiece. The original artwork is inscribed with the following information: inscription on the reverse: FRIDERICH RORBACH SEINES ALTERS XXV-M.D. XXXII. Moveover, this artwork is included in the digital art collection of Art Institute Chicago. This classic art public domain work of art is supplied with courtesy of Art Institute Chicago. Creditline of the artwork: Charles H. and Mary F. S. Worcester Collection. Furthermore, alignment of the digital reproduction is portrait and has a ratio of 1 : 1.4, which means that the length is 29% shorter than the width.
Pick your material
For every fine art print we offer different sizes & materials. Choose among the following product options now to match your preferences in size and material:
- Acrylic glass print: A glossy acrylic glass print, often named a plexiglass print, will change the artwork into marvellous décor and offers a great alternative option to dibond and canvas fine art prints. Your own replica of the work of art will be made with state-of-the-art UV direct printing technology. Our plexiglass protects your chosen art print against light and external influences for up to 6 decades.
- Poster print on canvas material: The poster is a printed cotton canvas with a nice structure on the surface, that resembles the actual artwork. Please note, that depending on the size of the poster we add a white margin 2-6cm round about the artwork, which facilitates the framing with your custom frame.
- The canvas print: The printed canvas stretched on a wood stretcher frame. Furthermore, a printed canvas makes a cosy and enjoyable atmosphere. Your canvas of your favorite artpiece will allow you to transform your fine art print into a large collection piece. Canvas Prints have the advantage of being low in weight, which implies that it is easy and straightforward to hang up your Canvas print without the support of additional wall-mounts. Hence, a canvas print is suited for any kind of wall.
- Aluminium dibond: An Aluminium Dibond print is a material with a true depth. A non-reflective surface structure make a modern look. The Aluminium Dibond Print is the best start to prints produced with aluminum. For your Direct Print On Aluminum Dibond, we print the artpiece right on the surface of the white-primed aluminum. This direct UV print on aluminium is one of the most demanded entry-level products and is a truly contemporary way to display fine art prints, as it draws focus on the replica of the artwork.
About the painter
Name of the artist: | Conrad Faber |
Alternative names: | Faber Conrad, Conrad von Creuznach Master of the Holzhausen Family, Conrad von Creuznach, Conrad Faber, Faber von Kreuzbach Conrad, Faber Konrad, Creuznach Conrad Faber, Faber von Kreuznach Konrad, Faber von Creuznach Conrad, conrad von kreuznach, Faber von Creuznach, Creuznach Conrad von, Conrad Faber Von Creuznach, Faber Conrad Von Creuznach Master Of The Holzhausen Family, Kreuznach Conrad von, Master of the Holzhausen Family |
Gender of the artist: | male |
Artist nationality: | German |
Jobs: | painter |
Home country: | Germany |
Artist classification: | old master |
Lifespan: | 73 years |
Year of birth: | 1490 |
Died in the year: | 1563 |
Piece of art information
Painting title: | "Portrait of Fridrich Rorbach" |
Artwork categorization: | painting |
Broad category: | classic art |
Artwork century: | 16th century |
Created in the year: | 1532 |
Age of artwork: | more than 480 years old |
Artwork original medium: | oil on panel |
Size of the original artpiece: | 50,4 × 35,7 cm (19 7/8 × 14 1/16 in) |
Signature: | inscription on the reverse: FRIDERICH RORBACH SEINES ALTERS XXV-M.D. XXXII |
Museum / location: | Art Institute Chicago |
Place of museum: | Chicago, Illinois, United States of America |
Museum website: | Art Institute Chicago |
License type of artwork: | public domain |
Courtesy of: | Art Institute Chicago |
Creditline of artwork: | Charles H. and Mary F. S. Worcester Collection |
The product specs
Print categorization: | art copy |
Reproduction: | reproduction in digital format |
Production technique: | UV direct printing |
Origin of the product: | made in Germany |
Stock type: | on demand |
Proposed product use: | wall picture, wall décor |
Orientation of the artwork: | portrait alignment |
Side ratio: | (length : width) 1 : 1.4 |
Interpretation: | the length is 29% shorter than the width |
Fabric options: | acrylic glass print (with real glass coating), poster print (canvas paper), metal print (aluminium dibond), canvas print |
Canvas print (canvas on stretcher frame) size variants: | 50x70cm - 20x28", 100x140cm - 39x55" |
Acrylic glass print (with real glass coating) variants: | 50x70cm - 20x28", 100x140cm - 39x55" |
Poster print (canvas paper) size variants: | 50x70cm - 20x28" |
Aluminium print size variants: | 50x70cm - 20x28", 100x140cm - 39x55" |
Framing of the art reproduction: | without frame |
Legal note: We try to describe our art products as closely as possible and to demonstrate them visually on the respective product detail pages. At the same time, the tone of the print materials and the printing may differ marginally from the representation on the device's screen. Depending on your screen settings and the quality of the surface, color pigments might not be printed as exactly as the digital version. Considering that all the art reproductions are printed and processed manually, there may as well be minor deviations in the size and exact position of the motif.
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