Fernand Pelez, 1904 - The Bite of bread old man leaning on canes - fine art print
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Supplemental information from Petit Palais - Musée des Beaux-arts de la Ville de Paris (© Copyright - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)
Old man with hat leaning on canes, turned the face
The Bite of bread is the only painting by Peel for the state on the occasion of an order from the Department of Fine Arts in 1881sur the theme of "Charity". The implementation of this large composition (National Fund of Contemporary Art) will not begin until 1900 and will end in 1908. Ten preparatory sketches are preserved at the Petit Palais. They are painted in a dark shades in the manner of ink wash. The characters are represented by groups or individually, scale. Urban poverty affects primarily a workforce unskilled, sick and injured workers, that economic crises leave unemployed and destitute. Given the delay of social reform, Catholic organizations still occupy at the end of the nineteenth century a prominent place in charitable activity. Open Rue Cujas, the work of the Bite of bread is named in reference to the Last Supper of Jesus with the apostles.
About society, manners, Old man, Cane, Hat
Background information on the artpiece by named Fernand Pelez
This modern art piece of art was created by the artist Fernand Pelez in 1904. The over 110 year-old original was painted with the size: Height: 180 cm, Width: 70 cm and was painted with the medium Oil, Canvas (material). Today, this work of art is in the the Petit Palais - Musée des Beaux-arts de la Ville de Paris's digital collection. With courtesy of - Petit Palais Paris (public domain license).The creditline of the artwork is: . The alignment is in portrait format with an aspect ratio of 2 : 5, meaning that the length is 60% shorter than the width.
Available product materials
We offer a range of various materials and sizes for every product. We allow yout to choose among the following variants:
- Print on acrylic glass: An acrylic glass print, often referenced as a print on plexiglass, will transform your favorite original artwork into marvellous décor. Besides, the acrylic glass print makes a great alternative option to dibond or canvas fine art prints. Your favorite artwork is being made with the help of state-of-the-art UV print machines. This creates vivid and stunning color hues. The great advantage of an acrylic glass fine art copy is that sharp contrasts and smaller details will be exposed because of the very fine tonal gradation in the print.
- The canvas print: The UV printed canvas stretched on a wood frame. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without the use of extra wall-mounts. Hence, a canvas print is suitable for any kind of wall.
- Poster (canvas material): The Artprinta poster is a printed sheet of canvas paper with a granular finish on the surface. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the painting to facilitate the framing with your custom frame.
- Metal print (aluminium dibond): These are metal prints on aluminium dibond material with a true depth, which creates a modern look thanks to a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is the excellent start to fine art reproductions on aluminum. The bright and white components of the work of art shine with a silky gloss but without the glow. Colors are bright and vivid, the details of the print appear crisp, and the print has a a matte appearance that you can literally feel.
Artist summary
Artist: | Fernand Pelez |
Professions: | painter |
Classification: | modern artist |
Lifetime: | 65 years |
Birth year: | 1848 |
Town of birth: | Paris |
Died: | 1913 |
Town of death: | Paris |
Background data on the original artpiece
Artpiece name: | "The Bite of bread old man leaning on canes" |
Categorization of the artwork: | painting |
Art categorization: | modern art |
Artwork century: | 20th century |
Artwork year: | 1904 |
Artwork age: | 110 years old |
Original medium: | Oil, Canvas (material) |
Original size (artwork): | Height: 180 cm, Width: 70 cm |
Exhibited in: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Location of the museum: | Paris, France |
Web page: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Artwork license type: | public domain |
Courtesy of: | Petit Palais Paris |
Structured article information
Article type: | art reproduction |
Reproduction method: | reproduction in digital format |
Production method: | UV direct printing |
Product Origin: | German production |
Type of stock: | production on demand |
Product use: | art print gallery, wall decoration |
Image alignment: | portrait alignment |
Aspect ratio: | 2 : 5 - (length : width) |
Aspect ratio implication: | the length is 60% shorter than the width |
Available reproduction fabrics: | canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper) |
Canvas print (canvas on stretcher frame) size options: | 20x50cm - 8x20", 40x100cm - 16x39", 60x150cm - 24x59", 80x200cm - 31x79" |
Acrylic glass print (with real glass coating) options: | 20x50cm - 8x20", 40x100cm - 16x39", 60x150cm - 24x59", 80x200cm - 31x79" |
Poster print (canvas paper) variants: | 40x100cm - 16x39" |
Aluminium print size options: | 20x50cm - 8x20", 40x100cm - 16x39" |
Frame: | not included |
Important legal note: We try the best we can in order to depict our products as clearly as possible and to showcase them visually on the product detail pages. At the same time, the tone of the print materials, as well as the imprint can vary to a certain extent from the representation on the device's monitor. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Because the are printed and processed manually, there may also be slight deviations in the motif's exact position and the size.
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