Nicolaes Pietersz Berchem, 1670 - Allegory of Spring - fine art print

General specifications from Mauritshuis website (© - Mauritshuis - Mauritshuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222)

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• Canvas print: A printed canvas, which shall not be confused with an artwork painted on a canvas, is an image applied onto cotton canvas. Furthermore, a canvas print generates a nice and pleasant appearance. Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of additional wall-mounts. Because of thata canvas print is suited for all types of walls.
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In 1670 Nicolaes Pietersz Berchem created this 17th century painting "Allegory of Spring". The version of the piece of art measures the size of height: 94,3 cm width: 88,5 cm | height: 37,1 in width: 34,8 in and was painted with the technique of oil on canvas. The artwork's inscription is: "signed: Berchem f". Moveover, the work of art is part of the Mauritshuis's digital art collection, which is located in The Hague, South Holland, Netherlands. With courtesy of: Mauritshuis, The Hague (public domain license). : Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1091 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1091); anonymous sale, London (Christie’s), 22 June 1901, no. 2 (13 guineas); Julius David Ichenhauser, London, 1901; Victor D. Spark Gallery, New York, 1948; William Mostyn Owen, London, 1962-1965?; Hazlitt Gallery, London, 1965; David E. Rust, Washington DC, c.1981-2011; Bob Haboldt Gallery, Paris-New York-Amsterdam, 2013; Eric Alberda Jelgersma, 2013-2018 (inv. nos. 1221-1222 were part of this collection since 1990); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1221-1222). What is more, the alignment of the digital reproduction is in square format and has an aspect ratio of 1 : 1, which means that the length is equal to the width.

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