Spagna Lo, 1515 - Saint Catherine of Siena - fine art print

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Product summary

Saint Catherine of Siena is a work of art made by Spagna Lo. The beyond 500 years old original measures the size of 107,8 × 50,3 cm (42 1/2 × 19 3/4 in) Painted surface: 103,8 × 49 cm (40 7/8 × 19 1/4 in). Tempera and oil on panel was used by the painter as the technique for the masterpiece. This piece of art belongs to the Art Institute Chicago's digital collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. This classic art artpiece, which is in the public domain is supplied with courtesy of Art Institute Chicago. : Mr. and Mrs. Martin A. Ryerson Collection. What is more, the alignment of the digital reproduction is portrait and has a ratio of 1 : 2, which means that the length is 50% shorter than the width.

General information by Art Institute Chicago (© - Art Institute Chicago - Art Institute Chicago)

A gifted follower of Perugino, Lo Spagna expanded on the master’s calm style in numerous works made for Perugia and the surrounding region of Umbria. This panel represents Catherine Benincasa of Siena (1347–1380), who was one of the major religious figures and most influential women of the late Middle Ages. Affiliated with the Dominican order, she was renowned for her devotion to the poor and sick, as well as for her mystical visions. In one such vision, she saw herself marked with Christ’s wounds from his crucifixion, known as the stigmata. These marks are faintly visible on the backs of her hands in the present work and serve to identify her.

Background data about the artpiece

Title of the artpiece: "Saint Catherine of Siena"
Artwork categorization: painting
Broad category: classic art
Temporal classification: 16th century
Created in the year: 1515
Approximate age of artwork: around 500 years old
Artwork original medium: tempera and oil on panel
Original dimensions: 107,8 × 50,3 cm (42 1/2 × 19 3/4 in) Painted surface: 103,8 × 49 cm (40 7/8 × 19 1/4 in)
Museum / location: Art Institute Chicago
Museum location: Chicago, Illinois, United States of America
Museum's webpage: Art Institute Chicago
Artwork license type: public domain
Courtesy of: Art Institute Chicago
Creditline of artwork: Mr. and Mrs. Martin A. Ryerson Collection

Artist summary table

Artist name: Spagna Lo
Gender of the artist: male
Artist nationality: Italian
Professions of the artist: painter
Country of the artist: Italy
Classification: old master
Life span: 78 years
Year of birth: 1450
Town of birth: Spain
Year died: 1528
Town of death: Spoleto, Italy

Choose your favorite fine art print material

The product dropdown list provides you with the opportunity to select the size and materialaccording to your individual preferences. We allow you to pick your favorite size and material among the following product individualization options:

  • Aluminium print (aluminium dibond): This is a metal print manufactured on aluminium dibond material with a true depth. The non-reflective surface structure creates a modern impression. For your Direct Aluminium Dibond option, we print your favorite work of art on the aluminium composite surface. The bright and white components of the artpiece shine with a silky gloss but without any glare. The colors are luminous in the highest definition, the fine details of the print appear crisp, and the print has a a matte appearance that you can literally feel. The UV print on Aluminum Dibond is one of the most popular entry-level products and is a truly stylish way to showcase art reproductions, as it puts 100% of the viewer’s attention on the whole artwork.
  • Printed poster (canvas material): The Artprinta poster print is a UV printed flat canvas with a fine structure on the surface. Please keep in mind, that depending on the absolute size of the poster print we add a white margin 2 - 6cm around the painting, which facilitates the framing.
  • Canvas: The printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital image printed from an industrial printer. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without the use of extra wall-mounts. Therefore, canvas prints are suited for all kinds of walls in your house.
  • Printed acrylic glass (with real glass coating): The acrylic glass print, often labelled as a fine art print on plexiglass, changes your favorite artwork into magnificient wall decoration. Your own copy of the work of art is custom-made with state-of-the-art UV direct print machines.

The product

Print prodct: art copy
Reproduction: reproduction in digital format
Production process: UV print / digital printing
Product Origin: manufactured in Germany
Stock type: on demand
Product use: art reproduction gallery, art collection (reproductions)
Orientation of the image: portrait format
Aspect ratio: (length : width) 1 : 2
Image aspect ratio interpretation: the length is 50% shorter than the width
Available reproduction materials: canvas print, metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating)
Canvas on stretcher frame (canvas print) sizes: 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47", 80x160cm - 31x63", 90x180cm - 35x71"
Acrylic glass print (with real glass coating) variants: 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47", 80x160cm - 31x63", 90x180cm - 35x71"
Poster print (canvas paper) sizes: 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47"
Aluminium dibond print variants: 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47"
Frame: unframed product

Legal disclaimer: We try the best we can in order to describe the products as accurate as it is possible and to exhibit them visually. At the same time, the tone of the print materials, as well as the printing may differ slightly from the presentation on your monitor. Depending on your screen settings and the quality of the surface, color pigments may not be printed as realistically as the digital version shown here. Given that the fine art prints are processed and printed manually, there may also be minor differences in the motif's exact position and the size.

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