Perugino, 1505 - Do not touch me - fine art print

Product background information

The classic art artpiece called Do not touch me was created by the male Italian artist Perugino in 1505. The beyond 510 years old original was painted with the size: 27,3 x 46,3 cm (10 3/4 x 18 1/4 in) and was painted with the techinque tempera on panel, transferred to canvas. Nowadays, this piece of art is included in the Art Institute Chicago's digital collection in Chicago, Illinois, United States of America. We are delighted to state that this artwork, which belongs to the public domain is being included with courtesy of Art Institute Chicago. In addition to that, the artpiece has the following creditline: Mr. and Mrs. Martin A. Ryerson Collection. In addition to this, the alignment of the digital reproduction is landscape with an image ratio of 16 : 9, which means that the length is 78% longer than the width.

General specifications by the museum (© - Art Institute Chicago - www.artic.edu)

Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his contact with the young Raphael. These four panels, together with another one depicting the Resurrection, now at the Metropolitan Museum of Art, New York, once constituted a predella—a series of small pictures, often with narrative content, forming the base of an altarpiece. In this case, the painting that was positioned above the predella as the focal point of the altarpiece is unidentified. The predella scenes depict moments when Christ’s special nature was revealed: his birth, his baptism by Saint John the Baptist in the river Jordan, his conversation with a woman of Samaria at the well of the patriarch Jacob, the Resurrection, and his appearance to Mary Magdalene after the Resurrection.

Artwork specs

The artist

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In the product dropdown menu you can choose the material and sizeaccording to your personal preferences. We allow you to pick your favorite size and material among the following product individualization options:

• Printed acrylic glass (with real glass coating): An print on acrylic glass, which is sometimes described as a fine art print on plexiglass, will change your favorite original into wonderful décor. Your own replica of the work of art will be manufactured with the help of state-of-the-art UV printing technology. With an acrylic glass art print contrasts as well as smaller image details will be exposed thanks to the precise gradation.
• Poster (canvas material): Our poster print is a printed sheet of cotton canvas with a granular texture on the surface. It is best appropriate for framing the art replica using a special frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm round about the print motif, which facilitates the framing.
• Aluminium dibond (metal print): Aluminium Dibond prints are prints on metal with a true effect of depth. The Aluminium Dibond Print is your ideal start to fine art replicas on aluminum. For the Print On Aluminum Dibond, we print the selected work of art onto the surface of the white-primed aluminum material. The bright parts of the original artwork shimmer with a silky gloss, however without glare. The UV print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to display fine art reproductions, as it draws focus on the image.
• Canvas: A canvas direct print is a printed canvas stretched on a wooden stretcher. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without extra wall-mounts. That is why, a canvas print is suited for all types of walls.

Structured article information

Legal note: We do everythig possible to describe our products as accurate as possible and to demonstrate them visually. Still, the pigments of the printing material, as well as the print result may vary marginally from the representation on the device's monitor. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed one hundret percent realistically. Considering that our are printed and processed manually, there might also be minor differences in the motif's exact position and the size.

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