Nicolas Jean-Baptiste Raguenet, 1754 - The Strike, the Ile Saint-Louis and the Red Bridge, seen from the place of Strike - fine art print
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Additional information from Musée Carnavalet Paris (© - Musée Carnavalet Paris - Musée Carnavalet Paris)
The Strike, the Ile Saint-Louis and the Red Bridge, seen from the Greve, the current 4th district. Urban landscape. In the foreground, the Greve with characters, cars, horses and many boats on the Seine. In the background, from left to right, the house In the Image of Our Lady, the Mortellerie street, houses on the shore, the island Saint Louis (Quai de Bourbon, Quai d'Orleans), the Red bridge the end of the cloister of Notre Dame; beyond the Red Bridge, you can see the Quai Saint-Bernard.
The Greve was until the Second Empire from a neighboring area of a quarter of the current site. It was divided into two unequal portions by a pile row separating the lower part sloping towards the port, of the upper part, the place itself. The port strike was, in fact, a suite of specific ports aligned along the right bank of the Seine from the street of bars up the street Lavandières-Sainte-Opportune: marina hay, wine, wheat , grain, wood, coal, salt, many mills the separated water. The street of Mortellerie renamed rue de l'Hôtel de Ville in 1835, ended up at the Hotel de Ville before being amputated in 1837 in his section located west for expansion of City Hall, and in 1854 its section located to the west of the street from the brush to allow the construction of the Lobau barracks. The Red Bridge replaced in 1803 by the current St. Louis Bridge was built in 1717, it consisted of seven arches of wood and covered with paint that was minium guarantee better preservation. (See J. Hillairet, History of Paris streets, Volume I, p.648-651 and J. Van Deputte, Bridges of Paris, p.58-65).
Artwork details
Title of the painting: | "The Strike, the Ile Saint-Louis and the Red Bridge, seen from the place of Strike" |
Artwork classification: | painting |
Broad category: | classic art |
Artwork century: | 18th century |
Year: | 1754 |
Age of artwork: | 260 years old |
Size of the original artwork: | Height: 46,5 cm, Width: 84 cm |
Signed (artwork): | Signing of the running - On the front of the canvas, bottom right, on the loading timber on the Seine, signed: "Raguenet" |
Museum / collection: | Musée Carnavalet Paris |
Museum location: | Paris, France |
Museum website: | Musée Carnavalet Paris |
License of artwork: | public domain |
Courtesy of: | Musée Carnavalet Paris |
Short overview of the artist
Name of the artist: | Nicolas Jean-Baptiste Raguenet |
Professions: | painter |
Artist classification: | old master |
Life span: | 78 years |
Year born: | 1715 |
Year died: | 1793 |
Structured item details
Article categorization: | fine art reproduction |
Reproduction: | digital reproduction |
Manufacturing method: | UV direct print (digital printing) |
Production: | made in Germany |
Type of stock: | on demand production |
Product usage: | wall decoration, gallery wall |
Orientation of the artwork: | landscape alignment |
Image aspect ratio: | 16 : 9 |
Interpretation of image ratio: | the length is 78% longer than the width |
Material variants: | metal print (aluminium dibond), acrylic glass print (with real glass coating), canvas print, poster print (canvas paper) |
Canvas on stretcher frame (canvas print) size options: | 90x50cm - 35x20", 180x100cm - 71x39" |
Acrylic glass print (with real glass coating): | 90x50cm - 35x20", 180x100cm - 71x39" |
Poster print (canvas paper) sizes: | 90x50cm - 35x20" |
Aluminium dibond print (aluminium material) variants: | 90x50cm - 35x20" |
Picture frame: | not included |
What art print materials can I pick?
The product dropdown menu gives you the opportunity to select the material and sizeaccording to your individual preferences. We allow you to pick your favorite size and material among the following product individualization options:
- The canvas print: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang the Canvas print without additional wall-mounts. That is why, canvas prints are suitable for any kind of wall.
- The poster print (canvas material): The Artprinta poster is a UV printed cotton canvas paper with a nice surface finish. Please note, that depending on the size of the poster we add a white margin 2-6 cm around the painting to facilitate the framing.
- The acrylic glass print: A glossy print on acrylic glass, often labelled as a print on plexiglass, will transform your original artwork into home décor. In addition to that, it offers a viable alternative option to canvas or aluminium dibond fine art replicas. The work of art is being custom-made with the help of state-of-the-art UV print technology. It creates sharp and vivid colors. Our acrylic glass protects your selected art replica against light and heat for many years.
- Aluminium print (aluminium dibond): Aluminium Dibond prints are prints on metal with a true depth. The non-reflective surface creates a contemporary look. A direct Direct Print on Aluminum Dibond is the best start to reproductions with aluminum. For our Print On Aluminum Dibond, we print your chosen work of art on the aluminium composite white-primed surface. The white & bright parts of the original artwork shimmer with a silk gloss but without any glare.
Specification of the art product
"The Strike, the Ile Saint-Louis and the Red Bridge, seen from the place of Strike" was created by the painter Nicolas Jean-Baptiste Raguenet. The original version has the following dimensions: Height: 46,5 cm, Width: 84 cm. The original artwork's inscription is the following: Signing of the running - On the front of the canvas, bottom right, on the loading timber on the Seine, signed: "Raguenet". Moveover, the artpiece is in the the art collection of Musée Carnavalet Paris. The public domain artpiece is being provided with courtesy of Musée Carnavalet Paris.The creditline of the artpiece is the following: . Further, the alignment of the digital reproduction is landscape and has a side ratio of 16 : 9, meaning that the length is 78% longer than the width.
Disclaimer: We try our best to depict our products as accurately as possible and to demonstrate them visually. Nevertheless, the colors of the print products and the imprint might diverge somehwat from the representation on the device's screen. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed as realisitcally as the digital version on this website. Since all our are processed and printed manually, there may also be slight variations in the motif's size and exact position.
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