John Smibert, 1734 - Portrait of a Woman (Judith Colman Bulfinch) - fine art print

Article explanation

This classic art work of art was painted by the artist John Smibert in 1734. The original version has the following size of Framed: 94 x 81 x 6 cm (37 x 31 7/8 x 2 3/8 in); Unframed: 75,6 x 62,2 cm (29 3/4 x 24 1/2 in) and was produced with oil on canvas. Today, this work of art belongs to the digital collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. The classic art artwork, which belongs to the public domain is provided with courtesy of The Cleveland Museum of Art. : Hinman B. Hurlbut Collection. On top of that, alignment is portrait and has an image ratio of 1 : 1.2, meaning that the length is 20% shorter than the width.

Available materials

The product dropdown menu gives you the chance to choose your favorite material and size. We allow you to pick your favorite size and material among the following product individualization options:

• The acrylic glass print (with real glass coating): A glossy acrylic glass print, which is sometimes denoted as a UV print on plexiglass, will change your favorite original work of art into brilliant décor. The artwork will be printed with the help of modern UV direct printing machines. The great upside of an acrylic glass print is that contrasts as well as painting details become exposed due to the delicate gradation. Our plexiglass with real glass coating protects your chosen art print against light and external influences for decades.
• Aluminium dibond print: This is a metal print made on aluminium dibond with a true depth - for a modern look and non-reflective surface structure. For your Direct Print On Aluminum Dibond, we print your chosen work of art on the aluminium white-primed surface. Colors are luminous, the fine details appear crisp, and there’s a matte appearance that you can literally feel.
• Poster on canvas material: Our poster print is a printed flat canvas paper with a granular surface finish. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the print in order to facilitate the framing with your custom frame.
• Canvas print: A canvas print is a printed canvas stretched on a wood frame. It has a special effect of three dimensionality. Hanging a canvas print: Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the help of extra wall-mounts. Because of thata canvas print is suitable for any kind of wall.

Important note: We try everythig possible in order to depict the art products as accurately as possible and to illustrate them visually in our shop. Still, the colors of the printing material, as well as the imprint may diverge to a certain extent from the image on your monitor. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version depicted here. Considering that all art prints are processed and printed manually, there may as well be slight differences in the motif's size and exact position.

Product background information

Artpiece information

The painter

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Additional specifications as provided by the museum (© - by The Cleveland Museum of Art - The Cleveland Museum of Art)

The appearance of a professionally trained British painter in the American colonies in 1729 marks a curcial point in the history of American art. Smibert not only imported the skills necessary to convey the impression of substantial, rounded forms in a picture, but his commercial success also inspired others to contemplate careers as painters. Born in Edinburgh and schooled in London and Italy, Smibert attracted numerous clients upon his arrival in Boston. The low bodice, long neck, and sinuous curl of hair in this portrait follow British conventions for depicting women. Research continues as to the identity of the sitter, long thought to be Mrs. Thomas Bulfinch (born Judith Colman, 1707-1765), since that name does not appear in Smibert's recently discovered records.