Jan Mostaert, 1500 - Joseph Explaining the Dreams of the Baker and the Cupbearer - fine art print

708 kr

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General description as provided from Mauritshuis (© Copyright - Mauritshuis - Mauritshuis)

Edouard Aynard, Lyons, before 1904-1913; Louis Nathaniel, Baron de Rotschild, Vienna, before 1930-1955 (confiscated in 1933 and returned to De Rothschild on 16 May 1945 [Munich Central Collection Point, no. 2633, see also Schwarz 2004, p. 97, no. I/38]; sold to Rosenberg & Stiebel); Rosenberg & Stiebel Gallery, New York, 1955; purchased, 1955

Product details

Joseph Explaining the Dreams of the Baker and the Cupbearer was by Jan Mostaert. The original was made with the size: height: 31,1 cm width: 24,5 cm | height: 12,2 in width: 9,6 in. Oil on panel was used by the European painter as the technique for the artpiece. Moveover, the work of art is included in the art collection of Mauritshuis, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of: Mauritshuis, The Hague (license: public domain). The creditline of the artpiece is: Edouard Aynard, Lyons, before 1904-1913; Louis Nathaniel, Baron de Rotschild, Vienna, before 1930-1955 (confiscated in 1933 and returned to De Rothschild on 16 May 1945 [Munich Central Collection Point, no. 2633, see also Schwarz 2004, p. 97, no. I/38]; sold to Rosenberg & Stiebel); Rosenberg & Stiebel Gallery, New York, 1955; purchased, 1955. Furthermore, alignment of the digital reproduction is portrait with a side ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Jan Mostaert was a male Netherlandish painter, whose art style can primarily be classified as Northern Renaissance. The artist was born in 1498 and passed away at the age of 58 in the year 1556.

Selectable materials

The product dropdown menu provides you with the chance to choose your prefered material and size. We allow you to pick your favorite size and material among the following product individualization options:

  • The acrylic glass print (with real glass coating): The acrylic glass print, which is sometimes denoted as a an art print on plexiglass, changes the artwork into marvellous décor and forms a distinct alternative to canvas and dibond fine art prints. The great advantage of an acrylic glass fine art print is that sharp contrasts and smaller painting details will be exposed thanks to the fine tonal gradation of the print. Our plexiglass with real glass coating protects your custom art replica against light and heat for many years.
  • Aluminium dibond (metal print): These are metal prints on aluminium dibond material with an impressive depth effect, which makes a modern impression with a non-reflective surface. For the Direct Print On Aluminum Dibond, we print your favorite artwork right on the aluminium surface. The white and bright components of the artwork shimmer with a silk gloss but without the glow.
  • Canvas print: The canvas direct print is a printed cotton canvas mounted on a wooden frame. What is more, canvas makes a soft and enjoyable impression. How do I hang a canvas on my wall? Canvas Prints have the advantage of being low in weight, which implies that it is quite simple to hang up the Canvas print without the support of extra wall-mounts. Because of thatcanvas prints are suited for any kind of wall.
  • Poster on canvas material: A poster print is a printed sheet of cotton canvas paper with a slightly roughened finish on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the work of art to facilitate the framing with your custom frame.

Artist summary table

Name of the artist: Jan Mostaert
Also known as: mostaert jan, Mostaert Joannes Sinapius, Mostaert, Mostaert Jansz., Mossert, Mostaert Jan, Beschryving van Haarlem, Schrevelius Jan, Mostert, Jan Mostaert, Joannes Sinapius, Sinapius Joannes
Gender of the artist: male
Artist nationality: Dutch
Jobs: Netherlandish painter
Country of the artist: the Netherlands
Classification: old master
Styles: Northern Renaissance
Died aged: 58 years
Year born: 1498
Year died: 1556

Structured artwork information

Piece of art title: "Joseph Explaining the Dreams of the Baker and the Cupbearer"
Artwork classification: painting
Broad category: classic art
Century: 16th century
Created in the year: 1500
Approximate age of artwork: 520 years old
Medium of original artwork: oil on panel
Original dimensions (artwork): height: 31,1 cm width: 24,5 cm
Museum / collection: Mauritshuis
Museum location: The Hague, South Holland, Netherlands
Web page: www.mauritshuis.nl
Artwork license type: public domain
Courtesy of: Mauritshuis, The Hague
Creditline of artwork: Edouard Aynard, Lyons, before 1904-1913; Louis Nathaniel, Baron de Rotschild, Vienna, before 1930-1955 (confiscated in 1933 and returned to De Rothschild on 16 May 1945 [Munich Central Collection Point, no. 2633, see also Schwarz 2004, p. 97, no. I/38]; sold to Rosenberg & Stiebel); Rosenberg & Stiebel Gallery, New York, 1955; purchased, 1955

About this item

Article classification: art copy
Method of reproduction: digital reproduction
Manufacturing process: UV direct print (digital printing)
Provenance: made in Germany
Type of stock: production on demand
Product usage: home décor, gallery wall
Alignment: portrait alignment
Aspect ratio: 1 : 1.2
Implication: the length is 20% shorter than the width
Available reproduction fabrics: metal print (aluminium dibond), poster print (canvas paper), canvas print, acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame) variants: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating): 50x60cm - 20x24", 100x120cm - 39x47"
Poster print (canvas paper): 50x60cm - 20x24", 100x120cm - 39x47"
Aluminium print options: 50x60cm - 20x24", 100x120cm - 39x47"
Art print framing: not included

Legal disclaimer: We try all that we can to depict our art products as precisely as possible and to illustrate them visually. Although, the colors of the print materials and the imprint can differ somehwat from the presentation on the screen. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed one hundret percent realistically. Bearing in mind that all the are printed and processed by hand, there might as well be minor variations in the exact position and the size of the motif.

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