Additional information by the museum's website (© Copyright - by Musée Cernuschi Paris - www.cernuschi.paris.fr)
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Landscape, mountainous or rocky landscape Waterfall House - House
This 20th century masterpiece Landscape was created by the painter Hua 姚華 Yao. The 90 year old piece of art was made with the size of Height: 178 cm, Width: 39,7 cm. Paper, Ink was applied by the artist as the medium of the painting. The artwork has the following inscription: "handwritten inscription - The old man left the clouds and the mountains, Mangfu endure the torments of the relentless disease. Smother boredom, a momentum is recovering with courage, hardly the ground powder, is covered with a shower of flowers, in the paint, where would I settle? I'll join the green pine that [I] elected. A cpoté my pillow a insanta [breath] a light wind, a link where I can take refuge from the world. The second day after the winter solstice of the year Bingyin [1926] suddenly became worries, I painted this to entertain me, and I put this [poem] on the air Heiqinu Feng Haisu [Feng Zizhen]. Rated night at Lianhua year window. Yao Hua.". Furthermore, this artwork forms part of the Musée Cernuschi Paris's digital collection, which is an Asian art museum, specialising in works from China, Japan, and Korea. With courtesy of: Musée Cernuschi - Musée des Arts de l’Asie de la Ville de Paris (public domain).: . On top of that, alignment is in landscape format with an aspect ratio of 1.2 : 1, meaning that the length is 20% longer than the width.
Pick your material
The product dropdown menu gives you the opportunity to choose your individual material and size. You can choose your your favorite size and material among the following options:
- The poster print (canvas material): The Artprinta poster is a printed canvas with a slightly roughened finish on the surface, which resembles the actual version of the artwork. It is particularly used for placing your art replica with the help of a personal frame. Please keep in mind, that depending on the size of the poster print we add a white margin 2-6cm round about the print to facilitate the framing with your custom frame.
- Acrylic glass print: A glossy print on acrylic glass, which is sometimes described as a UV print on plexiglass, will change your favorite original into beautiful décor and offers a viable alternative option to canvas or aluminium dibond art prints. The work of art is being custom-made with the help of modern UV print technology. Our plexiglass protects your custom fine art print against light and external influences for many years to come.
- Aluminium dibond print: Aluminium Dibond prints are metal prints with an impressive depth effect. Its non-reflective surface structure creates a contemporary look. The colors are luminous and vivid in the highest definition, fine details are crisp.
- The canvas print: A canvas print is a printed cotton canvas stretched on a wooden frame. It creates the plastic effect of three-dimensionality. Your canvas print of your favorite masterpiece will allow you to transform your personal fine art print into a large size collection piece as you know from art galleries. Canvas prints are relatively low in weight, which implies that it is easy to hang up your Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.
Artist summary table
| Artist name: | Hua 姚華 Yao |
| Professions of the artist: | painter |
| Artist category: | modern artist |
| Died aged: | 54 years |
| Year born: | 1876 |
| Died in the year: | 1930 |
Work of art table
| Artpiece title: | "Landscape" |
| Categorization: | painting |
| Generic term: | modern art |
| Period: | 20th century |
| Created in the year: | 1926 |
| Artwork age: | more than 90 years |
| Artwork original medium: | Paper, Ink |
| Original artwork size: | Height: 178 cm, Width: 39,7 cm |
| Original artpiece inscription: | handwritten inscription - The old man left the clouds and the mountains, Mangfu endure the torments of the relentless disease. Smother boredom, a momentum is recovering with courage, hardly the ground powder, is covered with a shower of flowers, in the paint, where would I settle? I'll join the green pine that [I] elected. A cpoté my pillow a insanta [breath] a light wind, a link where I can take refuge from the world. The second day after the winter solstice of the year Bingyin [1926] suddenly became worries, I painted this to entertain me, and I put this [poem] on the air Heiqinu Feng Haisu [Feng Zizhen]. Rated night at Lianhua year window. Yao Hua. |
| Exhibited in: | Musée Cernuschi Paris |
| Place of the museum: | Paris, France |
| Website of the museum: | www.cernuschi.paris.fr |
| License type of artwork: | public domain |
| Courtesy of: | Musée Cernuschi - Musée des Arts de l’Asie de la Ville de Paris |
Product background information
| Product classification: | art copy |
| Method of reproduction: | reproduction in digital format |
| Production technique: | UV direct print |
| Production: | made in Germany |
| Type of stock: | on demand production |
| Intended product usage: | art reproduction gallery, wall decoration |
| Alignment: | landscape format |
| Image aspect ratio: | 1.2 : 1 length to width |
| Interpretation: | the length is 20% longer than the width |
| Available product materials: | acrylic glass print (with real glass coating), metal print (aluminium dibond), canvas print, poster print (canvas paper) |
| Canvas on stretcher frame (canvas print) sizes: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
| Acrylic glass print (with real glass coating) variants: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
| Poster print (canvas paper): | 60x50cm - 24x20", 120x100cm - 47x39" |
| Dibond print (alumnium material) variants: | 60x50cm - 24x20", 120x100cm - 47x39" |
| Frame: | no frame |
Important legal note: We try the best we can to depict our products with as many details as possible and to display them visually in our shop. Nevertheless, the colors of the printed materials, as well as the imprint might diverge to a certain extent from the presentation on the device's monitor. Depending on the screen settings and the nature of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version depicted here. In view of the fact that all our are processed and printed by hand, there might also be slight differences in the exact position and the size of the motif.
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