Gilbert Stuart, 1779 - Man in a Green Coat - fine art print
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Specification of the product
In 1779 Gilbert Stuart made the 18th century painting "Man in a Green Coat". The original was painted with the size - 28 1/2 x 23 1/2 in (72,3 x 59,7 cm). Oil on canvas was used by the American painter as the medium of the artpiece. Today, this work of art is in the the The Metropolitan Museum of Art's digital collection located in New York City, New York, United States of America. With courtesy of The Metropolitan Museum of Art, New York, Bequest of Mary Stillman Harkness, 1950 (public domain). The creditline of the artwork is the following: Bequest of Mary Stillman Harkness, 1950. The alignment is in portrait format with a side ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. The painter Gilbert Stuart was an artist, whose artistic style can be classified as Rococo. The American artist was born in the year 1755 in North Kingstown, Washington county, Rhode Island, United States and deceased at the age of 73 in the year 1828 in Boston, Suffolk county, Massachusetts, United States.
Selectable materials
In the product dropdown menu you can select your favorite size and material. Choose your favorite size and material among the subsequent choices:
- Canvas print: A canvas print is a printed cotton canvas mounted on a wooden frame. It has a special impression of three dimensionality. In addition to that, a canvas print produces a attractive and pleasant appearance. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without extra wall-mounts. That is why, canvas prints are suited for any kind of wall.
- Poster (canvas material): The Artprinta poster print is a UV printed sheet of canvas with a nice surface finish, that reminds the original work of art. It is suited for placing the fine art print in a special frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the artwork in order to facilitate the framing with your custom frame.
- Aluminium dibond print: An Aluminium Dibond print is a print material with a true effect of depth. The white and bright parts of the original work of art shine with a silky gloss, however without the glow. Colors are luminous, the fine details are crisp, and the print has a a matte look that you can literally feel. This direct UV print on aluminium is the most popular entry-level product and is a truly modern way to display artworks, because it draws focus on the replica of the artwork.
- Acrylic glass print: A glossy acrylic glass print, which is often labelled as a print on plexiglass, changes your favorite original artwork into wonderful wall decoration. Your artwork is custom-made with the help of modern UV direct print technology. With an acrylic glass fine art print contrasts and also color details will be exposed because of the granular tonal gradation of the print.
Legal disclaimer: We try everythig possible to depict the art products as accurate as it is possible and to illustrate them visually. Although, the pigments of the print products and the imprint may vary marginally from the image on your device's monitor. Depending on your screen settings and the nature of the surface, not all colors are printed as exactly as the digital version on this website. Since the fine art prints are processed and printed manually, there may as well be slight differences in the motif's size and exact position.
About the item
| Product classification: | fine art reproduction |
| Reproduction method: | digital reproduction |
| Manufacturing process: | UV direct printing |
| Production: | manufactured in Germany |
| Type of stock: | production on demand |
| Product use: | gallery wall, wall gallery |
| Image alignment: | portrait format |
| Image ratio: | length : width - 1 : 1.2 |
| Meaning: | the length is 20% shorter than the width |
| Product material variants: | poster print (canvas paper), acrylic glass print (with real glass coating), metal print (aluminium dibond), canvas print |
| Canvas on stretcher frame (canvas print): | 50x60cm - 20x24", 100x120cm - 39x47" |
| Acrylic glass print (with real glass coating) size variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Poster print (canvas paper) size variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Aluminium dibond print (aluminium material) variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Art print framing: | unframed product |
Structured artwork details
| Artpiece title: | "Man in a Green Coat" |
| Artwork classification: | painting |
| Generic term: | classic art |
| Period: | 18th century |
| Created in the year: | 1779 |
| Artwork age: | 240 years old |
| Painted on: | oil on canvas |
| Original artwork dimensions: | 28 1/2 x 23 1/2 in (72,3 x 59,7 cm) |
| Museum / location: | The Metropolitan Museum of Art |
| Location of the museum: | New York City, New York, United States of America |
| Museum website: | The Metropolitan Museum of Art |
| Artwork license type: | public domain |
| Courtesy of: | The Metropolitan Museum of Art, New York, Bequest of Mary Stillman Harkness, 1950 |
| Creditline: | Bequest of Mary Stillman Harkness, 1950 |
Quick overview of the artist
| Name of the artist: | Gilbert Stuart |
| Aliases: | Stuart, Stuart Gilbert Charles, Stewart Gilbert, American Stuart, stuart g., G. Stuart, Gilbert Stuart, American Stewart, Stuart Gilbert, Stewart |
| Gender: | male |
| Nationality: | American |
| Jobs: | painter |
| Home country: | United States |
| Classification of the artist: | old master |
| Styles of the artist: | Rococo |
| Died at the age of: | 73 years |
| Year of birth: | 1755 |
| Birthplace: | North Kingstown, Washington county, Rhode Island, United States |
| Died in the year: | 1828 |
| Died in (place): | Boston, Suffolk county, Massachusetts, United States |
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(© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
This portrait seems to have been begun as a rectangle and then changed to an oval format. It is one of Stuart’s most virtuosic paintings, clearly from his first years in London, but both its date and the identity of the sitter are unknown. The vague, brushy treatment of the background has raised the suggestion that the work is unfinished. Yet it seems rather to be inspired by Thomas Gainsborough, whose paintings the young American certainly saw and admired in England. Gainsborough also favored oval portraits and such light pastel colors as the pleasing green of the young sitter’s coat.