French School, 1500 - Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost - fine art print

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For every product we offer a range of different materials & sizes. The following sizes and materials are the options we offer you for individualization:

• The poster print (canvas material): The Artprinta poster print is a UV printed canvas paper with a slightly rough structure on the surface. Please note, that depending on the size of the canvas poster print we add a white margin of around 2 - 6cm around the painting to facilitate the framing.
• Printed acrylic glass: An acrylic glass print, which is sometimes labelled as a fine art print on plexiglass, will change an artwork into wall décor. The work of art will be made with the help of state-of-the-art UV direct printing technology. This creates impressive and vivid colors.
• Canvas print: A printed canvas, not to be confused with a painting on a canvas, is a digital copy printed from an industrial printer. Your printed canvas of your favorite artpiece will let you turn your new art print into a large size artpiece as you would see in a true gallery. Hanging your canvas print: Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the help of additional wall-mounts. A canvas print is suited for any type of wall.
• Aluminium print (aluminium dibond): These are metal prints on alu dibond material with an outstanding depth effect. The Direct Print on Aluminum Dibond is the best introduction to the sophisticated world of prints with aluminum. The colors are luminous, details are very clear, and the print has a a matte look that you can literally feel. The UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely sophisticated way to showcase artworks, because it puts 100% of the viewer’s attention on the image.

Disclaimer: We try everythig possible to describe the art products with as many details as possible and to display them visually on the product detail pages. Nonetheless, the tone of the printed materials, as well as the imprint can vary somehwat from the image on your device's screen. Depending on the screen settings and the condition of the surface, colors might not be printed as realisitcally as the digital version depicted here. Because all art prints are printed and processed by hand, there may as well be minor deviations in the exact position and the size of the motif.

Supplemental information by the museum's website (© - by Art Institute Chicago - Art Institute Chicago)

This panel was once part of the altarpiece decorating the high altar of the Carthusian monastery at Thuison, outside of Abbeville in northern France. Four saints standing in niches were painted on the exterior of the altarpiece’s wings. When the wings were open, the interior of the altarpiece told the story of Christ’s Passion and Resurrection through painted narratives on the inside of the wings and painted and gilded carvings in the central shrine whose central subject was undoubtedly the Crucifixion. The carvings have not survived. The fronts and backs of the wings were sawn apart in the mid 19th century; all the wing panels except one narrative (The Entry into Jerusalem, Hermitage, Saint Petersburg) are in the Art Institute.

What type of art product do we present here?

The over 520 year-old artpiece Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost was created by French School. The artpiece measures the size: Panel: 117 × 51,1 cm (46 1/16 × 20 1/8 in); Painted Surface: 115,1 × 49,4 cm (45 5/16 × 19 7/16 in). Oil on panel was used by the artist as the technique for the work of art. The original artpiece has the following text as inscrption: inscribed: AM / [illegible] BE / SALVE:REGINA / VITA:DULCEDO ESSPES:NOSTRA:SALVE:ADTE/ FOR (on hem of the Virgin’s mantle). It is in the the Art Institute Chicago's digital art collection - the museum is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of - Art Institute Chicago (public domain license). Additionally, the work of art has the creditline: The Art Institute of Chicago, Mr. and Mrs. Martin A. Ryerson Collection. On top of that, alignment of the digital reproduction is in portrait format and has a side ratio of 2 : 5, which implies that the length is 60% shorter than the width.

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