Camille Pissarro, 1879 - Edge of the Woods Near LHermitage, Pontoise - fine art print

Information about the product

The modern art piece of art titled Edge of the Woods Near LHermitage, Pontoise was created by the impressionist painter Camille Pissarro in 1879. The over 140 years old original version was made with the size Framed: 166 x 204 x 16,5 cm (65 3/8 x 80 5/16 x 6 1/2 in); Unframed: 125 x 163 cm (49 3/16 x 64 3/16 in). Oil on fabric was applied by the European painter as the technique for the artwork. The artwork's inscription is: signed lower left: C. Pissarro 79. The artpiece is included in the The Cleveland Museum of Art's collection, which is located in Cleveland, Ohio, United States of America. With courtesy of - The Cleveland Museum of Art (public domain license). Creditline of the artwork: Gift of the Hanna Fund. Moreover, alignment is landscape with a side ratio of 4 : 3, meaning that the length is 33% longer than the width. Camille Pissarro was a male artist, painter of French nationality, whose artistic style can mainly be classified as Impressionism. The French artist was born in 1830 in Charlotte Amalie, Virgin Islands of the United States and deceased at the age of 73 in 1903.

Product materials our customers can pick

We offer a range of different materials and sizes for every product. The following options are available for individualization:

• Canvas print: A canvas direct print is a printed cotton canvas stretched on a wood stretcher. Your canvas of this artwork will provide you with the chance of transforming your customized into a large size collection piece as you would see in a gallery. Hanging your canvas print: A canvas print has the great advantage of being low in weight, meaning that it is easy and straightforward to hang up your Canvas print without any wall-mounts. Canvas prints are suitable for all kinds of walls.
• Acrylic glass print: An acrylic glass print, which is sometimes named as a print on plexiglass, transforms your favorite original work of art into home decoration and offers a viable alternative to aluminium or canvas fine art replicas. Your work of art is manufactured with modern UV direct printing machines. With an acrylic glass art print contrasts and small painting details become more exposed with the help of the delicate gradation of the print. The plexiglass with real glass coating protects your chosen fine art print against light and external influences for many years to come.
• Aluminium print (aluminium dibond): Aluminium Dibond prints are metal prints with an impressive depth. The white & bright sections of the original work of art shimmer with a silk gloss but without any glare. The colors are bright and luminous, the details appear clear and crisp.
• Poster on canvas material: The Artprinta poster print is a UV printed canvas paper with a slight surface texture, which reminds the actual artwork. It is suited for putting your art replica using a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the print to facilitate the framing with your custom frame.

Legal disclaimer: We try everything to describe the products with as many details as possible and to showcase them visually in our shop. Please keep in mind that the pigments of the printed materials, as well as the imprint can differ somehwat from the presentation on the monitor. Depending on the settings of your screen and the quality of the surface, colors may not be printed as exactly as the digital version depicted here. Because our art reproductions are printed and processed manually, there may also be minor differences in the motif's exact position and the size.

Structured product information

Background information on the piece of art

About the artist

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General description by the museum's website (© - by The Cleveland Museum of Art - www.clevelandart.org)

Pissarro painted this monumental landscape when he was desperately poor and struggling to sell his paintings. It depicts a man slumbering in the sundappled backwoods of the Hermitage, a rural village near Pontoise, where the artist had been living since 1872. Restricting his pallette to pure hues, Pissarro applied brushstrokes in systematic diagonal patterns, producing an effect that he likened to knitting. This canvas was included in the fourth Impressionist exhibition of 1879.