Bernardo Cavallino, 1650 - Adoration of the Shepherds - fine art print

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Original artwork description from The Cleveland Museum of Art (© Copyright - The Cleveland Museum of Art - The Cleveland Museum of Art)

Cavallino worked in Naples. He was not a well known artist during his lifetime, but he was alert to the work of his contemporaries and he always transformed their influence with his extraordinary delicacy and charm. The adoration of the shepherds is a traditional subject, but here Cavallino shows it in a new light. The focus is on Mary, indicating that she alone is aware of the angels who flutter above with ribbons proclaiming "Gloria in Excelsis Deo." Joseph and the shepherds stolidly regard the child; but the sweetness of Mary's expression seems to reveal simultaneously her love, pride, and humility.

Background information about the artwork

Painting title: "Adoration of the Shepherds"
Classification: painting
Umbrella term: classic art
Period: 17th century
Year of creation: 1650
Age of artwork: around 370 years old
Medium of original artwork: oil on canvas
Size of the original artwork: Framed: 151 x 172 x 7 cm (59 7/16 x 67 11/16 x 2 3/4 in); Unframed: 126,8 x 148,3 cm (49 15/16 x 58 3/8 in)
Signature: signed left on ox: "BC [monogram]"
Museum: The Cleveland Museum of Art
Place of museum: Cleveland, Ohio, United States of America
webpage: The Cleveland Museum of Art
Artwork license type: public domain
Courtesy of: The Cleveland Museum of Art
Creditline: Mr. and Mrs. William H. Marlatt Fund

The artist

Name: Bernardo Cavallino
Other artist names: Cavallino, Bernardo Cavalliero, Cavallini, Cavalino, Ber.do Cavallino, Bernardo Cavallino, Berardino Cavallino, Cavallino Bern., Bernardo Cavallini, cavallino b., Cavallino Bernardino, Cavallino Bernardo
Gender of the artist: male
Nationality of artist: Italian
Jobs of the artist: painter
Country of the artist: Italy
Artist classification: old master
Styles of the artist: Baroque
Lifetime: 40 years
Born in the year: 1616
Birthplace: Naples, Napoli province, Campania, Italy
Year died: 1656
Died in (place): Naples

About the article

Product categorization: art print
Reproduction method: reproduction in digital format
Production method: UV direct print
Provenance: German-made
Type of stock: on demand
Intended product usage: home décor, art reproduction gallery
Orientation: landscape format
Side ratio: 1.2 : 1 - length : width
Side ratio meaning: the length is 20% longer than the width
Available reproduction materials: metal print (aluminium dibond), canvas print, poster print (canvas paper), acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame) size options: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Acrylic glass print (with real glass coating) variants: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Poster print (canvas paper): 60x50cm - 24x20", 120x100cm - 47x39"
Aluminium print (aluminium dibond material) variants: 60x50cm - 24x20", 120x100cm - 47x39"
Picture frame: not available

The product material options

For every fine art print we offer a range of different materials and sizes. You can choose among the following product customization options:

  • The canvas print: A printed canvas applied on a wood stretcher frame. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without any wall-mounts. Hence, a canvas print is suited for any type of wall.
  • Printed poster (canvas material): The Artprinta poster is a UV printed canvas with a slightly roughened finish on the surface, which reminds the actual work of art. Please keep in mind, that depending on the size of the poster print we add a white margin between 2 - 6cm round about the work of art to facilitate the framing.
  • Metal (aluminium dibond print): An Aluminium Dibond print is a print with an outstanding effect of depth. For our Print On Aluminum Dibond, we print your chosen artpiece on the surface of the white-primed aluminum composite. The colors are vivid and luminous in the highest definition, the fine details of the print are crisp.
  • Printed acrylic glass (with real glass coating): An print on acrylic glass, often referred to as a plexiglass print, makes your favorite original into beautiful décor and makes a viable alternative to canvas or dibond fine art prints. The work of art is being custom-made thanks to the help of state-of-the-art UV direct printing machines. Our acrylic glass protects your selected fine art print against light and heat for up to 60 years.

Detailed art product information

Adoration of the Shepherds is a painting made by the baroque Italian painter Bernardo Cavallino. The masterpiece was painted with the dimensions: Framed: 151 x 172 x 7 cm (59 7/16 x 67 11/16 x 2 3/4 in); Unframed: 126,8 x 148,3 cm (49 15/16 x 58 3/8 in) and was painted on the medium oil on canvas. The original artwork is inscribed with the following information: "signed left on ox: "BC [monogram]"". It is included in the The Cleveland Museum of Art's digital art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. This artpiece, which belongs to the public domain is being supplied with courtesy of The Cleveland Museum of Art. Creditline of the artwork: Mr. and Mrs. William H. Marlatt Fund. What is more, the alignment is landscape and has a ratio of 1.2 : 1, which implies that the length is 20% longer than the width. Bernardo Cavallino was a painter of Italian nationality, whose style can primarily be classified as Baroque. The Italian artist was born in the year 1616 in Naples, Napoli province, Campania, Italy and deceased at the age of 40 in the year 1656.

Important legal note: We try what we can to describe the art products with as many details as possible and to illustrate them visually on the various product detail pages. Still, the colors of the printed materials, as well as the printing can vary slightly from the representation on the device's screen. Depending on your settings of your screen and the condition of the surface, color pigments might not be printed 100% realistically. In view of the fact that the are processed and printed by hand, there might as well be minor differences in the size and exact position of the motif.

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