Henri Fantin-Latour, 1888 - Roses and Lilies - fine art print

Summarization of the product

This over 130 year-old artwork named Roses and Lilies was created by the male French artist Henri Fantin-Latour. The 130 years old version of the piece of art was made with the size: 23 1/2 x 18 in (59,7 x 45,7 cm). Oil on canvas was used by the French artist as the medium of the artwork. This artpiece is part of the digital art collection of The Metropolitan Museum of Art. This artwork, which belongs to the public domain is being included with courtesy of The Metropolitan Museum of Art, New York, The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 2001, Bequest of Walter H. Annenberg, 2002. : The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 2001, Bequest of Walter H. Annenberg, 2002. What is more, the alignment of the digital reproduction is portrait with a ratio of 3 : 4, meaning that the length is 25% shorter than the width. The painter, graphic artist, botanical illustrator, lithographer Henri Fantin-Latour was an artist from France, whose art style was primarily Realism. The French artist lived for a total of 68 years and was born in the year 1836 in Grenoble, Auvergne-Rhone-Alpes, France and passed away in the year 1904 in Basse-Normandie, France.

Pick your product material variant

The product dropdown menu provides you with the opportunity to pick the material and size of your choice. The following options are available for individualization:

• Canvas print: A printed canvas material stretched on a wood frame. It generates the extra impression of three dimensionality. Furthermore, a canvas generates a familiar and appealing atmosphere. Canvas prints are relatively low in weight, which means that it is easy to hang up the Canvas print without the help of extra wall-mounts. Because of thata canvas print is suitable for all kinds of walls.
• Acrylic glass print: The acrylic glass print, which is sometimes referred to as a UV print on plexiglass, transforms the original work of art into gorgeous wall décor and offers a distinct alternative option to aluminium and canvas art prints. Your own copy of the artwork will be made with the help of state-of-the-art UV direct print technology. The effect of this are stunning, rich colors. With an acrylic glass art print contrasts and also minor details will be more exposed with the help of the precise tonal gradation. Our acrylic glass protects your custom art replica against light and heat for many years.
• The poster print (canvas material): A poster is a printed sheet of flat canvas with a slightly roughened structure on the surface, that reminds the original masterpiece. It is qualified for placing the art copy using a personal frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6 cm around the artwork to facilitate the framing.
• Aluminium dibond (metal print): An Aluminium Dibond print is a material with an impressive effect of depth, creating a fashionable look by having a surface structure, that is non-reflective. The Direct Print on Aluminum Dibond is your ideal start to the sophisticated world of art reproductions on aluminum. This UV print on aluminium is the most popular entry-level product and is an extremely sophisticated way to showcase fine art prints, as it puts the viewer’s attention on the artwork.

Important note: We try to depict the products as precisely as possible and to illustrate them visually on the various product detail pages. Nonetheless, the pigments of the print materials and the print result might vary slightly from the presentation on the device's screen. Depending on your screen settings and the condition of the surface, colors may not be printed 100% realistically. In view of the fact that our art reproductions are printed and processed by hand, there may as well be slight discrepancies in the size and exact position of the motif.

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Additional information from the museum (© - The Metropolitan Museum of Art - www.metmuseum.org)

This canvas, in excellent condition, shows Fantin's virtuosic manipulation of paint—not only with brushes, but also with the butt of the brush and scrapers.