Hans Traut - Virgin and Child - fine art print

Detailed product specifications

The work of art was created by Hans Traut. The original creation measures the size: 15 5/8 x 12 1/8 in (39,7 x 30,8 cm). Oil, gold, and silver on linden was used by the painter as the technique for the masterpiece. Besides, this artwork belongs to the The Metropolitan Museum of Art's collection. With courtesy of The Metropolitan Museum of Art, New York, Purchase, Joseph Pulitzer Bequest, 1922 (public domain license). : Purchase, Joseph Pulitzer Bequest, 1922. Besides, the alignment is portrait with a ratio of 3 : 4, which means that the length is 25% shorter than the width. The painter Hans Traut was an artist, whose artistic style can be attributed primarily to Northern Renaissance. The painter was born in the year 1477 and deceased at the age of 39 in the year 1516.

Materials you can pick from

The product dropdown menu provides you with the opportunity to select your individual size and material. The following options are available for individualization:

• Printed poster (canvas material): A poster is a printed canvas with a slightly roughened finish on the surface. The poster is suited for placing the art print with the help of a special frame. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2 - 6cm around the painting, which facilitates the framing with your custom frame.
• Canvas: A canvas direct print is a printed canvas mounted on a wooden stretcher. Your printed canvas of your favorite work of art will allow you to transform your art print into a large artpiece. How can I hang a canvas on the wall? Canvas prints are relatively low in weight, meaning that it is easy to hang the Canvas print without extra wall-mounts. Hence, a canvas print is suitable for any type of wall.
• Aluminium dibond: An Aluminium Dibond print is a material with a true depth effect - for a modern impression and non-reflective surface. For our Print On Aluminum Dibond, we print your favorite artwork on the aluminium composite surface. The bright and white parts of the work of art shimmer with a silky gloss, however without any glow. The colors of the print are vivid and luminous, the fine details appear very clear, and you can perceive a matte appearance of the product. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a modern way to display art reproductions, since it puts 100% of the viewer’s focus on the artwork.
• Acrylic glass print: An print on acrylic glass, often referenced as a print on plexiglass, makes an original artwork into lovely home decoration and forms a distinct alternative option to canvas or dibond prints. With an acrylic glass fine art print sharp contrasts and also painting details become exposed due to the granular gradation in the picture.

Legal note: We try everythig possible in order to depict our art products with as many details as possible and to illustrate them visually in our shop. Nonetheless, the colors of the printed materials and the printing can diverge somehwat from the image on the device's monitor. Depending on the settings of your screen and the nature of the surface, color pigments can unfortunately not be printed 100% realistically. Since the fine art prints are processed and printed by hand, there may as well be minor deviations in the motif's size and exact position.

About this item

Piece of art information

General background information about the artist

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Additional description as provided by The Metropolitan Museum of Art (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

This painting testifies to the widespread influence of early Netherlandish masters on German artists of the last half of the fifteenth century. Although the exact prototype for this Virgin and Child is unknown, the composition and figure style can be generally associated with models by Dieric Bouts that were widely circulated through drawings. Technical examination revealed that the underdrawing of the figures was transferred onto the panel from a preexisting pattern. The landscape, however, was painted freehand and bears a close resemblance to a German watercolor drawing (Universitätsbibliothek Erlangen), supporting the attribution to the workshop or circle of Hans Traut.