Claude Monet, 1891 - Stacks of Wheat (End of Summer) - fine art print

About the art replica titled Stacks of Wheat (End of Summer)

The artpiece was created by the male artist Claude Monet in 1891. The 120 year-old artpiece was made with the size: 60 × 100,5 cm (23 5/8 × 39 9/16 in). Oil on canvas was used by the European painter as the medium of the work of art. The artwork's inscription is: inscribed lower left: Claude Monet 91. This work of art can be viewed in in the Art Institute Chicago's collection. The artwork, which is part of the public domain is provided, courtesy of Art Institute Chicago. Moreover, the work of art has the following creditline: Gift of Arthur M. Wood, Sr. in memory of Pauline Palmer Wood. What is more, the alignment is in landscape format with an aspect ratio of 16 : 9, meaning that the length is 78% longer than the width. The painter Claude Monet was a European artist, whose art style can mainly be assigned to Impressionism. The European painter was born in the year 1840 in Paris, Ile-de-France, France and deceased at the age of 86 in the year 1926.

The material options

We offer a range of various sizes and materials for every product. We allow you to pick your favorite size and material among the following product individualization options:

• Aluminium print (aluminium dibond): An Aluminium Dibond print is a print material with a true effect of depth. For your Direct Print On Aluminum Dibond, we print the chosen work of art on the surface of the aluminum material. The bright sections of the artpiece shine with a silk gloss, however without glow.
• Poster (canvas material): The poster is a printed canvas paper with a granular texture on the surface, that resembles the actual work of art. Please keep in mind, that depending on the size of the poster we add a white margin 2-6cm around the print in order to facilitate the framing with your custom frame.
• Canvas: The canvas direct print is a printed canvas mounted on a wood stretcher. It produces a distinctive effect of three dimensionality. How can I hang a canvas on my wall? Canvas Prints have the great advantage of being relatively low in weight, which means that it is easy to hang the Canvas print without the use of any wall-mounts. Because of thata canvas print is suited for any type of wall.
• Printed acrylic glass: The acrylic glass print, often named a an art print on plexiglass, will turn your original work of art into brilliant décor and offers a great alternative to dibond or canvas fine art replicas. Your work of art is manufactured with state-of-the-art UV printing technology. Our acrylic glass protects your selected art replica against light and external influences for many more years.

Important legal note: We try in order to describe the art products as exact as possible and to display them visually. At the same time, the pigments of the print products, as well as the imprint can vary to a certain extent from the presentation on your monitor. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version depicted here. Given that all our fine art prints are printed and processed by hand, there might also be slight differences in the motif's size and exact position.

Structured product details

Artpiece table

Artist details

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Original artwork description from Art Institute Chicago (© - Art Institute Chicago - Art Institute Chicago)

The monumental stacks that Claude Monet depicted in his series Stacks of Wheat rose fifteen to twenty feet and stood just outside the artist’s farmhouse at Giverny. Through 1890 and 1891, he worked on this series both in the field, painting simultaneously at several easels, and in the studio, refining pictorial harmonies. In May 1891, Monet hung fifteen of these canvases next to each other in one small room in the Galerie Durand-Ruel in Paris. An unprecedented critical and financial success, the exhibition marked a breakthrough in Monet’s career, as well as in the history of French art. In this view, and in nearly all of the autumn views in the series, the conical tops of the stacks break the horizon and push into the sky. But in most of the winter views, which constitute the core of the series, the stacks seem wrapped by bands of hill and field, as if bedded down for the season. For Monet, the stack was a resonant symbol of sustenance and survival. He followed this group with further series depicting poplars, the facade of Rouen Cathedral, and, later, his own garden at Giverny. The Art Institute has the largest group of Monet’s Stacks of Wheat in the world.