Federico Barocci, 1600 - Portrait of a Young Lady - fine art print

"Portrait of a Young Lady" as an art print

Portrait of a Young Lady was made by the Italian artist Federico Barocci in 1600. Furthermore, the work of art is part of the Statens Museum for Kunst (National Gallery of Denmark)'s art collection, which is the largest museum of fine arts in Denmark and is attached to the Danish Ministry of Culture.. The work of art, which is part of the public domain is provided with courtesy of National Gallery of Denmark.Moreover, the artwork has the following creditline: . The alignment of the digital reproduction is portrait with an image ratio of 1 : 1.4, which means that the length is 29% shorter than the width.

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We offer a range of various sizes and materials for every product. Choose among the following product options now to match your preferences in size and material:

• Canvas: A canvas print is a printed cotton canvas mounted on a wood frame. A canvas produces a unique impression of three-dimensionality. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang your Canvas print without the help of any wall-mounts. A canvas print is suitable for all types of walls.
• Printed acrylic glass (with real glass coating): An acrylic glass print, often described as a print on plexiglass, will change your favorite original artwork into magnificient wall décor. Additionally, the acrylic glass art print makes a distinct alternative option to canvas or dibond fine art replicas. The artwork will be custom-made thanks to the help of modern UV printing machines. The major upside of an acrylic glass fine art copy is that contrasts and smaller image details will be more visible with the help of the very fine tonal gradation in the print. The real glass coating protects your chosen fine art print against light and external influences for between four and six decades.
• Poster print (canvas material): A poster print is a printed flat canvas with a slight surface structure, which reminds the original work of art. A poster print is qualified for putting the art replica using a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the print in order to facilitate the framing with your custom frame.
• Aluminium print (aluminium dibond): Aluminium Dibond prints are prints on metal with an impressive depth. The Direct Print on Aluminum Dibond is your perfect introduction to art prints made on aluminum. For the Aluminium Dibond print, we print the selected artpiece onto the surface of the white-primed aluminum material. The colors are luminous in the highest definition, the details are clear and crisp, and the print has a a matte look you can literally feel.

Legal note: We try our best to depict the art products as closely as we can and to demonstrate them visually. However, the pigments of the print products, as well as the imprint might vary slightly from the representation on your device's monitor. Depending on the settings of your screen and the nature of the surface, not all colors are printed as realisitcally as the digital version. Considering that the fine art prints are printed and processed manually, there may as well be slight deviations in the size and exact position of the motif.

The product specs

Details about the artwork

General background information about the artist

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Additional description from Statens Museum for Kunst (National Gallery of Denmark) website (© Copyright - by Statens Museum for Kunst (National Gallery of Denmark) - Statens Museum for Kunst (National Gallery of Denmark))

The aristocratic female figure stands luminous and cool against a dark background, turning her head towards us, looking down at the spectators whose gazes begin at the elegantly interlaced hands and are led upwards along the arms to the expressive eyes.

The painting's composition The white silk dress shines like mother-of-pearl. The gold necklace echoes the oval formed by the arms, accentuates the curves of the bosom and slides behind the soft semi-transparent ruff that surrounds the face like leaves around a dewy bud.

The painting's mournfeel feel The facial expression is surprisingly lifelike, dreamy, ethereal yet present. Her smile has a slightly mournful feel to it, an effect Barocci achieved by blurring the contours, the corners of the eyes and the mouth with soft colours letting one shape merge into another.

X-ray photography shows that Barocci very deliberately worked his way out of what was originally a more well-defined and static face towards the changeable, indefinable expression we see today.

We do not know who the model was. The style of the painting suggests that it was painted around 1600.