Sir Henry Raeburn, 1801 - William Fraser of Reelig (1784–1835) - fine art print

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Original information about the artwork by the museum's website (© Copyright - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

In late March and early April 1801, the seventeen-year old son of Edward Satchwell Fraser and Jane Fraser of Reelig traveled to Edinburgh from his family home in Inverness-shire en route to London. It was the first of William Fraser’s numerous visits to the studio of Sir Henry Raeburn, where this dashing portrait was painted. The finished portrait was dispatched to the family dining room in northern Scotland while its sitter was relocated to Delhi as a colonial servant of the East India Company. William fell under the Mughal spell, fathering numerous children from his harem of five or six Muslim and Hindu wives. He never returned to Scotland, for he was assassinated while commissioner of Delhi in 1835.

Details on the unique work of art

Piece of art title: "William Fraser of Reelig (1784–1835)"
Classification: painting
General term: modern art
Artwork century: 19th century
Created in: 1801
Artwork age: over 210 years old
Artwork original medium: oil on canvas
Size of the original work of art: 29 1/2 x 24 1/2 in (74,9 x 62,2 cm)
Exhibited in: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Available under: www.metmuseum.org
License of artwork: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975
Creditline of artwork: Robert Lehman Collection, 1975

General background information on the artist

Name: Sir Henry Raeburn
Gender of the artist: male
Nationality: Scottish
Professions: painter
Home country: Scotland
Artist category: modern artist
Styles of the artist: Rococo
Died at the age of: 67 years
Born: 1756
Died: 1823

About this article

Product classification: wall art
Method of reproduction: digital reproduction
Manufacturing process: UV print / digital printing
Production: produced in Germany
Stock type: on demand production
Proposed product use: art reproduction gallery, home décor
Artwork orientation: portrait alignment
Aspect ratio: 1 : 1.2
Aspect ratio implication: the length is 20% shorter than the width
Available product materials: metal print (aluminium dibond), canvas print, poster print (canvas paper), acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame) sizes: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (with real glass coating) sizes: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Poster print (canvas paper) size options: 50x60cm - 20x24", 100x120cm - 39x47"
Dibond print (alumnium material) sizes: 50x60cm - 20x24", 100x120cm - 39x47"
Art print framing: no frame

Obtain your desired art print material option

We offer a range of various materials and sizes for every product. The following options are available for individualization:

  • Poster (canvas material): Our poster is a printed cotton canvas with a slight finish on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm round about the artwork, which facilitates the framing with your custom frame.
  • Aluminium dibond: Aluminium Dibond prints are prints on metal with a true depth. The Aluminium Dibond Print is the best introduction to fine art prints with aluminum. For the Aluminium Dibond option, we print the selected artpiece right onto the aluminium composite white-primed surface. The white and bright parts of the original work of art shine with a silky gloss, however without the glare. Colors are luminous in the highest definition, the fine details are very clear.
  • The acrylic glass print (with real glass coating): A glossy print on acrylic glass, often labelled as a UV print on plexiglass, makes your favorite original into beautiful home décor. Beyond that, the acrylic print is a viable alternative to aluminium or canvas art prints. With a glossy acrylic glass art print contrasts plus small details will be more recognizeable because of the very subtle tonal gradation in the picture. Our real glass coating protects your selected art print against light and heat for many years.
  • Canvas print: A UV printed canvas material stretched on a wood frame. Canvas Prints have the great advantage of being relatively low in weight, which implies that it is quite simple to hang the Canvas print without the use of additional wall-mounts. That is why, canvas prints are suitable for all types of walls.

The over 210 year-old work of art with the title William Fraser of Reelig (1784–1835) was made by the rococo master Sir Henry Raeburn. The original of the piece of art measures the size: 29 1/2 x 24 1/2 in (74,9 x 62,2 cm). Oil on canvas was used by the artist as the medium of the artpiece. Moveover, this artwork can be viewed in in the The Metropolitan Museum of Art's digital collection. This modern art public domain piece of art is included with courtesy of The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975. The creditline of the artpiece is: Robert Lehman Collection, 1975. Furthermore, alignment of the digital reproduction is in portrait format with an aspect ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. The painter Sir Henry Raeburn was an artist from Scotland, whose art style can mainly be classified as Rococo. The European painter lived for a total of 67 years, born in the year 1756 and deceased in 1823.

Important note: We try whatever we can in order to depict our products with as many details as possible and to demonstrate them visually. Nevertheless, the pigments of the print products, as well as the printing may vary to a certain extent from the representation on the device's screen. Depending on the settings of your screen and the condition of the surface, color pigments might not be printed as realistically as the digital version depicted here. Considering that our art reproductions are processed and printed manually, there may as well be minor variations in the motif's exact position and the size.

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